Karel Appel Sculpture

Karel Appel Sculpture
Author: Donald Burton Kuspit
Publisher: ABRAMS
Total Pages: 202
Release: 1994
Genre: Art
ISBN:

Rebellious, spontaneous, childlike, avant-garde, intensely personal, passionately colorful - all these characterize the completely unique sculptures of the renowned artist Karel Appel. Karel Appel Sculpture is the first complete volume on his sculptures, from his earliest pieces of 1947, when the young founder of the CoBrA movement burst on the scene in Europe, to Appel's most recent works of this past year. In the text, Donald Kuspit delves into the intense emotion that he says is the essence of Karel Appel's art. He follows the artist's mental and artistic development, touching on threads that run throughout his works: the childlike aspects of his art, the role of insanity, the anticipation of death, his fluid, constantly changing creative expression. With one hundred rich colorplates and over 130 black-and-whites, Karel Appel Sculpture represents a catalogue raisonne of every work the artist has created. The entire range of Appel's sculptural career to date is here: from his notorious Questioning Children relief assemblages which brought him to the forefront of the avant-garde art scene in Amsterdam in 1948-49; to the totem-like structures of the late 1940s; the organic shapes of his rough, wildly painted olive-tree roots of 1960; the Standing Nudes of 1980s; to his latest works - the Pyre Series - massive, complex sculptural fantasies that combine painting, sculpture, architecture, and found objects and are based on folk legends and primitive myths.

European Sculpture, 1400-1900, in the Metropolitan Museum of Art

European Sculpture, 1400-1900, in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 306
Release: 2011
Genre: Art
ISBN: 1588394271

This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.

Augustin Pajou

Augustin Pajou
Author: James David Draper
Publisher: Metropolitan Museum of Art
Total Pages: 436
Release: 1997
Genre: Neoclassicism (Art)
ISBN: 0870998404

This examination concentrates on the beginnings of Neoclassicism and explores the philosophical and scientific underpinnings of the Enlightenment, in which Pajou played an important part.

British and Irish Paintings in Public Collections

British and Irish Paintings in Public Collections
Author: Christopher Wright
Publisher: Yale University Press
Total Pages: 950
Release: 2006-01-01
Genre: Art
ISBN: 9780300117301

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

Madame Cézanne

Madame Cézanne
Author: Dita Amory
Publisher: Metropolitan Museum of Art
Total Pages: 244
Release: 2014
Genre: Art
ISBN: 0300208103

A new account of Cézanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits Paul Cézanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cézanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Madame Cézanne examines this unique relationship as it looks at Cézanne the painter, draftsman, and portraitist. Featuring 24 of Cézanne's oil portraits of Fiquet and most of the known drawings, Madame Cézanne both reevaluates, with insight and compassion, the long-held misconceptions about the Cézannes' unconventional marriage, and shows how Cézanne's portraits of his wife provide a lens through which to better understand his overall technique. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/18/14-03/15/15)

Origins of Impressionism

Origins of Impressionism
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
Total Pages: 504
Release: 1994
Genre: Impressionism (Art)
ISBN: 0870997173

"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved