A Cultural History Of The Emotions In Antiquity
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Author | : Douglas Cairns |
Publisher | : Bloomsbury Publishing |
Total Pages | : 241 |
Release | : 2021-03-11 |
Genre | : History |
ISBN | : 1472535804 |
'A Cultural history of the Emotions' explores how emotions have changed over the course of human history, as well as how emotions have themselves created and changed history. Emotions underpin our everyday lives and shape our mental, physical and social well-being.
Author | : Douglas Cairns |
Publisher | : Bloomsbury Publishing |
Total Pages | : 386 |
Release | : 2020-08-20 |
Genre | : History |
ISBN | : 1350091642 |
This volume provides an overview of some of the salient aspects of emotions and their role in life and thought of the Greco-Roman world, from the beginnings of Greek literature and history to the height of the Roman Empire. This is a wide remit, dealing with a wide range of sources in two ancient languages, and in the full range of contexts that are covered by the format of this series. The volume's chapters survey the emotional worlds of the ancient Greeks and Romans from multiple perspectives – philosophical, scientific, medical, literary, musical, theatrical, religious, domestic, political, art-historical and historical. All chapters consider both Greek and Roman evidence, ranging from the Homeric poems to the Roman Imperial period and making extensive use of both elite and non-elite texts and documents, including those preserved on stone, papyrus and similar media, and in other forms of material culture. The volume is thus fully reflective of the latest research in the emerging discipline of ancient emotion history.
Author | : Douglas Cairns |
Publisher | : Bloomsbury Publishing |
Total Pages | : 240 |
Release | : 2020-08-20 |
Genre | : History |
ISBN | : 1350091650 |
This volume provides an overview of some of the salient aspects of emotions and their role in life and thought of the Greco-Roman world, from the beginnings of Greek literature and history to the height of the Roman Empire. This is a wide remit, dealing with a wide range of sources in two ancient languages, and in the full range of contexts that are covered by the format of this series. The volume's chapters survey the emotional worlds of the ancient Greeks and Romans from multiple perspectives – philosophical, scientific, medical, literary, musical, theatrical, religious, domestic, political, art-historical and historical. All chapters consider both Greek and Roman evidence, ranging from the Homeric poems to the Roman Imperial period and making extensive use of both elite and non-elite texts and documents, including those preserved on stone, papyrus and similar media, and in other forms of material culture. The volume is thus fully reflective of the latest research in the emerging discipline of ancient emotion history.
Author | : Jane W. Davidson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 357 |
Release | : 2020-08-20 |
Genre | : History |
ISBN | : 1350090980 |
The 20th century, with revolutionary and rapid developments in travel, communications and computerised technologies, offered new and seemingly limitless horizons which accompanied and amplified distinctive experiences of emotions. The birth of psychology and psychiatry revealed the importance of emotional life and that individuals could have control over their behaviour. Traditional religion was challenged and alternative forms of spiritualism emerged. Creative and performing arts continued to shape understandings and experiences of emotions, from realism to detachment, holistic to fragmented notions of self and society. The role of emotions in family life focused on how to deal with modern day freedom and anxiety. In the public sphere, people used emotion to oppress as well as liberate. Countering threats to national security, personal and cultural identity, a range of political motivated activities emerged embracing peace, humanitarian and environmental causes. This volume surveys the means by which modern experience shaped how, why and where emotions were expressed, monitored and controlled.
Author | : Donald Lateiner |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2017 |
Genre | : History |
ISBN | : 0190604115 |
The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. This collection of seventeen essays by fifteen authors features the emotion of disgust as one cutting edge of the study of Greek and Roman antiquity. Individual contributions explore a wide range of topics. These include the semantics of the emotion both in Greek and Latin literature, its social uses as a means of marginalizing individuals or groups of individuals, such as politicians judged deviant or witches, its role in determining aesthetic judgments, and its potentialities as an elicitor of aesthetic pleasure. The papers also discuss the vocabulary and uses of disgust in life (Galli, actors, witches, homosexuals) and in many literary genres: ancient theater, oratory, satire, poetry, medicine, historiography, Hellenistic didactic and fable, and the Roman novel. The Introduction addresses key methodological issues concerning the nature of the emotion, its cognitive structure, and modern approaches to it. It also outlines the differences between ancient and modern disgust and emphasizes the appropriateness of "projective or second-level disgust" (vilification) as a means of marginalizing unwanted types of behavior and stigmatizing morally condemnable categories of individuals. The volume is addressed first to scholars who work in the field of classics, but, since texts involving disgust also exhibit significant cultural variation, the essays will attract the attention of scholars who work in a wide spectrum of disciplines, including history, social psychology, philosophy, anthropology, comparative literature, and cross-cultural studies.
