A Contribution to the Study Of Jean Lemaire De Belges
Author | : Kathleen Miriam Munn |
Publisher | : Slatkine |
Total Pages | : 244 |
Release | : 1936 |
Genre | : |
ISBN | : |
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Author | : Kathleen Miriam Munn |
Publisher | : Slatkine |
Total Pages | : 244 |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : Judy Kem |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 200 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
This study compares Lemaire's treatment of the Trojan legend in his three-volume Les Illustrations de Gaule et singularitez de Troye (1511-1513) to this sources as well as to medieval French and Latin versions of the legend that he wished to correct. It also examines Lemaire's moral and political objectives in writing the work, as well as his view of history. It demonstrates that Lemaire reinterprets the past by offering complementary yet widely divergent moral lessons to his female and male readers while he attempts to influence the future by promoting European unity and a crusade against the Turks.
Author | : Phillip John Usher |
Publisher | : DS Brewer |
Total Pages | : 280 |
Release | : 2012 |
Genre | : History |
ISBN | : 184384317X |
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
Author | : Sjoerd Levelt |
Publisher | : Uitgeverij Verloren |
Total Pages | : 282 |
Release | : 2011 |
Genre | : CD-ROMs |
ISBN | : 9087042213 |
The little-known author Jan van Naaldwijk, whose two early sixteenth-century Dutch chronicles of Holland are preserved in autograph manuscripts in the British Library, wrote at a moment reputed to be the turning point between medieval and Renaissance modes of historical writing. While he primarily relied on the medieval historical tradition of Holland, he expanded it in ways that allow us to appreciate the broader impact of innovations occurring at the same time in more 'professional' scholarly circles. This is the first in-depth study of these chronicles and their relation to their sources, placed in the wider context of history writing running from the mid-fourteenth century into the eighteenth, providing new insights into the continuities and transitions that characterized the historical tradition of Holland from the late middle ages well into the early modern period. An accompanying cd-rom contains transcriptions of both Jan's chronicles. Winner of the Society for Renaissance Studies Book Prize 2012 Short-listed for the Royal Historical Society Gladstone Prize 2012.
Author | : Cynthia Jane Brown |
Publisher | : Summa Publications, Inc. |
Total Pages | : 218 |
Release | : 1985 |
Genre | : Poetry |
ISBN | : 9780917786105 |
Author | : Adrian Armstrong |
Publisher | : Oxford University Press |
Total Pages | : 264 |
Release | : 2000 |
Genre | : Early printed books |
ISBN | : 9780198159896 |
Literary studies cannot neglect the study of books, the physical objects through which literary texts are transmitted. Book form is especially relevant to the literature of the late fifteenth and early sixteenth centuries, which saw the crucial shift from manuscript to print in Western Europe.This book examines manuscripts and printed editions of three major French writers of this key period: Jean Molinet, Jean Lemaire de Belges and Jean Bouchet. Presentational features which influence the reading of poems, such as layout, illustration, anthologization and paratext, are analysed. Thedevelopment of these features reflects a gradual change in the ways in which literary self-consciousness is manifested. In earlier texts, produced within an essentially manuscript culture, poets' creative investment in their work is exhibited primarily as formal virtuosity. As printing becomesdominant, such virtuosity tends to be rejected in favour of self-commentary and an apparently more personal discourse.