A Catalogue Of The Antiquities And Works Of Art Exhibited At Ironmongers Hall London In The Month Of May 1861
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Author | : Worshipful Company of Ironmongers (London, England) |
Publisher | : |
Total Pages | : 730 |
Release | : 1863 |
Genre | : Archaeological museums and collections |
ISBN | : |
Author | : Gray's Inn. Library |
Publisher | : |
Total Pages | : 1130 |
Release | : 1906 |
Genre | : Law |
ISBN | : |
Author | : British Museum. Department of British and Mediaeval Antiquities and Ethnography |
Publisher | : |
Total Pages | : 516 |
Release | : 1912 |
Genre | : Art objects |
ISBN | : |
Author | : Stuart W. Pyhrr |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 370 |
Release | : 1998 |
Genre | : Armor |
ISBN | : 0870998722 |
The re-creation of classically inspired armor is invariably associated with Filippo Negroli, the most innovative and celebrated of the renowned armorers of Milan.
Author | : Athenæum Club (London, England). Library |
Publisher | : |
Total Pages | : 514 |
Release | : 1860 |
Genre | : |
ISBN | : |
Author | : Ellis (Firm) |
Publisher | : |
Total Pages | : 1106 |
Release | : 1927 |
Genre | : |
ISBN | : |
Author | : Burlington Fine Arts Club |
Publisher | : |
Total Pages | : 250 |
Release | : 1896 |
Genre | : Heraldry |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 930 |
Release | : 1859 |
Genre | : |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 806 |
Release | : 2024-06-07 |
Genre | : Fiction |
ISBN | : 3385498732 |
Reprint of the original, first published in 1876.
Author | : David McKitterick |
Publisher | : Cambridge University Press |
Total Pages | : 447 |
Release | : 2022-06-30 |
Genre | : Language Arts & Disciplines |
ISBN | : 1009200879 |
The mid-nineteenth century brought a revolution in popular and scholarly understandings of old and second-hand books. Manuals introduced new ideas and practices to increasing numbers of collectors, exhibitions offered opportunities previously unheard of, and scholars worked together to transform how the history of printing was understood. These dramatic changes would have profound consequences for bibliographical study and collecting, accompanied as they were by a proliferation in means of access. Many ideas arising during this time would even continue to exert their influence in the digitised arena of today. This book traces this revolution to its roots in commercial and personal ties between key players in England, France and beyond, illuminating how exhibitions, libraries, booksellers, scholars and popular writers all contributed to the modern world of book studies. For students and researchers, it offers an invaluable means of orientation in a field now once again undergoing deep and wide-ranging transformations.