Author | : Robert A. Kaster |
Publisher | : Oxford University Press |
Total Pages | : 258 |
Release | : 2005-07-21 |
Genre | : History |
ISBN | : 0195140788 |
Examines the ways in which emotions, & talk about emotions, interacted with the ethics of the Roman upper classes in the late Republic & early Empire periods. The book considers how various Roman forms of fear, dismay, indignation & revulsion created an economy of displeasure that shaped society in constructive ways.
Author | : Ed Sanders |
Publisher | : Franz Steiner Verlag Wiesbaden GmbH |
Total Pages | : 321 |
Release | : 2016 |
Genre | : Athens (Greece) |
ISBN | : 9783515113618 |
Appeal to emotion is a key technique of persuasion, ranked by Aristotle alongside logical reasoning and arguments from character. Although ancient philosophical discussions of it have been much researched, exploration of its practical use has focused largely on explicit appeals to a handful of emotions (anger, hatred, envy, pity) in 5th-4th century BCE Athenian courtroom oratory. This volume expands horizons: from an opening section focusing on so-far underexplored emotions and sub-genres of oratory in Classical Athens, its scope moves outwards generically, geographically, and chronologically through the "Greek East" to Rome. Key thematic links are: the role of emotion in the formation of community identity; persuasive strategies in situations of unequal power; and linguistic formulae and genre-specific emotional persuasion. Other recurring themes include performance (rather than arousal) of emotions, the choice between emotional and rational argumentation, the emotions of gods, and a concern with a secondary "audience": the reader.
Author | : George Kazantzidis |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 408 |
Release | : 2018-07-09 |
Genre | : History |
ISBN | : 3110598256 |
Although ancient hope has attracted much scholarly attention in the past, this is the first book-length discussion of the topic. The introduction offers a systematic discussion of the semantics of Greek elpis and Latin spes and addresses the difficult question of whether hope -ancient and modern- is an emotion. On the other hand, the 16 contributions deal with specific aspects of hope in Greek and Latin literature, history and art, including Pindar's poetry, Greek tragedy, Thucydides, Virgil's epic and Tacitus' Historiae. The volume also explores from a historical perspective the hopes of slaves in antiquity, the importance of hope for the enhancement of stereotypes about the barbarians, and the depiction of hope in visual culture, providing thereby a useful tool not only for classicist but also for philosophers, cultural historians and political scientists.
Author | : Dimos Spatharas |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 253 |
Release | : 2019-07-22 |
Genre | : Literary Criticism |
ISBN | : 3110618427 |
This book is an addition to the burgeoning secondary literature on ancient emotions. Its primary aim is to suggest possible ways in which recent approaches to emotions can help us understand significant aspects of persuasion in classical antiquity and, especially audiences' psychological manipulation in the civic procedures of classical Athens. Based on cognitive approaches to emotions, Skinner's theoretical work on the language of ideology, or ancient theories about enargeia, the book examines pivotal aspects of psychological manipulation in ancient rhetorical theory and practice. At the same time, the book looks into possible ways in which the emotive potentialities of vision -both sights and mental images- are explained or deployed by orators. The book includes substantial discussion of Gorgias' approach to sights ' emotional qualities and their implications for persuasion and deception and the importance of visuality for Thucydides' analysis of emotions' role in the polis' public communication. It also looks into the deployment of enargeia in forensic narratives revolving around violence. The book also focuses on the ideological implications of envy for the political discourse of classical Athens and emphasizes the rhetorical strategies employed by self-praising speakers who want to preempt their listeners' loathing. The book is therefore a useful addition to the burgeoning secondary literature on ancient emotions. Despite the prominence of emotions in classicists' scholarly work, their implications for persuasion is undeservedly under-researched. By employing appraisal-oriented analysis of emotions this books suggests new methodological approaches to ancient pathopoiia. These approaches take into consideration the wider ideological or cultural contexts which determine individual speakers' rhetorical strategies. This book is the second volume of Ancient Emotions, edited by George Kazantzidis and Dimos Spatharas within the series Trends in Classics. Supplementary Volumes. This project investigates the history of emotions in classical antiquity, providing a home for interdisciplinary approaches to ancient emotions, and exploring the inter-faces between emotions and significant aspects of ancient literature and culture
Author | : Helen Hills |
Publisher | : Routledge |
Total Pages | : 438 |
Release | : 2017-05-15 |
Genre | : History |
ISBN | : 1351904159 |
Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. Since the essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy) and thereby disrupt established frameworks within the histories of art, music and medicine, traditional narrative accounts are challenged. Here larger historical forces come into perspective, as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political, social and religious struggles, at a variety of different levels.