A Certain Slant Of Light Regionalism And The Form Of Southern And Midwestern Fiction
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South to A New Place
| Author | : Suzanne W. Jones |
| Publisher | : LSU Press |
| Total Pages | : 428 |
| Release | : 2002-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807128404 |
Taking Albert Murray’s South to a Very Old Place as a starting point, contributors to this exciting collection continue the work of critically and creatively remapping the South through their freewheeling studies of southern literature and culture. Appraising representations of the South within a context that is postmodern, diverse, widely inclusive, and international, the essays present multiple ways of imagining the South and examine both new places and old landscapes in an attempt to tie the mythic southern balloon down to earth. In his foreword, an insightful discussion of numerous Souths and the ways they are perceived, Richard Gray explains one of the key goals of the book: to open up to scrutiny the literary and cultural practice that has come to be known as “regionalism.” Part I, “Surveying the Territory,” theorizes definitions of place and region, and includes an analysis of southern literary regionalism from the 1930s to the present and an exploration of southern popular culture. In “Mapping the Region,” essayists examine different representations of rural landscapes and small towns, cities and suburbs, as well as liminal zones in which new immigrants make their homes. Reflecting the contributors’ transatlantic perspective, “Making Global Connections” challenges notions of southern distinctiveness by reading the region through the comparative frameworks of Southern Italy, East Germany, Latin America, and the United Kingdom and via a range of texts and contexts—from early reconciliation romances to Faulkner’s fictions about race to the more recent parody of southern mythmaking, Alice Randall’s The Wind Done Gone. Together, these essays explore the roles that economic, racial, and ideological tensions have played in the formation of southern identity through varying representations of locality, moving regionalism toward a “new place” in southern studies.
The American Midwest
| Author | : Andrew R. L. Cayton |
| Publisher | : Indiana University Press |
| Total Pages | : 270 |
| Release | : 2001-09-28 |
| Genre | : History |
| ISBN | : 9780253112095 |
The American MidwestEssays on Regional History Edited by Andrew R. L. Cayton and Susan E. Gray Is there a Midwest regional identity? Read this lively exploration of the Midwestern identity crisis and find out. "Many would say that ordinariness is the Midwest's 'historic burden.' A writer living in Dayton, Ohio recently suggested that dullness is a Midwestern trait. The Midwest lacks grand scenery: 'Just cornfields, silos, prairies, and the occasional hill. Dull.' He tries to put a nice face on Midwestern dullness by saying that Midwesterners '[l]ike Shaker furniture... are plain in the best sense: unadorned.' Others have found Midwestern ordinariness stultifying. Neil LaBute, who makes films about mean and nasty people, said he was negative because he came from Indiana: 'We're brutally honest in Indiana. We realize we're in the middle of nowhere, and we're very sore about it.'" -- from Chapter Five, "Barbecued Kentuckians and Six-Foot Texas Rangers," by Nicole Etcheson. In a series of often highly personal essays, the authors of The American Midwest -- all of whom are experts on various aspects of Midwestern history -- consider the question of regional identity as a useful way of thinking about the history of the American Midwest. They begin with the assumption that Midwesterners have never been as consciously regional as Western or Southern Americans. They note the peculiar absence of the Midwest from the recent revival of interest in American regionalism among both scholars and journalists. These lively and well-written chapters draw on personal experiences as well as a wide variety of scholarship. This book will stimulate readers into thinking more concretely about what it has meant to be from the Midwest -- and why Midwesterners have traditionally been less assertive about their regional identity than other Americans. It suggests that the best place to find Midwesternness is in the stories the residents of the region have told about themselves and each other. Being Midwestern is mostly a state of mind. It is always fluid, always contested, always being renegotiated. Even the most frequent objection to the existence of Midwestern identity, the fact that no one can agree on its borders, is part of a larger regional conversation about the ways in which Midwesterners imagine themselves and their relationships with other Americans. Andrew R. L. Cayton, Distinguished Professor of History at Miami University in Oxford, Ohio, is author of numerous books and articles dealing with the history of the Midwest, including Frontier Indiana (Indiana University Press) and (with Peter S. Onuf) The Midwest and the Nation. Susan E. Gray, Associate Professor of History at Arizona State University, is author of Yankee West: Community Life on the Michigan Frontier as well as numerous articles about Midwest history. Midwestern History and CultureJames H. Madison and Andrew R. L. Cayton, editors July 2001256 pages, 6 1/8 x 9 1/4, index, append.cloth 0-253-33941-3 $35.00 s / £26.50 Contents The Story of the Midwest: An Introduction Seeing the Midwest with Peripheral Vision: Identities, Narratives, and Region Liberating Contrivances: Narrative and Identity in Ohio Valley Histories Pigs in Space, or What Shapes American Regional Cultures? Barbecued Kentuckians and Six-Foot Texas Rangers: The Construction of Midwestern Identity Pi-ing the Type: Jane Grey Swisshelm and the Contest of Midwestern Regionality "The Great Body of the Republic": Abraham Lincoln and the Idea of a Middle West Stories Written in the Blood: Race, Identity, and the Middle West The Anti-region: Place and Identity in the History of the American Middle West Midwestern Distinctiveness Middleness and the Middle West
