A Good Turn of Phrase
Author | : James Milton |
Publisher | : |
Total Pages | : 36 |
Release | : 2000 |
Genre | : English language |
ISBN | : 9789603611486 |
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Author | : James Milton |
Publisher | : |
Total Pages | : 36 |
Release | : 2000 |
Genre | : English language |
ISBN | : 9789603611486 |
Author | : James Milton |
Publisher | : ELI |
Total Pages | : 55 |
Release | : 2000 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781842168462 |
These two books offer comprehensive presentation and extensive practice of commonly used idioms, phrasal verbs and prepositional phrases at advanced level. The books are suitable both for classroom and self-study use.
Author | : James Milton |
Publisher | : |
Total Pages | : 103 |
Release | : 2000 |
Genre | : English language |
ISBN | : 9781842168486 |
Author | : James Milton |
Publisher | : |
Total Pages | : 36 |
Release | : 1998 |
Genre | : English language |
ISBN | : 9789603611486 |
Author | : James Milton |
Publisher | : |
Total Pages | : 36 |
Release | : 2000 |
Genre | : English language |
ISBN | : 9781842168479 |
These two books offer comprehensive presentation and extensive practice of commonly used idioms, phrasal verbs and prepositional phrases at advanced level. The books are suitable both for classroom and self-study use.
Author | : James Milton |
Publisher | : |
Total Pages | : 36 |
Release | : 2000 |
Genre | : English language |
ISBN | : 9781842168493 |
These two books offer comprehensive presentation and extensive practice of commonly used idioms, phrasal verbs and prepositional phrases at advanced level. The books are suitable both for classroom and self-study use.
Author | : Arthur Quinn |
Publisher | : Routledge |
Total Pages | : 101 |
Release | : 1995-11-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1136784985 |
Writing is not like chemical engineering. The figures of speech should not be learned the same way as the periodic table of elements. This is because figures of speech are not about hypothetical structures in things, but about real potentialities within language and within ourselves. The "figurings" of speech reveal the apparently limitless plastic