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| Author | : Darlene J. Sadlier |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2022 |
| Genre | : History |
| ISBN | : 9781477325230 |
The first comprehensive study of Brazilian documentary filmmaking, offering a sweeping look at more than a century of cinematic journalism, propaganda, and artistry.
| Author | : Darlene J. Sadlier |
| Publisher | : University of Texas Press |
| Total Pages | : 441 |
| Release | : 2022-08-16 |
| Genre | : Performing Arts |
| ISBN | : 1477325255 |
Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil. A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.
| Author | : Leslie Marsh |
| Publisher | : University of Illinois Press |
| Total Pages | : 251 |
| Release | : 2012-10-30 |
| Genre | : Performing Arts |
| ISBN | : 0252094379 |
At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works. Filling this void, Brazilian Women's Filmmaking focuses on women's film production in Brazil from the mid-1970s to the current era. Leslie L. Marsh explains how women's filmmaking contributed to the reformulation of sexual, cultural, and political citizenship during Brazil's fight for the return and expansion of civil rights during the 1970s and 1980s and the recent questioning of the quality of democracy in the 1990s and 2000s. She interprets key films by Ana Carolina and Tizuka Yamasaki, documentaries with social themes, and independent videos supported by archival research and extensive interviews with Brazilian women filmmakers. Despite changes in production contexts, recent Brazilian women's films have furthered feminist debates regarding citizenship while raising concerns about the quality of the emergent democracy. Brazilian Women's Filmmaking offers a unique view of how women's audiovisual production has intersected with the reconfigurations of gender and female sexuality put forth by the women's movements in Brazil and continuing demands for greater social, cultural, and political inclusion.
| Author | : Gustavo Procopio Furtado |
| Publisher | : |
| Total Pages | : 281 |
| Release | : 2019 |
| Genre | : Performing Arts |
| ISBN | : 0190867043 |
This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil's highly unequal society, this period also witnessed the documentary's rise to unprecedented vitality in quantity, quality, and diversity of production-which includes polished auteur films as well as rough-hewn collaborative works, films made in major metropolitan regions as well as in indigenous villages and in remote parts of the Amazon, intimate first-person documentaries as well as films that dive headfirst into struggles for social justice. The transformations of Brazilian society and of filmmaking coalesce and become entangled in this cinema's preoccupation with archives. Historically linked to the exercise and maintenance of power, the concept of the archive is critical for the documentary as a cultural practice that preserves images from the present for the future, unearths and repurposes visual materials from the past, and is historically invested in filmic images as records of the real. Contemporary films incorporate, reflect on, and rework a variety of archives, such as documents produced by official institutions, ethnographic images, home movies, and photo albums-and engage not only with what is preserved but also with lacunas in the record and with alternate forms of remembering, retrieving, and transmitting the past. Through its interaction with archives, this book argues, the contemporary documentary reflects on and intervenes in the distribution of visibilities and invisibilities, centers and margins, silences and speech, living memory and its preservation in the record-thus locating the documentary on archival borders that concern Brazilian society and filmmaking alike.
| Author | : Randal Johnson |
| Publisher | : Columbia University Press |
| Total Pages | : 496 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9780231102674 |
From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.
| Author | : Leslie L. Marsh |
| Publisher | : University of Illinois Press |
| Total Pages | : 251 |
| Release | : 2012-10-31 |
| Genre | : History |
| ISBN | : 0252037251 |
This text focuses on women's film production in Brazil from the mid-1970s to the current era. Marsh explains how women's filmmaking contributed to the reformulation of sexual, cultural, and political citizenship during Brazil's fight for the return and expansion of civil rights during the 1970s and 1980s.
| Author | : Jack A. Draper III |
| Publisher | : State University of New York Press |
| Total Pages | : 306 |
| Release | : 2022-10-01 |
| Genre | : Performing Arts |
| ISBN | : 1438490267 |
Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.
| Author | : Sara Brandellero |
| Publisher | : University of Wales Press |
| Total Pages | : 257 |
| Release | : 2013-06-15 |
| Genre | : History |
| ISBN | : 0708325998 |
The innovative collection of essays by a distinguished group of scholars brought together in The Brazilian Road Movie - Journeys of (Self) Discovery represents the first book-length publication on Brazil's encounters with and reworkings of one of cinema's most enduringly popular genres.
| Author | : Guilherme Carréra |
| Publisher | : |
| Total Pages | : |
| Release | : 2022 |
| Genre | : Motion pictures |
| ISBN | : 9781350203051 |
"Guilherme Carrera's compelling book examines imagery of ruins in contemporary Brazilian documentary film-making and considers these representations in the context of Brazilian society. Carrera groups these films into three distinct types: firstly, unconventional documentaries focused on Brasília - The Age of Stone (2013) and White Out, Black In (2014)); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016), and HU Enigma (2011)); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008), and Guarani Exile (2011)). In portraying ruinscapes in different ways, the book argues that these unconventional films articulate critiques of the notions of progress and (under)development in the Brazilian nation. Carrera's study invites the reader to walk amid the documentary debris and reflect upon the strategies of spatial representation employed by the films' directors. It addresses this body of contemporary films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these present-day films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative"--
| Author | : Tatiana Signorelli Heise |
| Publisher | : University of Wales Press |
| Total Pages | : 214 |
| Release | : 2012-07-15 |
| Genre | : Art |
| ISBN | : 0708325165 |
This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an 'imagined community', the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.
