A Certain Realism
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Author | : Maurizio Viano |
Publisher | : Univ of California Press |
Total Pages | : 394 |
Release | : 1993-07-15 |
Genre | : Performing Arts |
ISBN | : 9780520912618 |
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.
Author | : Maurizio Viano |
Publisher | : Univ of California Press |
Total Pages | : 391 |
Release | : 1993-07-15 |
Genre | : Performing Arts |
ISBN | : 0520078551 |
"Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."—Peter Brunette, author of Roberto Rossellini
Author | : British Film Institute |
Publisher | : London : Routledge & K. Paul : British Film Institute |
Total Pages | : 306 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
This reader brings together the principal arguments in the long-standing and often tortuous debate about realism in the cinema, linking them with a critical commentary which elucidates their dramatic and political character.
Author | : Jerrold J. Katz |
Publisher | : MIT Press |
Total Pages | : 268 |
Release | : 1997-12-08 |
Genre | : Philosophy |
ISBN | : 9780262263290 |
Jerrold Katz develops a new philosophical position integrating realism and rationalism. In Realistic Rationalism, Jerrold J. Katz develops a new philosophical position integrating realism and rationalism. Realism here means that the objects of study in mathematics and other formal sciences are abstract; rationalism means that our knowledge of them is not empirical. Katz uses this position to meet the principal challenges to realism. In exposing the flaws in criticisms of the antirealists, he shows that realists can explain knowledge of abstract objects without supposing we have causal contact with them, that numbers are determinate objects, and that the standard counterexamples to the abstract/concrete distinction have no force. Generalizing the account of knowledge used to meet the challenges to realism, he develops a rationalist and non-naturalist account of philosophical knowledge and argues that it is preferable to contemporary naturalist and empiricist accounts. The book illuminates a wide range of philosophical issues, including the nature of necessity, the distinction between the formal and natural sciences, empiricist holism, the structure of ontology, and philosophical skepticism. Philosophers will use this fresh treatment of realism and rationalism as a starting point for new directions in their own research.
Author | : Hilary Putnam |
Publisher | : Harvard University Press |
Total Pages | : 426 |
Release | : 1992 |
Genre | : Philosophy |
ISBN | : 9780674749450 |
One of America's great philosophers says the time has come to reform philosophy. Putnam calls upon philosophers to attend to the gap between the present condition of their subject and the human aspirations that philosophy should and once did claim to represent. His goal is to embed philosophy in social life.
Author | : Lúcia Nagib |
Publisher | : Film Culture in Transition |
Total Pages | : 300 |
Release | : 2020-10-19 |
Genre | : |
ISBN | : 9789462987517 |
This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.
Author | : Roger D. Spegele |
Publisher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 1996-08-22 |
Genre | : Philosophy |
ISBN | : 9780521556354 |
In this 1996 book Roger Spegele argues that in the past international theorists have failed to recognise that there is not one conception of international relations, subdivided into different theories and approaches, but at least three wholly different conceptions of the subject. Though scholars are increasingly prepared to accept this, there is still no consensus about what to call these conceptions, how to describe them, and why they should be studied. This book attempts to fill this gap. The author first examines two conceptions of IR - positivism-empiricism and emancipatory international relations - which challenge political realism. He then defends a revised version of realism, called 'evaluative political realism', from challenges arising from its rivals, with the aim of defining a conception of political realism which is coherent, viable, and attractive.
Author | : Frank B. Farrell |
Publisher | : Cambridge University Press |
Total Pages | : 302 |
Release | : 1994 |
Genre | : Philosophy |
ISBN | : 9780521568326 |
This unusually accessible account of recent Anglo-American philosophy focuses on how that philosophy has challenged deeply held notions of subjectivity, mind, and language. The book is designed on a broad canvas in which recent arguments are placed in a historical context (in particular they are related to medieval philosophy and German idealism). The author then explores such topics as mental content, moral realism, realism and antirealism, and the character of subjectivity. Much of the book is devoted to an investigation of Donald Davidson's philosophy, and there is also a sustained critique of the position of Richard Rorty. A final chapter defends the realist position against objections from postmodern thought. As a rigorous and historically sensitive account of recent philosophy, this book should enjoy a wide readership among philosophers of many different persuasions, literary theorists, and social scientists who have been influenced by postmodern thought.
Author | : Marie-Eve Morin |
Publisher | : Edinburgh University Press |
Total Pages | : 190 |
Release | : 2017-06-23 |
Genre | : Philosophy |
ISBN | : 1474421156 |
Speculative realism challenges philosophical approaches and traditions for supposedly failing to do justice to the real world. Taking this realist challenge seriously, Continental Realism and Its Discontents refuses to discard the philosophical contributions of Kant, Schelling, Merleau-Ponty, Derrida and Nancy without closer scrutiny. Instead, the contributors turn to these thinkers to meet the challenge of realism in contemporary philosophy.
Author | : Richard A. Fumerton |
Publisher | : Rowman & Littlefield |
Total Pages | : 174 |
Release | : 2002 |
Genre | : Education |
ISBN | : 9780742512832 |
Defending a realism about truth, Fumerton (philosophy, U. of Iowa) argues that the most plausible version of realism is the correspondence theory of truth, and that only by including in one's ontology the critical relation of correspondence between truth bearers and truth makers can one avoid an implausible metaphysics of possibilia in a realist analysis of falsehood. Annotation copyrighted by Book News, Inc., Portland, OR