A Companion to the Modern American Novel, 1900 - 1950
| Author | : John T. Matthews |
| Publisher | : John Wiley & Sons |
| Total Pages | : 790 |
| Release | : 2013-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 111866163X |
This cutting-edge Companion is a comprehensive resource for the study of the modern American novel. Published at a time when literary modernism is being thoroughly reassessed, it reflects current investigations into the origins and character of the movement as a whole. Brings together 28 original essays from leading scholars Allows readers to orient individual works and authors in their principal cultural and social contexts Contributes to efforts to recover minority voices, such as those of African American novelists, and popular subgenres, such as detective fiction Directs students to major relevant scholarship for further inquiry Suggests the many ways that “modern”, “American” and “fiction” carry new meanings in the twenty-first century
The Lost Region
| Author | : Jon K. Lauck |
| Publisher | : University of Iowa Press |
| Total Pages | : 180 |
| Release | : 2013-12-01 |
| Genre | : History |
| ISBN | : 1609382161 |
The American Midwest is an orphan among regions. In comparison to the South, the far West, and New England, its history has been sadly neglected. To spark more attention to their region, midwestern historians will need to explain the Midwest’s crucial roles in the development of the entire country: it helped spark the American Revolution and stabilized the young American republic by strengthening its economy and endowing it with an agricultural heartland; it played a critical role in the Union victory in the Civil War; it extended the republican institutions created by the American founders, and then its settler populism made those institutions more democratic; it weakened and decentered the cultural dominance of the urban East; and its bustling land markets deepened Americans’ embrace of capitalist institutions and attitudes. In addition to outlining the centrality of the Midwest to crucial moments in American history, Jon K. Lauck resurrects the long-forgotten stories of the institutions founded by an earlier generation of midwestern historians, from state historical societies to the Mississippi Valley Historical Association. Their strong commitment to local and regional communities rooted their work in place and gave it an audience outside the academy. He also explores the works of these scholars, showing that they researched a broad range of themes and topics, often pioneering fields that remain vital today. The Lost Region demonstrates the importance of the Midwest, the depth of historical work once written about the region, the continuing insights that can be gleaned from this body of knowledge, and the lessons that can be learned from some of its prominent historians, all with the intent of once again finding the forgotten center of the nation and developing a robust historiography of the Midwest.
Southern Local Color
| Author | : Barbara C. Ewell |
| Publisher | : University of Georgia Press |
| Total Pages | : 396 |
| Release | : 2002 |
| Genre | : Literary Collections |
| ISBN | : 9780820323169 |
Conflict, exoticism, sensuality, eccentricity, and the sheer differences of the American South pervade this lively anthology, the first in fifty years to focus exclusively on the nineteenth-century tradition of southern local color. Its thirty-one stories, spanning the 1870s through the early 1900s, represent some of the best southern fiction to appear during the great flowering of American local color writing. The fifteen authors included here are those most admired by their contemporaries. Modern readers may recognize Kate Chopin, author of The Awakening; Charles Chesnutt, the courageous and gifted African American writer; or Joel Chandler Harris, whose Uncle Remus and Br'er Rabbit tales have remained continually in print. However some authors like suffragist Sarah Barnwell Elliott, are virtually unknown today, while others, like African Americans Paul Laurence Dunbar and Alice Dunbar-Nelson, are known primarily as poets or diarists. The editors' extensive introduction locates the stories in the context of contemporary and current history and culture, and each selection of tales begins with detailed information on the author. Also included are bibliographies and extensive notes. Showcasing the many styles, topics, and settings of southern local color, the anthology reconnects us to an unjustly neglected literary tradition. As the editors make clear, such tales of the South were essential to post-Civil War America's struggle to address--yet contain--cultural and geographic variety, racial mixtures, and the just clamor of women and African Americans for equality. From George Washington Cable's New Orleans to Thomas Nelson Page's Tidewater Virginia to the Appalachians imagined by Sherwood Bonner, these stories engage nation-shaping themes--war, segregation, immigration, depression, and suffrage--at the personal and community levels. In Southern Local Color we have a unique forum for pondering a timeless American question: how to reconcile our diversities with a unified national identity.
