A Darker Shade Of Pale A Backdrop To Bob Dylan
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| Author | : Wilfrid Mellers |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 282 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : |
With the Beatles, Bob Dylan is one of the most talented performers to emerge from the sixties. For more than twenty years Dylan has been a spokesman for the young--a representative of a generation and a way of life. While Dylan's originality is his strength, his art has roots in American folk, country and pop music. In this exciting new book, Wilfrid Mellers, author of the acclaimed study of the Beatles, Twilight of the Gods, examines Dylan's musical heritage, from the British folk ballads that influenced his lyrics to the American folk-singers who influence his music. Mellers looks at how Dylan's vocal and instrumental style was affected by such greats as the Carter family, Hank Williams, Jimmie Rodgers, Elvis Presley and Woody Guthrie. He goes on to consider what Dylan did with this musical legacy, and how he made these musical forms his own. Mellers offers illuminating commentary on virtually every song recorded by Dylan, and shows why his individual contribution has spoken so powerfully to millions of people [Publisher description].
| Author | : Kevin J. H. Dettmar |
| Publisher | : Cambridge University Press |
| Total Pages | : 205 |
| Release | : 2009-02-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 0521886945 |
A lively set of new essays on Dylan's work as a writer and composer and on his place in American culture.
| Author | : John Hughes |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2016-05-06 |
| Genre | : Music |
| ISBN | : 1317113012 |
Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
| Author | : Timothy Hampton |
| Publisher | : Princeton University Press |
| Total Pages | : 173 |
| Release | : 2020-09-01 |
| Genre | : Music |
| ISBN | : 1942130554 |
A career-spanning account of the artistry and politics of Bob Dylan’s songwriting Bob Dylan’s reception of the 2016 Nobel Prize for Literature has elevated him beyond the world of popular music, establishing him as a major modern artist. However, until now, no study of his career has focused on the details and nuances of the songs, showing how they work as artistic statements designed to create meaning and elicit emotion. Bob Dylan: How the Songs Work (originally published as Bob Dylan's Poetics) is the first comprehensive book on both the poetics and politics of Dylan’s compositions. It studies Dylan, not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, it traces Dylan’s innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan’s earliest experiments with the blues, through his mastery of rock and country, up to his densely allusive recent recordings, Timothy Hampton offers a detailed account of Dylan’s achievement. Locating Dylan in the long history of artistic modernism, the book studies the relationship between form, genre, and the political and social themes that crisscross Dylan’s work. Bob Dylan: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
| Author | : Greil Marcus |
| Publisher | : PublicAffairs |
| Total Pages | : 514 |
| Release | : 2010-10-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1586489194 |
Nobel Prize winner Bob Dylan's life in music is revisited by his foremost interpreter -- weaving individual moods and moments into a brilliant history of their changing times. The book begins in Berkeley in 1968, and ends with a piece on Dylan's show at the University of Minnesota -- his very first appearance at his alma mater -- on election night 2008. In between are moments of euphoric discovery: From Marcus's liner notes for the 1967 Basement Tapes (pop music's most famous bootlegged archives) to his exploration of Dylan's reimagining of the American experience in the 1997 Time Out of Mind. And rejection; Marcus's Rolling Stone piece on Dylan's album Self Portrait -- often called the most famous record review ever written -- began with "What is this shit?" and led to his departure from the magazine for five years. Marcus follows not only recordings but performances, books, movies, and all manner of highways and byways in which Bob Dylan has made himself felt in our culture. Together the dozens of pieces collected here comprise a portrait of how, throughout his career, Bob Dylan has drawn upon and reinvented the landscape of traditional American song, its myths and choruses, heroes and villains. They are the result of a more than forty-year engagement between an unparalleled singer and a uniquely acute listener.
| Author | : James MacGregor Burns |
| Publisher | : Open Road Media |
| Total Pages | : 956 |
| Release | : 2012-04-10 |
| Genre | : History |
| ISBN | : 1453245200 |
A Pulitzer Prize winner’s “immensely readable” history of the United States from FDR’s election to the final days of the Cold War (Publishers Weekly). The Crosswinds of Freedom is an articulate and incisive examination of the United States during its rise to become the world’s sole superpower. Here is a young democracy transformed by the Great Depression, the Second World War, the Cold War, the rapid pace of technological change, and the distinct visions of nine presidents. Spanning fifty-six years and touching on many corners of the nation’s complex cultural tapestry, Burns’s work is a remarkable look at the forces that gave rise to the “American Century.”
| Author | : Don Cusic |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 529 |
| Release | : 2009-11-12 |
| Genre | : Music |
| ISBN | : 0313344264 |
The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.
| Author | : Barry J. Faulk |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 422 |
| Release | : 2024-09-05 |
| Genre | : Music |
| ISBN | : |
Teaching Bob Dylan offers educators practical, adaptable strategies for designing or updating courses (or units within courses) on the life, music, career, and critical reception of Bob Dylan. Drawing on the latest pedagogical developments and best classroom practices in a range of fields, the contributors present concrete approaches for teaching not only Dylan's lyrics and music, but also his many-and sometimes abrupt or unexpected-changes in musical direction, numerous creative guises, and writings. Situating Dylan and his work in their musical, literary, historical, and cultural contexts, the essays explore ways to teach Dylan's connections to African American music and performers, American popular music, the Beats, Christianity, and the revolutions of the 1960s, and more, and offer strategies for incorporating, and analyzing, not only documentaries and films about or featuring Dylan, but also critical and biographical studies on multiple dimensions of an American icon's long and complex career.
| Author | : Ruth Charnock |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 247 |
| Release | : 2019-01-24 |
| Genre | : Music |
| ISBN | : 1501332090 |
Joni Mitchell: New Critical Readings recognizes the importance and innovativeness of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician, composer, cultural commentator and antagonist. It showcases pieces by established and early career academics from the fields of popular music and literary studies on subjects such as Mitchell's guitar technique, the politics of aging in her work, and her fractious relationship with feminism. The collection features close readings of specific songs, albums, and performances while also paying keen attention to Mitchell's wider cultural contributions and significance.
| Author | : Greil Marcus |
| Publisher | : PublicAffairs |
| Total Pages | : 230 |
| Release | : 2006-04-04 |
| Genre | : Music |
| ISBN | : 0786736585 |
Greil Marcus saw Bob Dylan for the first time in a New Jersey field in 1963. He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music -- "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian" -- and Bob Dylan. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers. But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.
