Miscellanies by Henry Fielding, Esq

Miscellanies by Henry Fielding, Esq
Author: Henry Fielding
Publisher: Wesleyan University Press
Total Pages: 458
Release: 1993-08
Genre: Fiction
ISBN: 9780819552549

Contains the fantasy, A Journey from This World to the Next, and two plays: the farce Eurydice, and The Wedding Day, a revision of an early intrigue comedy. Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The History of the life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the 'thief-taker' and gangleader of that name who has hanged in 1725, but in Fielding's hands the history of Wild is transformed into a mock-historical work of sustained irony aimed at all who would be 'great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common and since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Wesleyan Edition, this provides a critical, unmodernized text, based on the Greg-Bowers 'Rationale of Copy-text'. The version is that of the first edition, with an appendix giving al variants in wording and presentation of the 1754 revision. In his introduction the textual editor lays out the rationale for his choice version. This volume also includes, for the first time in a modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by textual author.

Henry Fielding

Henry Fielding
Author: Martin C Battestin
Publisher: Taylor & Francis
Total Pages: 793
Release: 2023-05-09
Genre: Literary Criticism
ISBN: 1000819795

First published in 1989, Henry Fielding is a biography presenting a fresh interpretation of Fielding’s life and thought. Using newly discovered information, including new facts, three hitherto unknown pictures of Fielding drawn from life, documents, manuscripts, and many crucially important and engrossing new letters, Martin C. Battestin – the foremost Fielding scholar – illuminates every aspect of Fielding’s life and work. Fielding and the life he led – in the West Country, at Eton, at the University of Leyden, and in the theatres and brothels, sponging houses and police courts of London – make for fascinating reading. This authoritative and timely biography will appeal to all those interested in the society and literature of eighteenth-century England.

Collecting, Curating, and Researching Writers' Libraries

Collecting, Curating, and Researching Writers' Libraries
Author: Richard W. Oram
Publisher: Rowman & Littlefield
Total Pages: 230
Release: 2014-05-21
Genre: Language Arts & Disciplines
ISBN: 1442234989

Academic collection practices in recent years have extended to the private libraries of notable individual authors. As a consequence, book historians have become more interested in the study of provenance of the contents of these libraries, while literary scholars have devoted more attention to authorial annotations. At the same time, the Internet has encouraged both scholarly and hobbyist reconstructions of private libraries (see, for example, the “Legacy Libraries” on Librarything.com). Although there are many bibliographies and reconstructions of the libraries of authors, this is the first general consideration of these libraries and serves as an introduction to best practices for academic libraries in their acquisition, cataloging and issues of access. This collection begins with principal editor Richard Oram’s historical overview of writers’ libraries and institutional collecting, focusing primarily on English-language authors. The co-editor, Joseph Nicholson, has provided a definitive review of best cataloging and arrangement practices that facilitate scholarly access. The bookseller Kevin Mac Donnell discusses the marketing of these collections and obstacles to placing intact author libraries in institutions. Also included are case studies by Amanda Golden and David Faulds relating to the personal libraries of the poets Anne Sexton and Ted Hughes, indicating how these collections have the potential to enhance archival research. Fiction writers Iain Sinclair, Russell Banks, Jim Crace, poet Ted Kooser, and biographer Ron Powers describe their (sometimes passionate) relationship with books and their own personal libraries. The concluding chapter, a location guide to over 500 individual libraries, will be invaluable to scholars and librarians who want to know where writers’ libraries are currently located, what happened to them (if they are known to have been sold or dispersed), and what has been written about them.

Character & Consciousness in Eighteenth-century Comic Fiction

Character & Consciousness in Eighteenth-century Comic Fiction
Author: Elizabeth Kraft
Publisher: University of Georgia Press
Total Pages: 238
Release: 1992
Genre: Literary Criticism
ISBN: 9780820313658

The eighteenth-century novel developed amid an emerging emphasis on individualism that clashed with long-cherished beliefs in hierarchy and stability. Though the comic novelists, unlike Defoe and Richardson, avoided total involvement in the mind of any one character, they were nonetheless fundamentally concerned with the nature of consciousness. In Character and Consciousness in Eighteenth-Century Comic Fiction, Elizabeth Kraft examines the kind of consciousness central to comic novels of the period. It is, she asserts, individual identity conceived in social terms--a character's search for his or her place in a precarious secular order. Understanding this concept of character is vitally important to a full appreciation of eighteenth-century comic fiction. To respond validly to these fictional characters, Kraft claims, the twentieth-century reader must recapture, or recreate, the eighteenth-century self. In readings of five novels--Henry Fielding's Tom Jones, Charlotte Lennox's Female Quixote, Laurence Sterne's Tristram Shandy, Tobias Smollett's Peregrine Pickle, and Fanny Burney's Cecilia--Kraft explores the relationships among consciousness, character, and comic narrative. Fielding, Lennox, and Sterne, she argues, question the validity of narratives of consciousness. Each seeks to define the limitations as well as the virtues of the form in representing the individual and communal lives. Smollett and Burney, on the other hand, address a readership that expects the novel to offer meaningful renderings of person experience. These novelists accept the validity of the narrative of consciousness but place this narrative within the context of the larger community. As a thorough analysis of relations between narrative and the construction of character and consciousness, Kraft's study is an important addition to our understanding of the theoretical formulations of eighteenth-century fiction.