A Dark Dreambox Of Another Kind
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Author | : Alfred Starr Hamilton |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Poetry |
ISBN | : 9780988464308 |
Poetry. Edited by Ben Estes and Alan Felsenthal. Introduction by Geof Hewitt. Though Hamilton wrote thousands of poems during his lifetime, only a small percentage of them ever found their way into print. His poems appeared in small poetry journals during the 60s, 70s and 80s; two chapbooks, The Big Parade and Sphinx; and one full-length collection, The Poems of Alfred Starr Hamilton, published by The Jargon Society in 1970. In this new volume, Ben Estes and Alan Felsenthal present a collection of Hamilton's poems from these publications, along with many of Hamilton's poems that were previously considered lost and poems from posthumously found notebooks. "Hamilton is the author of spare, wry, slightly surreal poems that have, so far as I can see, no real equivalent in American English." Ron Silliman "Alfred Starr Hamilton 'wrote to the governor of poetry / And simply signed his] own name.' Consider this collection assembled by two very dedicated allographers an essential expansion on said letter. People who've encountered Hamilton's work previously will be glad for the chance to see familiar poems alongside many marvelous new ones. And how I envy first-time readers of this most generous and genuine American writer." Graham Foust "It is a hidden world, a hushabye place that Alfred Starr Hamilton occupies, a secluded place where he is free to summon daffodils and stars, chimes and angels, thread and old-fashioned spoons. There is Hungarian damage, blue revolutionary stars, a sedge hammer (which is not a typo). He is obsessively drawn to fine metals bronze, silver and gold. He would be golden, but can never grasp the elusive sad: 'One cloud, one day / Came as a shadow in my life / And then left, and came back again; and stayed' like "Anything Remembered" which is the title of that poem. He is too removed to see things any other way but his own. It is a silver peepshow in the wonderbush, and there is always a moon to scrape from the bottom of his view." C. D. Wright "We are living in the Badlands. Dorothy's ruby-slippers would get you across the Deadly Desert. So will these poems." Jonathan Williams"
Author | : Alan Felsenthal |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : American poetry |
ISBN | : 9781937027872 |
Poetry. LOWLY is part invocation, part invitation. The poems in this debut collection consider death, rebirth, and love, while exploring the symbols that make life bearable. Here, ancient mythology and philosophy are examined through contemporary situations, brought forth by a voice that oscillates between humorous and plaintive tones--"I invent stories. Out of other stories. I can only repeat what I have heard. // A scruple is the enemy of a moment." LOWLY is a restorative work with rhythmic lines that will resonate with the reader long after the book is closed. "Alan Felsenthal's LOWLY is quietly oracular. With feeling and purpose, these poems move through precise intensities of thought to lay bare an integrated sense of a possible world. With such paradoxes and subtleties, we might call Felsenthal a new Metaphysical Poet."--Susan Howe "The poems disrupt without feeling artificial. They manage an opacity in background only, as the language is clear and careful...LOWLY is a collection of mysteries, each one more confounding and comforting than the last." --Daniel Moysaenko
Author | : John Ashbery |
Publisher | : Open Road Media |
Total Pages | : 343 |
Release | : 2014-09-09 |
Genre | : Poetry |
ISBN | : 1480459097 |
A quintessentially American epic poem that rewrites all the rules of epic poetry—starting with the one that says epic poetry can’t be about the writing of epic poetry itself The appearance of Flow Chart in 1991 marked the kickoff of a remarkably prolific period in John Ashbery’s long career, a decade during which he published seven all-new books of poetry as well as a collected series of lectures on poetic form and practice. So it comes as no surprise that this book-length poem—one of the longest ever written by an American poet—reads like a rocket launch: charged, propulsive, mesmerizing, a series of careful explosions that, together, create a radical forward motion. It’s been said that Flow Chart was written in response to a dare of sorts: Artist and friend Trevor Winkfield suggested that Ashbery write a poem of exactly one hundred pages, a challenge that Ashbery took up with plans to complete the poem in one hundred days. But the celebrated work that ultimately emerged from its squared-off origin story was one that the poet himself called “a continuum, a diary.” In six connected, constantly surprising movements of free verse—with the famous “sunflower” double sestina thrown in, just to reinforce the poem’s own multivarious logic—Ashbery’s poem maps a path through modern American consciousness with all its attendant noise, clamor, and signal: “Words, however, are not the culprit. They are at worst a placebo, / leading nowhere (though nowhere, it must be added, can sometimes be a cozy / place, preferable in many cases to somewhere).”
Author | : Jaimy Gordon |
Publisher | : Sun and Moon Press |
Total Pages | : 356 |
Release | : 1999 |
Genre | : Fiction |
ISBN | : 9781557133489 |
A republication of the famed novel by Jaimy Gordon.
