A Catalogue of Books in the Moorland Foundation
Author | : Howard University. Libraries. Moorland Foundation |
Publisher | : |
Total Pages | : 534 |
Release | : 1939 |
Genre | : African Americans |
ISBN | : |
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Author | : Howard University. Libraries. Moorland Foundation |
Publisher | : |
Total Pages | : 534 |
Release | : 1939 |
Genre | : African Americans |
ISBN | : |
Author | : United States. Work Projects Administration |
Publisher | : |
Total Pages | : 792 |
Release | : 1938 |
Genre | : Public works |
ISBN | : |
Author | : Julie Des Jardins |
Publisher | : UNC Press Books |
Total Pages | : 402 |
Release | : 2004-07-21 |
Genre | : History |
ISBN | : 0807861529 |
In Women and the Historical Enterprise in America, Julie Des Jardins explores American women's participation in the practice of history from the late nineteenth century through the end of World War II, a period in which history became professionalized as an increasingly masculine field of scientific inquiry. Des Jardins shows how women nevertheless transformed the profession during these years in their roles as writers, preservationists, educators, archivists, government workers, and social activists. Des Jardins explores the work of a wide variety of women historians, both professional and amateur, popular and scholarly, conservative and radical, white and nonwhite. Although their ability to earn professional credentials and gain research access to official documents was limited by their gender (and often by their race), these historians addressed important new questions and represented social groups traditionally omitted from the historical record, such as workers, African Americans, Native Americans, and religious minorities. Assessing the historical contributions of Mary Beard, Zora Neale Hurston, Angie Debo, Mari Sandoz, Lucy Salmon, Mary McLeod Bethune, Dorothy Porter, Nellie Neilson, and many others, Des Jardins argues that women working within the broadest confines of the historical enterprise collectively brought the new perspectives of social and cultural history to the study of a multifaceted American past. In the process, they not only developed the field of women's history but also influenced the creation of our national memory in the twentieth century.
Author | : Bibliographical Society of America |
Publisher | : |
Total Pages | : 382 |
Release | : 1926 |
Genre | : Bibliography |
ISBN | : |
Author | : United States. Department of State |
Publisher | : |
Total Pages | : 240 |
Release | : 1961 |
Genre | : Africa |
ISBN | : |
Author | : Laura Helton |
Publisher | : Columbia University Press |
Total Pages | : 586 |
Release | : 2024-04-16 |
Genre | : Literary Criticism |
ISBN | : 0231559542 |
During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history. Scattered and Fugitive Things tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Laura E. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.
Author | : William Cooper Nell |
Publisher | : Black Classic Press |
Total Pages | : 772 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9781574780192 |
For the first time, a biography of William Cooper Nell and a major portion of his articles for "The Liberator", "The National Anti-Slavery Standard", and "The North Star" have been published in a single volume. The book is the first to document the life and works of Nell and includes correspondence with many noted abolitionists such as Wendell Phillips, Frederick Douglass, Amy Kirby Post and Charles Sumner.
Author | : Schomburg Center for Research in Black Culture |
Publisher | : |
Total Pages | : 994 |
Release | : 1962 |
Genre | : African Americans |
ISBN | : |
Author | : Glenn L. Starks |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 353 |
Release | : 2024-06-27 |
Genre | : History |
ISBN | : 144088109X |
This introductory text explores the lives of 100 Black women and their unique and meaningful legacies upon the history, society, and culture of the USA. Today, the names and remarkable achievements of Black women such as Maya Angelou, Serena Williams, Michelle Obama, and Oprah Winfrey are well known to many Americans. Yet throughout American history, many lesser-known Black women like them have made invaluable contributions to sports, science, the arts, medicine, politics, and civil rights. Josephine St. Pierre Ruffin, who published the first newspaper written for and by African American women, championed the cause of women's suffrage. Matilda Sissieretta Jones, whose father was an enslaved person, toured Europe and performed at the White House in front of four different presidents as one of the great sopranos of her generation. Augusta Savage, overcoming racism and sexism, became one of the most celebrated sculptors in history. This book serves as an important reminder that the story of America cannot be told without the Black women who, with strength and determination, have always pushed America forward even when others held them back.