A Connecticut Yankee In King Arthurs Court Primary Source Edition
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Author | : Mark Twain |
Publisher | : Univ of California Press |
Total Pages | : 508 |
Release | : 2002-06-21 |
Genre | : Literary Criticism |
ISBN | : 9780520929418 |
A Connecticut Yankee is Mark Twain’s most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as "one vast sardonic laugh at the trivialities, the servilities of our poor human race." The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to "boss the whole country inside of three weeks." And so he does. Emerging as "The Boss," he embarks on an ambitious plan to modernize Camelot—with unexpected results. Daniel Carter Beard illustrated the first edition of Yankee in 1889, and Mark Twain praised his work as "better than the book—which is a good deal for me to say, I reckon." This Mark Twain Library edition reprints the text based on the author’s manuscript, all 221 of Beard’s illustrations, and the notes from the California scholarly edition.
Author | : Mark Twain |
Publisher | : OUP Oxford |
Total Pages | : 0 |
Release | : 2007-11-29 |
Genre | : Foreign Language Study |
ISBN | : 9780194234115 |
Word count 890 Suitable for young learners
Author | : Elizabeth Archibald |
Publisher | : Cambridge University Press |
Total Pages | : 287 |
Release | : 2009-09-10 |
Genre | : Literary Criticism |
ISBN | : 0521860598 |
Covers the evolution of the legend over time and analyses the major themes that have emerged.
Author | : Christopher R. Fee |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 1265 |
Release | : 2016-08-29 |
Genre | : Social Science |
ISBN | : 1610695682 |
A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.
Author | : Kim Iverson Headlee |
Publisher | : Lucky Bat Books |
Total Pages | : 269 |
Release | : 2014-11-01 |
Genre | : Fiction |
ISBN | : 193905172X |
How sick are you of US politics? How doomed is the world because of who has claimed the Oval Office throne—er, chair? Refresh your spirit by laughing along with what Mark Twain might have written about today’s political falderal. “Solidly entertaining.” —Publishers Weekly WINNER 2016 IBPA Benjamin Franklin Gold Medal for Science Fiction & Fantasy. Morgan le Fay, sixth-century Queen of Gore and the only major character not killed off by Mark Twain in A Connecticut Yankee in King Arthur’s Court, vows revenge upon the Yankee Hank Morgan. She casts a spell to take her to 1879 Connecticut so she may waylay Sir Boss before he can travel back in time to destroy her world. But the spell misses by 300 miles and 200 years, landing her in the Washington, D.C., of 2079, replete with flying limousines, hovering office buildings, virtual-reality television, and sundry other technological marvels. Whatever is a time-displaced queen of magic and minions to do? Why, rebuild her kingdom, of course—two kingdoms, in fact: as Campaign Boss for the reelection of American President Malory Beckham Hinton, and as owner of the London Knights world-champion baseball franchise. Written as though by the old master himself, King Arthur’s Sister in Washington’s Court by Mark Twain as channeled by Kim Iverson Headlee offers laughs, love, and a candid look at American society, popular culture, politics, baseball… and the human heart. Mark Twain began work on A Connecticut Yankee in King Arthur's Court in 1879—the same year the Yankee Hank Morgan departed for his sojourn in sixth-century Britain. The first edition was published in 1889 and features more than 200 illustrations by the man who later would become founder of the Boy Scouts of America, Daniel Carter Beard. These illustrations are now in the public domain, and a handful have been incorporated into King Arthur's Sister in Washington's Court as an artistic homage to this classic edition of the first time travel story in all literature.
