A Cultural History Of The Bushranger Legend In Theatres And Cinemas 18282017
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| Author | : Andrew James Couzens |
| Publisher | : Anthem Press |
| Total Pages | : 258 |
| Release | : 2019-01-31 |
| Genre | : Performing Arts |
| ISBN | : 1783088923 |
'A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.
| Author | : Hervé Mayer |
| Publisher | : Indiana University Press |
| Total Pages | : 362 |
| Release | : 2022-04-05 |
| Genre | : Performing Arts |
| ISBN | : 025306077X |
While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism. Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity. Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.
| Author | : James Gatheral |
| Publisher | : Routledge |
| Total Pages | : 309 |
| Release | : 2020-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000226697 |
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.
| Author | : Kelly McWilliam |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2021-04-26 |
| Genre | : Performing Arts |
| ISBN | : 042988981X |
Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 371 |
| Release | : 2022-11-21 |
| Genre | : Social Science |
| ISBN | : 9004525300 |
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
| Author | : Amy McQuire |
| Publisher | : Univ. of Queensland Press |
| Total Pages | : 217 |
| Release | : 2024-07-16 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0702265152 |
From one of this country' s leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media needs to believe Black Witnesses. Amy McQuire has been writing on Indigenous affairs since she was 17 years old. Over the past two decades, she has reported on most of the key events involving Aboriginal and Torres Strait Islander peoples, including numerous deaths in custody, the Palm Island uprising, the Bowraville murders and the Northern Territory Intervention. She has also exposed the misrepresentations and violence of the mainstream media' s reports, as well as their omissions and silences altogether in regards to Indigenous matters. Black Witness showcases how journalism can be used to hold the powerful to account and make the world a more equitable place. This is the essential collection that we need right now &– and always have.
| Author | : Andrew James Couzens |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Performing Arts |
| ISBN | : 9781783088911 |
The bushranger legend is an important component of Australia's cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. 'Outlaw Nation' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia's bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. 'Outlaw Nation' is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend's establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend's development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary. The cultural history recounted in 'Outlaw Nation' provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation's values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation's diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. 'Outlaw Nation' is an insight into the process through which the bushranger legend earned its cultural resonance in Australia.
| Author | : Robert Jeffrey |
| Publisher | : Black & White Publishing |
| Total Pages | : 247 |
| Release | : 2011-11-08 |
| Genre | : True Crime |
| ISBN | : 1845023730 |
Barlinnie is one of the most notorious prisons in the world and for a hundred years it has held Glasgow's toughest and most violent men, swept up from the city streets. Ten men died on its gallows in the infamous Hanging Shed, including serial killer Peter Manuel. It has sparked rooftop protests and cell block riots, and been home to godfathers of crime like Arthur Thompson Snr and Walter Norval. Barlinnie was also the scene of one of the most controversial experiments in penal history, the Special Unit, where the likes of Jimmy Boyle and Hugh Collins were at the centre of a fierce battle between those who see prison as retribution and those who regard it as a step on the road to redemption, even for the most evil killers. Paul Ferris, T C Campbell and gangleaders galore have languished behind its grim walls and, a hundred years on, Barlinnie still makes headlines. This is its fascinating, turbulent story.
| Author | : Kylie Andrews |
| Publisher | : Anthem Studies in Australian H |
| Total Pages | : 250 |
| Release | : 2022-07-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781839982576 |
Trailblazing women of Australian Public Broadcasting, 1945-1975 presents a compelling feminist perspective of Australian radio and television history. It resuscitates the careers of a group of female producers who strategically defied the odds and used broadcasting as a site for their activism in the decades after World War II.
| Author | : Catherine Kevin |
| Publisher | : Anthem Press |
| Total Pages | : 166 |
| Release | : 2020-08-31 |
| Genre | : History |
| ISBN | : 1785273523 |
'Dispossession and the Making of Jedda (1955)' newly locates the story of the genesis of the iconic 1955 film ‘Jedda’ (dir. Chauvel) and, in turn, ‘Jedda’ becomes a cultural context and point of reference for the history of race relations it tells. It spans the period 1930–1960 but is focused on the 1950s, the decade when Charles Chauvel looked to the ample resources of his friends in the rich pastoral Ngunnawal country of the Yass Valley to make his film. This book has four locations. The homesteads of the wealthy graziers in the Yass Valley and the Hollywood Mission in Yass town are its primary sites. Also relevant are the Sydney of the cultural and moneyed elites, and the Northern Territory where ‘Jedda’ was made. Its narrative weaves together stories of race relations at these four sites, illuminating the film’s motifs as they are played out in the Yass Valley, against a backdrop of Sydney and looking North towards the Territory. It is a reflection on family history and the ways in which the intricacies of race relations can be revealed and concealed by family memory, identity and myth-making. The story of the author, as the great granddaughter, great-niece and cousin of some of those who poured resources into the film, both disrupts and elaborates previously ingrained versions of her family history.