Author | : Ben Estes |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : American poetry |
ISBN | : 9780988464377 |
Poetry. What exactly is an illustrated game of patience? Imagine something like group solitaire within a room full of objects, Duchamp on a TV, some great old albums, voices from a radio or the past, and a set of reverberating cymbals. In Ben Estes's ILLUSTRATED GAMES OF PATIENCE, the game involves sorting through objects and landscapes to reveal their "soft hums of isolation," often in the wake of love. If there is winning involved, the rewards are hope for renewal and a "faith in arranging." Filled with color and light, these poems make vivid the tender details of close observation, "urging love to stretch and green." "This beautiful work of late Romanticism finds Estes often roaming, sometimes making his bed in uncomfortable places, exemplifying patience, to which he at one point builds an actual broad-bodied monument. He is patient because he has the whole world and all of time at his disposal. The poems speak in riddles, impossible questions, vivid sensuous description, and, on one page, doggerel. Scent fetishists will appreciate the descriptions of crotch smells. In fact, there should be something here to satisfy hedonists of all stripes." Aaron Kunin "Ben Estes's poems, with their piquant accentuation and glorious measured sensuality, remind me a little of James Schuyler's. I also feel: bouquets not previously perceived, a style I can't fully attribute to the twentieth century or any previous. A strange new liberty quietly makes itself known." Lucy Ives"
Author | : Laura McGee Kvasnosky |
Publisher | : Candlewick Press |
Total Pages | : 52 |
Release | : 2006 |
Genre | : Juvenile Fiction |
ISBN | : 9780763626891 |
In three short stories, two fox sisters run away from home, bury a time capsule, and take advantage of some creative juice.
Author | : Maggie Stiefvater |
Publisher | : Scholastic Inc. |
Total Pages | : 458 |
Release | : 2013-09-17 |
Genre | : Young Adult Fiction |
ISBN | : 0545577179 |
The second installment in the all-new series from the masterful, #1 NEW YORK TIMES bestselling author Maggie Stiefvater! Ronan Lynch has secrets. Some he keeps from others. Some he keeps from himself.One secret: Ronan can bring things out of his dreams.And sometimes he's not the only one who wants those things.Ronan is one of the raven boys - a group of friends, practically brothers, searching for a dead king named Glendower, who they think is hidden somewhere in the hills by their elite private school, Aglionby Academy. The path to Glendower has long lived as an undercurrent beneath town. But now, like Ronan's secrets, it is beginning to rise to the surface - changing everything in its wake.Of THE RAVEN BOYS, ENTERTAINMENT WEEKLY wrote, "Maggie Stiefvater's can't-put-it-down paranormal adventure will leave you clamoring for book two." Now the second book is here, with the same wild imagination, dark romance, and heart-stopping twists that only Maggie Stiefvater can conjure.
Author | : Ben Lerner |
Publisher | : Coffee House Press |
Total Pages | : 191 |
Release | : 2011-08-23 |
Genre | : Fiction |
ISBN | : 1566892929 |
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.
Author | : Sarah J. Maas |
Publisher | : Bloomsbury Publishing |
Total Pages | : 677 |
Release | : 2020-10-01 |
Genre | : Fiction |
ISBN | : 1526634392 |
'One of the best fantasy book series of the past decade' TIME No masters. No limits. No regrets. Aelin Galathynius takes her place as queen in the fourth book of the #1 bestselling Throne of Glass series by Sarah J. Maas. Celaena Sardothien has embraced her identity as Aelin Galathynius, Queen of Terrasen. But before she can reclaim her throne, she must fight. She will fight for her cousin, a warrior prepared to die for her. She will fight for her friend, a young man trapped in an unspeakable prison. And she will fight for her people, enslaved to a brutal king and awaiting their lost queen's triumphant return. Everyone Aelin loves has been taken from her. Everything she holds dear is in danger. But she has the heart of a queen - and that heart beats for vengeance. In this fourth book in the #1 New York Times bestselling Throne of Glass series, no one will escape the queen's wrath.
Author | : Jane Gregory |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Poetry |
ISBN | : 9780988464315 |
Poetry. Jane Gregory's MY ENEMIES records a poet's search for meaning in a landscape of combined and dissolving definitions. Affirming disaster and its beyond, these poems sing toward belief a self-made belief that will not rely on any static symbol or logic or idol. Gregory's dynamic, unpredictable enactments of the modern world avow vulnerability to a belief compatible with self-consciousness. Sometimes triumphant, sometimes overcome or self-ruinous, MY ENEMIES never halts in its search for definition, even when it claims to not have been written as in the serial "Book I Will Not Write" poems. Each poem here establishes a new, necessary material and mode for our uncertain world that can offer its readers something to believe in; despite forces internal and external that try to undo us, Gregory's poems redo that undoing until "my enemies" becomes instead "my eyes many," a new sonic way of seeing. "When Jane Gregory speaks of 'enemies' she speaks of those elements that (following Valery) ravage books and people alike: fire, humidity, wild animals, time, and their own inner content. Gregory knows how to let those elementals run free in her own words, and to make a friend of their disequilibrating energy. Her work renews romanticism in the twilight of time, knowing that even the spelling of words is the spilling of everything they cannot say. Here, the poet has overwritten the multiples of her 'Book I Will Not Write' with 'the fire in the ocean' with words that, reduced to their very atoms, 'in the dark: s, i, n, g.'" Andrew Joron "Jane Gregory's MY ENEMIES is a collection of high-stepping verses of live wires where every phrase is a detonation od swings, breaks and pops Thrillers 'suitable for blasting' (viz. 'guncotton') pages of startling figures, near rhymes and off rhymes, psychological, philosophical, ecological myths and near myths, sci-fi and paranormal references, and the multiple 'Book s] I Will Not Write.' Look at the word 'struggle' enough times in one stanza, and you suddenly see infinity, and as Baudelaire wrote, 'There is no point as sharp as that of the Infinite.' This book is 'so gone beyond' any you've ever seen." Norma Cole "Jane Gregory seems to take seriously Robert Duncan's claim that 'I make poetry as other men make war or make love or make states or revolutions.' In MY ENEMIES she lays claim to his statement on her own terms when she says 'I recognize the tongue of the wolf / before it is in the wolf's mouth.' Or, one might also say, she has written an adventurous first book." Peter Gizzi"