Author | : J. D. Stahl |
Publisher | : University of Georgia Press |
Total Pages | : 252 |
Release | : 2012-03-01 |
Genre | : Literary Criticism |
ISBN | : 0820341126 |
Often regarded as the quintessential American author, Mark Twain in fact mined his knowledge and experience of Europe as assiduously as he did his adventures on the Mississippi and in the American West. In this challenging and original study, J. D. Stall looks closely at various Twain works with European settings and traces the manner in which the great writer redefined European notions of class into American concepts of gender, identity, and society. Stahl not only examines such famous writings as The Innocents Abroad, The Prince and the Pauper, A Connecticut Yankee in King Arthur's Court, and the "Mysterious Stranger" manuscripts but also treats a number of neglected works, including 1601, "A Memorable Midnight Experience", and Personal Recollections of Joan of Arc. In these writings, Stahl shows, Twain utilized the terms and symbols of European society and history to express his deepest concerns involving father–son relationships, the legitimation of parentage, female political and sexual power, the victimization of "good" women, and, ultimately, the desire to bridge or even destroy the barriers between the sexes. The "exoticism" of foreign culture—with its kings and queens, priests, and aristocrats—furnished Twain with some especially potent images of power, authority, and tradition. These images, Stahl argues, were "plastic material in Mark Twain's hands", enabling the writer to explore the uncertainties and ambiguities of gender in America: what it meant to be a man in Victorian America; what Twain thought it meant to be a woman; how men and women did, could, and should relate to each other. Stahl's approach yields a wealth of fresh insights into Twain's work. In discussing The Innocents Abroad, for example, he analyzes the emergence of the "Mark Twain" persona as part of a quest for cultural authority that often took the form of sexual role-playing. He also demonstrates that The Prince and the Pauper, even more strikingly than Adventures of Huckleberry Finn, embodies the writer's central myth of orphaned sons searching for surrogate fathers. His reading of A Connecticut Yankee is a tour de force, uncovering the psychological contradictions in Twain's political aspirations toward democratic equality. Stahl's book is an important contribution to literary scholarship, informed by psychology, gender study, cultural theory, and traditional Twain criticism. It confirms Mark Twain's debt to European culture even as it illuminates his re-envisioning of that culture in his own uniquely American way.
Author | : Alan Gribben |
Publisher | : University of Georgia Press |
Total Pages | : 1124 |
Release | : 2024-10-15 |
Genre | : Biography & Autobiography |
ISBN | : 1588385663 |
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
Author | : J. R. LeMaster |
Publisher | : Taylor & Francis |
Total Pages | : 952 |
Release | : 1993 |
Genre | : Authors, American |
ISBN | : 9780824072124 |
A reference guide to the great American author (1835-1910) for students and general readers. The approximately 740 entries, arranged alphabetically, are essentially a collection of articles, ranging significantly in length and covering a variety of topics pertaining to Twain's life, intellectual milieu, literary career, and achievements. Because so much of Twain's writing reflects Samuel Clemens's personal experience, particular attention is given to the interface between art and life, i.e., between imaginative reconstructions and their factual sources of inspiration. Each entry is accompanied by a selective bibliography to guide readers to sources of additional information. Annotation copyright by Book News, Inc., Portland, OR
Author | : Seth Lerer |
Publisher | : University of Chicago Press |
Total Pages | : 396 |
Release | : 2009-04-01 |
Genre | : Literary Criticism |
ISBN | : 0226473023 |
Ever since children have learned to read, there has been children’s literature. Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter. The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word. “Lerer has accomplished something magical. Unlike the many handbooks to children’s literature that synopsize, evaluate, or otherwise guide adults in the selection of materials for children, this work presents a true critical history of the genre. . . . Scholarly, erudite, and all but exhaustive, it is also entertaining and accessible. Lerer takes his subject seriously without making it dull.”—Library Journal (starred review) “Lerer’s history reminds us of the wealth of literature written during the past 2,600 years. . . . With his vast and multidimensional knowledge of literature, he underscores the vital role it plays in forming a child’s imagination. We are made, he suggests, by the books we read.”—San Francisco Chronicle “There are dazzling chapters on John Locke and Empire, and nonsense, and Darwin, but Lerer’s most interesting chapter focuses on girls’ fiction. . . . A brilliant series of readings.”—Diane Purkiss, Times Literary Supplement
Author | : William J. Mann |
Publisher | : Henry Holt and Company |
Total Pages | : 710 |
Release | : 2007-10-30 |
Genre | : Biography & Autobiography |
ISBN | : 1429921978 |
The first major Katharine Hepburn biography independent of her control reveals the smart, complicated, and sophisticated woman behind the image Onscreen she played society girls, Spencer Tracy's sidekick, lionesses in winter. But the best character Katharine Hepburn ever created was Katharine Hepburn: a Connecticut Yankee, outspoken and elegant, she wore pants whatever the occasion and bristled at Hollywood glitter. So captivating was her image that she never seemed less than authentic. But how well did we know her, really? Was there a woman behind the image who was more human, more driven, and ultimately more triumphant because of her vulnerability? William J. Mann—a cultural historian and journalist, a sympathetic admirer but no mere fan—has fashioned an intimate, often revisionist, and truly unique close-up that challenges much of what we think we know about the Great Kate. Previous biographies—mostly products of friends and fans—have recycled the stories she hid behind, taking Hollywood myths at face value. Mann goes deeper, delivering new details from friends and family who have not been previously interviewed and drawing on materials only available since Hepburn's death. With affection, intelligence, and a voluminous knowledge of Hollywood history, Mann shows us how a woman originally considered too special and controversial for fame learned the fine arts of movie stardom and transformed herself into an icon as durable and all-American as the Statue of Liberty.