Dancing with the Revolution

Dancing with the Revolution
Author: Elizabeth B. Schwall
Publisher: UNC Press Books
Total Pages: 319
Release: 2021-04-06
Genre: Social Science
ISBN: 1469662981

Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.

A Dancer in the Revolution

A Dancer in the Revolution
Author: Howard Eugene Johnson
Publisher: Fordham Univ Press
Total Pages: 224
Release: 2014-04-01
Genre: History
ISBN: 0823256561

The life of Howard Johnson, nicknamed “Stretch” because of his height (6'5"), epitomizes the cultural and political odyssey of a generation of African Americans who transformed the United States from a closed society to a multiracial democracy. Johnson’s long-awaited memoir traces his path from firstborn of a multiclass/multiethnic” family in New Jersey to dancer in Harlem’s Cotton Club to communist youth leader and, later, professor of Black studies. A Dancer in the Revolution is a powerful statement about Black resilience and triumph amid subtle and explicit racism in the United States. Johnson’s engaging, beautifully written memoir provides a window into everyday life in Harlem—neighborhood life, arts and culture, and politics—from the 1930s to the 1970s, when the contemporary Black community was being formed. A Dancer in the Revolution explores Johnson’s twenty-plus years in the Communist Party and illuminates in compelling detail how the Harlem branch functioned and flourished in the 1930s and ’40s. Johnson thrived as a charismatic leader, using the connections he built up as an athlete and dancer to create alliances between communist organizations and a cross-section of the Black community. In his memoir, Johnson also exposes the homoerotic tourism that was a feature of Harlem’s nightlife in the 1930s. Some of America’s leading white literary, musical, and artistic figures were attracted to Harlem not only for the community’s artistic creativity but to engage in illicit sex—gay and straight—with their Black counterparts. A Dancer in the Revolution is an invaluable contribution to the literature on Black political thought and pragmatism. It reveals the unique place that Black dancers and artists hold in civil rights pursuits and anti-racism campaigns in the United States and beyond. Moreover, the life of “Stretch” Johnson illustrates how political activism engenders not only social change but also personal fulfillment, a realization of dreams not deferred but rather pursued and achieved. Johnson’s journey bears witness to critical periods and events that shaped the Black condition and American society in the process.

Revolutionary Bodies

Revolutionary Bodies
Author: Emily Wilcox
Publisher: University of California Press
Total Pages: 322
Release: 2018-10-23
Genre: Social Science
ISBN: 0520300572

At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.

A Revolution in Movement

A Revolution in Movement
Author: K. Mitchell Snow
Publisher:
Total Pages: 320
Release: 2021
Genre: Dance
ISBN: 9780813058726

'A Revolution in Movement' illuminates how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance - the emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance.

Dance Theatre in Ireland

Dance Theatre in Ireland
Author: A. McGrath
Publisher: Springer
Total Pages: 277
Release: 2012-12-03
Genre: Performing Arts
ISBN: 113703548X

Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance theatre practice in Ireland from Yeats' dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.

Balanchine and the Lost Muse

Balanchine and the Lost Muse
Author: Elizabeth Kendall
Publisher: OUP USA
Total Pages: 305
Release: 2013-08-29
Genre: Performing Arts
ISBN: 019995934X

Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.

Dancing with Cuba

Dancing with Cuba
Author: Alma Guillermoprieto
Publisher: Vintage
Total Pages: 306
Release: 2007-12-18
Genre: Biography & Autobiography
ISBN: 0307425444

In 1970 a young dancer named Alma Guillermoprieto left New York to take a job teaching at Cuba’s National School of Dance. For six months, she worked in mirrorless studios (it was considered more revolutionary); her poorly trained but ardent students worked without them but dreamt of greatness. Yet in the midst of chronic shortages and revolutionary upheaval, Guillermoprieto found in Cuba a people whose sense of purpose touched her forever. In this electrifying memoir, Guillermoprieto–now an award-winning journalist and arguably one of our finest writers on Latin America– resurrects a time when dancers and revolutionaries seemed to occupy the same historical stage and even a floor exercise could be a profoundly political act. Exuberant and elegiac, tender and unsparing, Dancing with Cuba is a triumph of memory and feeling.

Stepping Left

Stepping Left
Author: Ellen Graff
Publisher: Duke University Press
Total Pages: 268
Release: 1997
Genre: History
ISBN: 9780822319481

Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers' rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period--when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.

Thinking as Sport and Dance

Thinking as Sport and Dance
Author: Gary Anthony Catona
Publisher: iUniverse
Total Pages: 513
Release: 2008-11-19
Genre: Philosophy
ISBN: 0595877001

"This is what a philosophy book should be like-exciting, surprising, mind-opening, honest, and original." -Alphonso Lingis, Professor Emeritus of Philosophy, Pennsylvania State University Thinking as Sport and Dance will not only teach that real thinking is an amazing adventure into the greatest mysteries and experiences of life but will also reveal thinking as a grand celebration of life. To know the real glory of thinking, you must understand its two basic dimensions: the qualities that make it similar to sports and those that relate it to dance. Artful thinking is like a sport because it's goal-oriented, analytical, rule-bound, and confrontational. Besides pursuing knowledge with the attitude of a dedicated sportsperson, artful thinkers also engage reality in the spirit of dance, where thinking becomes spontaneous, intuitive, playful, and harmonious. Thinking at its best emerges when the mind of an athlete and that of a dancer live together competitively and playfully in the same mind. When this happens, beautiful thought performances result. Thinking as Sport and Dance is a critical tool for addressing and resolving life's many complexities, as well as a guide to embracing life with gusto and joy.