A Cultural History Of Western Music In The Industrial Age
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| Author | : Alexander Rehding |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : Music |
| ISBN | : 9781350075603 |
A CULTURAL HISTORY OF WESTERN MUSIC IN THE INDUSTRIAL AGE A Cultural History of Western Music in the Industrial Age covers the period from 1790 to 1920, when Western music became entangled with political, technological, and economic change on a global scale. Known as the Romantic era and renowned for its genius composers and virtuoso performers, this period charged full steam ahead, with Western audiences marveling at musics from the far reaches of the world, folksong collectors searching for the musical soul of the people, nation-states demanding national anthems, philosophers contending with the issue of slavery, and the phonograph rewriting musical memory. Besides its traditional aesthetic, ethical, and pedagogical functions, Western music became a force in an evolving landscape of work, leisure, and global economy, beating the drums of industrialization. The 6 volume set of the Cultural History of Western Music presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of music and its ever-changing social context. The themes covered in each volume are society; philosophies; politics; exchange; education; popular culture; performance; and technologies. The Cultural Histories Series A Cultural History of Western Music is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .
| Author | : Lauren Curtis |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Civilization |
| ISBN | : |
"Music has been significant in social, religious, and political ritual, and in education, art, and entertainment in all human cultures from antiquity to today. The Cultural History of Western Music presents the first study of music in all its forms - ritual, classical, popular and commercial - from antiquity to today. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The volumes are: 1. A Cultural History of Western Music in Antiquity 2. A Cultural History of Western Music in the Middle Ages 3. A Cultural History of Western Music in the Renaissance 4. A Cultural History of Western Music in the Age of Enlightenment 5. A Cultural History of Western Music in the Industrial Age 6. A Cultural History of Western Music in the Modern Age. The topics are identity, communities and society; changing philosophies and ideas about music; politics and power; musical exchange and knowledge transfer between the West and the non-West; musical education; popular culture and musical entertainment; the places, practices, and experiences of performance; and the development of music technologies and media. The page extent for the pack is approximately 1536 pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index"--
| Author | : David R M Irving |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-11-30 |
| Genre | : |
| ISBN | : 1350075639 |
The first comprehensive history of western music from antiquity to today.
| Author | : Daniel K. L. Chua |
| Publisher | : Princeton University Press |
| Total Pages | : 186 |
| Release | : 2021-09-14 |
| Genre | : Music |
| ISBN | : 1942130546 |
An examination of NASA's Golden Record that offers new perspectives and theories on how music can be analyzed, listened to, and thought about—by aliens and humans alike. In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecrafts contained world music and sounds of Earth to represent humanity to any extraterrestrial civilizations. To date, the Golden Record is the only human-made object to have left the solar system. Alien Listening asks the big questions that the Golden Record raises: Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human culture into a time capsule that will barrel through space for tens of thousands of years? And last but not least: Do aliens have ears? The stakes could hardly be greater. Around the extreme scenario of the Golden Record, Chua and Rehding develop a thought-provoking, philosophically heterodox, and often humorous Intergalactic Music Theory of Everything, a string theory of communication, an object-oriented ontology of sound, and a Penelopean model woven together from strands of music and media theory. The significance of this exomusicology, like that of the Golden Record, ultimately takes us back to Earth and its denizens. By confronting the vast temporal and spatial distances the Golden Record traverses, the authors take listeners out of their comfort zone and offer new perspectives in which music can be analyzed, listened to, and thought about—by aliens and humans alike.
| Author | : Jane F. Fulcher |
| Publisher | : Oxford University Press |
| Total Pages | : 605 |
| Release | : 2013-11-01 |
| Genre | : Music |
| ISBN | : 0199711984 |
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
| Author | : Lauren Curtis |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Civilization |
| ISBN | : |
"Music has been significant in social, religious, and political ritual, and in education, art, and entertainment in all human cultures from antiquity to today. The Cultural History of Western Music presents the first study of music in all its forms - ritual, classical, popular and commercial - from antiquity to today. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The volumes are: 1. A Cultural History of Western Music in Antiquity 2. A Cultural History of Western Music in the Middle Ages 3. A Cultural History of Western Music in the Renaissance 4. A Cultural History of Western Music in the Age of Enlightenment 5. A Cultural History of Western Music in the Industrial Age 6. A Cultural History of Western Music in the Modern Age. The topics are identity, communities and society; changing philosophies and ideas about music; politics and power; musical exchange and knowledge transfer between the West and the non-West; musical education; popular culture and musical entertainment; the places, practices, and experiences of performance; and the development of music technologies and media. The page extent for the pack is approximately 1536 pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index"--
| Author | : Elizabeth Bayerl |
| Publisher | : |
| Total Pages | : 1120 |
| Release | : 1977 |
| Genre | : Education |
| ISBN | : |
| Author | : Lauren Curtis |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Civilization |
| ISBN | : |
"Music has been significant in social, religious, and political ritual, and in education, art, and entertainment in all human cultures from antiquity to today. The Cultural History of Western Music presents the first study of music in all its forms - ritual, classical, popular and commercial - from antiquity to today. The work is divided into 6 volumes, with each volume covering the same topics, so readers can either study a period/volume or follow a topic across history. The volumes are: 1. A Cultural History of Western Music in Antiquity 2. A Cultural History of Western Music in the Middle Ages 3. A Cultural History of Western Music in the Renaissance 4. A Cultural History of Western Music in the Age of Enlightenment 5. A Cultural History of Western Music in the Industrial Age 6. A Cultural History of Western Music in the Modern Age. The topics are identity, communities and society; changing philosophies and ideas about music; politics and power; musical exchange and knowledge transfer between the West and the non-West; musical education; popular culture and musical entertainment; the places, practices, and experiences of performance; and the development of music technologies and media. The page extent for the pack is approximately 1536 pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index"--
| Author | : Paul Watt |
| Publisher | : Oxford University Press |
| Total Pages | : 569 |
| Release | : 2020-03-02 |
| Genre | : Music |
| ISBN | : 0190616938 |
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
| Author | : Victoria E. Thompson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 216 |
| Release | : 2020-09-17 |
| Genre | : History |
| ISBN | : 1350078301 |
Winner of the 2020 PROSE Award for Multivolume Reference/Humanities The period 1800–1920 was one in which work processes were dramatically transformed by mechanization, factory system, the abolition of the guilds, the integration of national markets and expansion into overseas colonies. While some continued to work in trades that were similar to those of their parents and grandparents, increasing numbers of workers found their workplace and work processes changed, often in ways that were beyond their control. Workers employed a variety of means to protest these changes, from machine-breaking to strikes to migration. This period saw the rise of the labor union and the working-class political party. It was also a time during which ideas about work changed dramatically. Work came to be seen as a source of pride, progress and even liberation, and workers garnered increased interest from writers and artists. This volume explores the multi-faceted experience of workers during the Age of Empire. A Cultural History of Work in the Age of Empire presents an overview of the period with essays on economies, representations of work, workplaces, work cultures, technology, mobility, society, politics and leisure.
