A Critical Old Spelling Edition Of James Shirleys The Example
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An Old-Spelling Critical Edition of James Shirley's The Example
Author | : William F. Jones |
Publisher | : Routledge |
Total Pages | : 342 |
Release | : 2019-07-18 |
Genre | : Literary Criticism |
ISBN | : 0429656629 |
Originally published in 1987, An Old-Spelling Critical Edition of James Shirley's The Example, offers a critical examination of James Shirley's 1634 play, The Example, based on collating ten of the twenty-one copies of the play noted in Sir Walter Greg's Bibliography.
An Old-Spelling Critical Edition of James Shirley's The Example
Author | : William F. Jones |
Publisher | : Routledge |
Total Pages | : 342 |
Release | : 2019-07-18 |
Genre | : Literary Criticism |
ISBN | : 0429659067 |
Originally published in 1987, An Old-Spelling Critical Edition of James Shirley's The Example, offers a critical examination of James Shirley's 1634 play, The Example, based on collating ten of the twenty-one copies of the play noted in Sir Walter Greg's Bibliography.
An Old-spelling Critical Edition of James Shirley's The Example
Author | : James Shirley |
Publisher | : Taylor & Francis |
Total Pages | : 253 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : 9780824084134 |
A Critical Edition of Ferdinando Parkhurst's Ignoramus, The Academical-Lawyer
Author | : Fernando Parkhurst |
Publisher | : Routledge |
Total Pages | : 669 |
Release | : 2019-03-07 |
Genre | : Literary Collections |
ISBN | : 0429575106 |
Published in 1987: The author translated the Ignoramous which is a Latin play into English.
A Critical Edition of George Whetstone’s 1582 An Heptameron of Civil Discourses
Author | : George Whetstone |
Publisher | : Routledge |
Total Pages | : 592 |
Release | : 2019-06-04 |
Genre | : Literary Criticism |
ISBN | : 0429512821 |
Published in 1987: This edition seeks to make available, for the scholar and the student of Elizabethan literature, an accurate text of an Heptameron of Civill Discourses.
A Critical Edition of Alexander’s Ross’s 1647 Mystagogus Poeticus, or the Muses Interpreter
Author | : John R. Glenn |
Publisher | : Routledge |
Total Pages | : 661 |
Release | : 2019-05-23 |
Genre | : Literary Criticism |
ISBN | : 042968276X |
First published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the gods, goddesses, heroes and monsters of ancient myth and legend, but also served as a treasury of interpretation and commentary ingeniously explaining the facts in terms moral, theological, historical and scientific.
A Critical Edition of The Play of the Wether
Author | : John Heywood |
Publisher | : Routledge |
Total Pages | : 201 |
Release | : 2019-03-26 |
Genre | : Drama |
ISBN | : 0429575327 |
Published in 1987: The Play of the Wether is an English interlude or morality play from the early Tudor period. represents the Roman deity Jupiter on earth asking mortals to make cases for their preferred weather following heavenly dissension among the gods. It is the first published play to nominate "The Vice" on its title page.
A Critical Edition of John Fletcher's Comedy, Monsieur Thomas, or, Father's Own Son
Author | : John Fletcher |
Publisher | : Routledge |
Total Pages | : 561 |
Release | : 2019-03-07 |
Genre | : Literary Collections |
ISBN | : 0429575238 |
Published in 1987: This thesis presents an edition of the author’s play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.
James Shirley and Early Modern Theatre
Author | : Barbara Ravelhofer |
Publisher | : Taylor & Francis |
Total Pages | : 249 |
Release | : 2016-10-04 |
Genre | : Literary Criticism |
ISBN | : 1317111524 |
James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.