Encyclopedia of the Novel
| Author | : Paul Schellinger |
| Publisher | : Routledge |
| Total Pages | : 2557 |
| Release | : 2014-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 1135918333 |
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Old-Fashioned Modernism
| Author | : Andy Oler |
| Publisher | : LSU Press |
| Total Pages | : 285 |
| Release | : 2019-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 0807171611 |
The Midwest holds two conflicting positions in the American cultural imagination, both of which rob the region of its distinctiveness. Often, it is seen as the “heartland,” a pastoral ideal standing in for all of American culture. Alternatively, the Midwest can represent “flyover country,” part of an expansive, undifferentiated mass between the coasts. In Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature, Andy Oler challenges both views by pairing fiction and poetry from the region with cultural and material texts that illustrate the processes by which regional modernism both opposes and absorbs prevailing models of twentieth-century manhood. Although it acknowledges a tradition of Midwestern urban literature, Old-Fashioned Modernism focuses on representations of life on farms and in small towns that generate specific forms of rural modernity. Oler considers a series of male protagonists who both fulfill and resist conventional American narratives of economic advancement, spatial experience, and gender roles. The writers he studies portray the onset of socioeconomic and mechanical modernity by merging realist and naturalist narratives with upwellings of modernist form and style. His analysis charts a trajectory in which Midwestern literature depicts experiences that appear dependent on nostalgic pastoralism but actually foreground the ongoing fragmentation and emerging anxieties of the countryside. In detailed readings of novels by Sherwood Anderson, William Cunningham, Langston Hughes, Wright Morris, and Dawn Powell, as well as the poetry of Lorine Niedecker, Oler highlights images of men from the rural Midwest who face the tensions between agricultural production and mass industrialization. These works of literature, which Oler examines alongside pieces of material culture like advertisements for farm implements and record labels, feature communities that support self-made as well as corporate identities. As portraits of the Midwest that resist the totalizing trajectory of industrialization, these texts generate spaces that meld rural and urban economics, land use, and affective experiences. Old-Fashioned Modernism reveals how Midwestern regionalism negotiates the anxieties and dominant narratives of early- and midcentury rural masculinities, as regional literature and culture alter the forms and spaces of literary modernism.
The Program Era
| Author | : Mark McGurl |
| Publisher | : Harvard University Press |
| Total Pages | : 481 |
| Release | : 2009-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674054245 |
In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come.
South to the Future
| Author | : Fred C. Hobson |
| Publisher | : University of Georgia Press |
| Total Pages | : 132 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780820324111 |
Until recently, the American South has often been treated in isolation by historians and literary critics. In these essays five scholars of southern history and literature evaluate elements of contemporary--and future--southern experience, including place, community, culture, class, gender, and racial roles. Fred Hobson observes in his introductory essay that the U.S. South must be seen in relation to a larger world--the Caribbean and Central and South America, as well as European countries with a similar grounding in hardship and defeat. Moreover, the South can no longer be viewed in black-and-white terms--especially if the subject is race. Joel Williamson's essay challenges fellow historians to broaden their purview by getting acquainted with Gone with the Wind, Elvis Presley, and other phenomena of southern culture(s). Linda Wagner-Martin discusses the innovative ways in which contemporary southern writers such as Charles Frazier take on traditional southern concerns and shows us how "place becomes space" for Alice Walker, Barbara Kingsolver, Cormac McCarthy, and other southern-born writers whose works are often set outside the geographical South. Thadious Davis looks at the "youngsters" of southern poetry, fiction, and drama, revealing how their work reflects a racially and ethnically mixed, digitized, and otherwise reconfigured South. In the writings of Shay Youngblood, Randall Kenan, Donna Tartt, Mona Lisa Salloy, and others, one can see the collapsing of distinctions between the literary and the popular, and a greater comfort with social fluidity and mobility. The concluding essay by Edward Ayers, set in 2076, offers a witty glimpse of things-perhaps-to-come. Through a series of short dispatches from a sixteen-year-old narrator of Scottish-Ghanian-Honduran-Korean-Cherokee descent, Ayers transports us to the Consolidated South that counts Incarceration Incorporated among its largest employers. As these writings signal new depths and directions in southern historical and literary studies, they compose a witty and erudite album of snapshots, revealing a region on the verge of big changes.
