A Century Of Canadian Cinema
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Author | : George Melnyk |
Publisher | : University of Toronto Press |
Total Pages | : 378 |
Release | : 2004-01-01 |
Genre | : Performing Arts |
ISBN | : 9780802084446 |
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author | : Gerald Pratley |
Publisher | : |
Total Pages | : 420 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : |
Indulge your love of Canadian films with 'A Century of Canadian Cinema'. Each entertaining review contains the film's director, writer, actors, plot, length and year of production. The guide contains films from the industry's earliest beginnings in Canada right up to the latest releases -- from 1920s silent films to David Cronenberg and Denys Arcand -- and it offers insight from a long-time industry observer into how and why these films have made an impact on the Canadian film industry and Canadian society. From plaid jacket and toque-wearing films shot in the Arctic to co-productions filmed in tropical climes, and from films shot in six weeks on a shoestring to ten-year ordeals that nearly meant the end of everyone involved our directors and actors have done it all. Using the guide's convenient cross-indexing, follow the first big breaks, the roller-coaster rides, and the latest endeavours of your favourite Canadian talent. Through his distinguished career, Gerald Pratley has made an extraordinary impact on Canadian cinema. In 1948, he became CBC's first film critic and commentator, broadcasting every week until 1976. industry ever since. Numerous honours have been awarded to Pratley in appreciation of his years of commitment. Among them are the Queen's Jubilee Medal, the Order of Canada, an Honourary Doctor of Letters, and a Special Genie Award for his exceptional support and encouragement of achievement and excellence in Canadian cinema.
Author | : David L. Pike |
Publisher | : University of Toronto Press |
Total Pages | : 393 |
Release | : 2012-12-06 |
Genre | : Performing Arts |
ISBN | : 1442698322 |
Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage. Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in between. Along with in-depth studies of key directors, including David Cronenberg, Patricia Rozema and Denys Arcand, Jean-Claude Lauzon, Robert Lepage, Léa Pool, Atom Egoyan, and Guy Maddin, Canadian Cinema since the 1980s reflects on major themes and genres and explores the regional and cultural diversity of the period. Pike positions Canadian filmmaking at the frontlines of a profound cinematic transformation in the age of global media and presents fresh perspectives on both its local and international contexts. Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
Author | : Lee Carruthers |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 431 |
Release | : 2023-01-15 |
Genre | : Performing Arts |
ISBN | : 0228014921 |
At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
Author | : George Melnyk |
Publisher | : Athabasca University Press |
Total Pages | : 319 |
Release | : 2014-05-01 |
Genre | : Social Science |
ISBN | : 1927356598 |
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author | : Oeter Morris |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 361 |
Release | : 1992-08-06 |
Genre | : Performing Arts |
ISBN | : 0773560726 |
Other Canadian film producers concentrated their efforts on short productions, mostly in government or commercial companies such as Associated Screen News of Montreal. The works of Gordon Spalding, Bill Oliver, and Albert Tessier are discussed in this context. Morris concludes with the founding of the National Film Board which, under the dynamic guidance of John Grierson, was to breathe new life into a moribund industry. In a postscript Morris explores some of the reasons for the unique development of Canadian film making -- particularly its use of natural settings and documentary when virtually the rest of the world's industry was following the Hollywood pattern of studio location and fictional plots -- and examines the relationship of the early industry to later developments in Canadian film making. At a time when Canada's cultural industries are struggling to survive in the wake of the Free Trade Agreement with the United States and under the threat of Free Trade with Mexico, Embattled Shadows makes essential reading.
Author | : Manjunath Pendakur |
Publisher | : Wayne State University Press |
Total Pages | : 340 |
Release | : 1990 |
Genre | : Business & Economics |
ISBN | : 9780814319994 |
A history of the Canadian film industry from its inception to 1980s, providing a chronological record of the conflicting priorities between American capital, which seeks to shape the Canadian film industry to its own image, and Canada's stated goal, which is to serve the Canadian people with films autonomously conceived, produced, and exhibited.
Author | : Kass Banting |
Publisher | : University of Toronto Press |
Total Pages | : 348 |
Release | : 1999-01-01 |
Genre | : Performing Arts |
ISBN | : 9780802079640 |
The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
Author | : Christopher E. Gittings |
Publisher | : Psychology Press |
Total Pages | : 354 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9780415142823 |
This books traces the inscription of nation across Canada's film history, from early films of colonisation and white settlement to contemporary Canada's diverse multicultural output.
Author | : Loren R. Lerner |
Publisher | : University of Toronto Press |
Total Pages | : 1862 |
Release | : 1997-01-01 |
Genre | : Reference |
ISBN | : 0802029884 |
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.