A Calendar of the Letters of Willa Cather

A Calendar of the Letters of Willa Cather
Author: Willa Cather
Publisher: U of Nebraska Press
Total Pages: 358
Release: 2002-01-01
Genre: Literary Collections
ISBN: 9780803242937

An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.

The Selected Letters of Willa Cather

The Selected Letters of Willa Cather
Author: Willa Cather
Publisher: Vintage
Total Pages: 753
Release: 2013-04-16
Genre: Literary Collections
ISBN: 0307959317

Time Magazine's 10 Top Nonfiction Books of the Year • Willa Cather’s letters—withheld from publication for more than six decades—are finally available to the public in this fascinating selection. The hundreds collected here range from witty reports of life as a teenager in Red Cloud in the 1880s through her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and her growing eminence as a novelist. They describe her many travels and record her last years, when the loss of loved ones and the disasters of World War II brought her near to despair. Above all, they reveal her passionate interest in people, literature, and the arts. The voice is one we recognize from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times sentimental, sarcastic, and funny. A deep pleasure to read, this volume reveals the intimate joys and sorrows of one of America’s most admired writers.

The Selected Letters of Willa Cather

The Selected Letters of Willa Cather
Author: Willa Cather
Publisher: Vintage
Total Pages: 754
Release: 2014-08-26
Genre: Literary Collections
ISBN: 0804172277

Time Magazine's 10 Top Nonfiction Books of the Year • Willa Cather’s letters—withheld from publication for more than six decades—are finally available to the public in this fascinating selection. The hundreds collected here range from witty reports of life as a teenager in Red Cloud in the 1880s through her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and her growing eminence as a novelist. They describe her many travels and record her last years, when the loss of loved ones and the disasters of World War II brought her near to despair. Above all, they reveal her passionate interest in people, literature, and the arts. The voice is one we recognize from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times sentimental, sarcastic, and funny. A deep pleasure to read, this volume reveals the intimate joys and sorrows of one of America’s most admired writers.

Willa Cather in Person

Willa Cather in Person
Author: Willa Cather
Publisher: U of Nebraska Press
Total Pages: 244
Release: 1986-01-01
Genre: Literary Collections
ISBN: 9780803263260

Cather, the Nebraska-born novelist, describes her childhood, her career as a writer, and the influences on her work

Willa Cather and Aestheticism

Willa Cather and Aestheticism
Author: Ann Moseley
Publisher: Fairleigh Dickinson
Total Pages: 257
Release: 2012-06-14
Genre: Literary Criticism
ISBN: 1611475120

In this collection of essays, contributors investigate the various connections between Willa Cather’s fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches—derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion—this collection will increase our understanding of Cather’s aesthetic and lead to a better comprehension of her work and her life.

Edith Wharton, Willa Cather, and the Place of Culture

Edith Wharton, Willa Cather, and the Place of Culture
Author: Julie Olin-Ammentorp
Publisher: U of Nebraska Press
Total Pages: 403
Release: 2019-10-01
Genre: Literary Criticism
ISBN: 1496216903

Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect. The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.

The Cambridge Companion to Willa Cather

The Cambridge Companion to Willa Cather
Author: Marilee Lindemann
Publisher: Cambridge University Press
Total Pages: 251
Release: 2005-06-09
Genre: Literary Criticism
ISBN: 1139826964

The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American modernist novelist. Willa Cather's luminous prose is 'easy' to read yet surprisingly difficult to understand. The essays collected here are theoretically informed but accessibly written and cover the full range of Cather's career, including most of her twelve novels and several of her short stories. The essays situate Cather's work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author's place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Ántonia, The Professor's House, and Death Comes for the Archbishop.

A Lost Lady

A Lost Lady
Author: Willa Cather
Publisher: E-Kitap Projesi & Cheapest Books
Total Pages: 122
Release: 2023-11-15
Genre: Family & Relationships
ISBN: 6057566092

A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.

The Burglar’s Christmas

The Burglar’s Christmas
Author: Willa Cather
Publisher: Renard Press Ltd
Total Pages:
Release: 2021-01-01
Genre: Fiction
ISBN: 1913724395

First published in 1896, The Burglar’s Christmas is a short story by the great American writer Willa Cather. Set in Chicago on a cold Christmas Eve, the down-and-out Crawford learns the value of forgiveness. 'The most sensuous of writers, Willa Cather builds her imagined world almost as solidly as our five senses build the universe around us.' — Rebecca West 'Her voice, laconical and richly sensuous, sings out with a note of unequivocal love for the people she is setting down on the page.' — Marina Warner