Ancient Latin Poetry Books

Ancient Latin Poetry Books
Author: Gabriel Nocchi Macedo
Publisher:
Total Pages: 320
Release: 2021-06-21
Genre:
ISBN: 9780472132393

Before the invention of printing, all forms of writing were done by hand. For a literary text to circulate among readers, and to be transmitted from one period in time to another, it had to be copied by scribes. As a result, two copies of an ancient book were different from one another, and each individual book or manuscript has its own history. The oldest of these books, those that are the closest to the time in which the texts were composed, are few, usually damaged, and have been often neglected in the scholarship. Ancient Latin Poetry Books presents a detailed study of the oldest manuscripts still extant that contain texts by Latin poets, such as Virgil, Terence, and Ovid. Analyzing their physical characteristics, their script, and the historical contexts in which they were produced and used, this volume shows how manuscripts can help us gain a better understanding of the history of texts, as well as of reading habits over the centuries. Since the manuscripts originated in various places of the Latin-speaking world, Ancient Latin Poetry Books investigates the readership and reception of Latin poetry in many different contexts, such schools in the Egyptian desert, aristocratic circles in southern Italy, and the Christian élite in late antique Rome. The research also contributes to our knowledge about the use of writing and the importance of the written text in antiquity. This is an innovative approach to the study of ancient literature, one that takes the materiality of texts into consideration.

The Oxford Book of Latin American Poetry

The Oxford Book of Latin American Poetry
Author: Cecilia Vicuña
Publisher:
Total Pages: 603
Release: 2009
Genre: Literary Collections
ISBN: 0195124545

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

The FSG Book of Twentieth-Century Latin American Poetry

The FSG Book of Twentieth-Century Latin American Poetry
Author: Ilan Stavans
Publisher: Macmillan
Total Pages: 769
Release: 2012-03-27
Genre: Poetry
ISBN: 0374533180

Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.

How to Read a Latin Poem

How to Read a Latin Poem
Author: William Fitzgerald
Publisher: Oxford University Press
Total Pages: 289
Release: 2013-02-21
Genre: History
ISBN: 0199657866

This is a book about poetry, language, and classical antiquity, and explains to the reader with little or no Latin how the language works as a unique vehicle for poetic expression. Fitzgerald guides the reader through samples of Latin poetry to give a sense of how the individual poems feel in Latin and what makes Latin poetry worth reading.

Latin Poetry

Latin Poetry
Author: Jacopo Sannazaro
Publisher: Harvard University Press
Total Pages: 598
Release: 2009
Genre: History
ISBN: 9780674034068

Sannazaro (1456-1530) is most famous for having written the first pastoral romance in European literature, the Arcadia (1504). But after this work, he devoted himself entirely to Latin poetry modeled on his beloved Virgil. In addition to his epic The Virgin Birth (1526), he also composed Piscatory Eclogues, an adaption of the eclogue form.

I, the Poet

I, the Poet
Author: Kathleen McCarthy
Publisher: Cornell University Press
Total Pages: 255
Release: 2019-10-15
Genre: Literary Criticism
ISBN: 1501739565

First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.