A Complete Inventory of the Drawings of the Turner Bequest
Author | : National Gallery (Great Britain) |
Publisher | : |
Total Pages | : 658 |
Release | : 1909 |
Genre | : Drawing |
ISBN | : |
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Author | : National Gallery (Great Britain) |
Publisher | : |
Total Pages | : 658 |
Release | : 1909 |
Genre | : Drawing |
ISBN | : |
Author | : National Gallery (Great Britain) |
Publisher | : |
Total Pages | : 694 |
Release | : 1909 |
Genre | : Drawing |
ISBN | : |
Author | : National Gallery (Great Britain) |
Publisher | : |
Total Pages | : |
Release | : 1909 |
Genre | : |
ISBN | : |
Author | : National Gallery (Great Britain) |
Publisher | : Wentworth Press |
Total Pages | : 660 |
Release | : 2016-08-25 |
Genre | : History |
ISBN | : 9781361022801 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Charles Lewis Hind |
Publisher | : London ; Edinburgh : T. C. & E. C. Jack |
Total Pages | : 502 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : Joseph Mallord William Turner |
Publisher | : |
Total Pages | : 482 |
Release | : 1924 |
Genre | : Engraving |
ISBN | : |
Author | : Hélène Ibata |
Publisher | : Manchester University Press |
Total Pages | : 382 |
Release | : 2018-02-05 |
Genre | : Art |
ISBN | : 1526117428 |
This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.