An Opera Bibliography

An Opera Bibliography
Author: Charles H. Parsons
Publisher:
Total Pages: 280
Release: 1995
Genre: Music
ISBN:

A multi-volume set giving detailed information on every aspect of opera - over 100,000 entries. Improves on Steiger's Opernlexikon by including two additional data-categories for each work (language of text and literary sources) and by covering composers who have appeared since the end-date of Steiger's work (1934).

Giuseppe Verdi

Giuseppe Verdi
Author: Francis Toye
Publisher:
Total Pages: 560
Release: 2011-10-01
Genre:
ISBN: 9781258215309

Complete Opera Book

Complete Opera Book
Author: George Henry Hubert Lascelles Harewood, Earl of
Publisher: London : Putnam
Total Pages: 1262
Release: 1956
Genre:
ISBN:

A Season of Opera

A Season of Opera
Author: M. Owen Lee
Publisher: University of Toronto Press
Total Pages: 258
Release: 1998-01-01
Genre: Music
ISBN: 9780802083876

Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.

Helvellyn

Helvellyn
Author: John Oxenford
Publisher:
Total Pages: 60
Release: 1864
Genre: Operas
ISBN:

Analyzing Opera

Analyzing Opera
Author: Carolyn Abbate
Publisher: Univ of California Press
Total Pages: 468
Release: 2023-11-10
Genre:
ISBN: 0520310810

Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses, and it serves to highlight the particular terms from which comparisons are often made. In this book some of the leading and most innovative music scholars challenge this view, suggesting that as we become more distant from the nineteenth century, we may see that Verdi and Wagner confronted largely similar problems, and even on occasion found similar solutions. But more than this, Analyzing Opera sets out to demonstrate the richness and variety of modern analytical approaches to the genre. As the editors point out in their introduction, today's musical scholars increasingly question the usefulness of organicist theories in analytical studies, and, as they do so, opera seems to become an ever more central area of investigation. Opera is peculiar: its clash of verbal, musical, and visual systems can produce incongruities and extravagant miscalculations. It invites a multiplicity of approaches, challenges orthodoxy, and embraces ambiguity. The sheer variety of essays presented here is witness to this fact and suggests that analyzing opera is one of the liveliest (and most polemical) areas in modern-day musical scholarship. Contributors: Philip Gossett, John Deathridge, James A. Hepokoski, Joseph Kerman, Thomas S. Grey, Matthew Brown, Anthony Newcomb, Martin Chusid, David Lawton, and Patrick McCreless. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

La Traviata

La Traviata
Author: Giuseppe Verdi
Publisher: Alfred Music
Total Pages: 240
Release:
Genre: Music
ISBN: 9781457483066

Expertly arranged Vocal Score by Giuseppe Verdi from the Kalmus Edition series. This Opera Score is from the Romantic era.

Historical Musicology

Historical Musicology
Author: Stephen A. Crist
Publisher: University Rochester Press
Total Pages: 443
Release: 2008
Genre: History
ISBN: 1580463010

Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond.