A Catalogue Of The Herbarium Specimens From Captain Cooks First And Second Expeditions Housed In The Copenhagen Herbarium C
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An Illustrated Guide to New Zealand Hebes
Author | : Michael Bayly |
Publisher | : |
Total Pages | : 408 |
Release | : 2006 |
Genre | : Nature |
ISBN | : |
This book is the most comprehensive guide yet to the identification, classification, and biology of the flowering plant genera Hebe and Leonohebe. Hebes are grown throughout the world. Of 88 wild species, all but three are endemic to New Zealand. This book focuses on hebes found in the wild and provides keys to identify all taxa - 88 species of Hebe and five of Leonohebe. For each species, the book dedicates two pages of detailed information, photographs, and distribution maps. General chapters discuss evolution, reproductive biology, conservation, and other topics. This is an indispensable reference for professional botanists, conservation managers, gardeners, students, and plant photographers.
Flora of Australia: Introduction
Author | : Australian Biological Resources Study |
Publisher | : CSIRO Publishing |
Total Pages | : 704 |
Release | : 1999 |
Genre | : Botany |
ISBN | : |
Many libraries hold a number of titles in this series although only 6 have 1st ed. of this introduction to the works.
Phenological Research
Author | : Irene L. Hudson |
Publisher | : Springer Science & Business Media |
Total Pages | : 525 |
Release | : 2009-11-24 |
Genre | : Science |
ISBN | : 9048133351 |
As climate change continues to dominate the international environmental agenda, phenology – the study of the timing of recurring biological events – has received increasing research attention, leading to an emerging consensus that phenology can be viewed as an ‘early warning system’ for climate change impact. A multidisciplinary science involving many branches of ecology, geography and remote sensing, phenology to date has lacked a coherent methodological text. This new synthesis, including contributions from many of the world’s leading phenologists, therefore fills a critical gap in the current biological literature. Providing critiques of current methods, as well as detailing novel and emerging methodologies, the book, with its extensive suite of references, provides readers with an understanding of both the theoretical basis and the potential applications required to adopt and adapt new analytical and design methods. An invaluable source book for researchers and students in ecology and climate change science, the book also provides a useful reference for practitioners in a range of sectors, including human health, fisheries, forestry, agriculture and natural resource management.
Mobile Museums
Author | : Felix Driver |
Publisher | : UCL Press |
Total Pages | : 372 |
Release | : 2021-04-19 |
Genre | : Art |
ISBN | : 178735508X |
Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor
Historical Painting Techniques, Materials, and Studio Practice
Author | : Arie Wallert |
Publisher | : Getty Publications |
Total Pages | : 241 |
Release | : 1995-08-24 |
Genre | : Art |
ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.