A Bloody And Barbarous God
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| Author | : Petra Mundik |
| Publisher | : University of New Mexico Press |
| Total Pages | : 434 |
| Release | : 2016-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 0826356710 |
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
| Author | : Cormac McCarthy |
| Publisher | : Vintage |
| Total Pages | : 349 |
| Release | : 2010-08-11 |
| Genre | : Fiction |
| ISBN | : 0307762521 |
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
| Author | : Barcley Owens |
| Publisher | : University of Arizona Press |
| Total Pages | : 156 |
| Release | : 2000-07 |
| Genre | : Literary Criticism |
| ISBN | : 0816519285 |
In the continuing redefinition of the American West, few recent writers have left a mark as indelible as Cormac McCarthy. A favorite subject of critics and fans alike despite--or perhaps because of--his avoidance of public appearances, the man is known solely through his writing. Thanks to his early work, he is most often associated with a bleak vision of humanity grounded in a belief in man's primordial aggressiveness. McCarthy scholar Barcley Owens has written the first book to concentrate exclusively on McCarthy's acclaimed western novels: Blood Meridian, National Book Award winner All the Pretty Horses, The Crossing, and Cities of the Plain. In a thought-provoking analysis, he explores the differences between Blood Meridian and the Border Trilogy novels and shows how those differences reflect changing conditions in contemporary American culture. Owens captures both Blood Meridian's wanton violence and the Border Trilogy's fond remembrance of the Old West. He shows how this dramatic shift from atavistic brutality to nostalgic Americana suggests that McCarthy has finally given his readers what they most want--the stuff of their mythic dreams. Owens's study is both an incisive look at one of our most important and demanding authors and a penetrating analysis of violence and myth in American culture. Fans of McCarthy's work will find much to consider for ongoing discussions of this influential body of work.
| Author | : Edwin T. Arnold |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 263 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 9781604736502 |
Cormac McCarthy's first novel, The Orchard Keeper, won the William Faulkner Award. His other books - Outer Dark, Child of God, Suttree, and Blood Meridian - have drawn a cult readership and the praise of such writers as Annie Dillard and Shelby Foote. "There are so many people out there who seem to have a hunger to know more about McCarthy's work," says McCarthy scholar Vereen Bell. Helping to satisfy such a need, this collection of essays, one of the few critical studies of Cormac McCarthy, introduces his work and lays the groundwork for study of an important but underrecognized American novelist, winner in 1992 of the National Book Award and the National Book Critics Circle Award for All the Pretty Horses. The essays explore McCarthy's historical and philosophical sources, grapple with the difficult task of identifying the moral center in his works, and identify continuities in his fiction. Included too is a bibliography of works by and about him. As they reflect critical perspectives on the works of this eminent writer, these essays afford a pleasing introduction to all his novels and his screenplay, "The Gardener's Son."
| Author | : Vereen M. Bell |
| Publisher | : LSU Press |
| Total Pages | : 156 |
| Release | : 2023-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 0807181315 |
Now back in print, Vereen M. Bell's The Achievement of Cormac McCarthy was the first critical book devoted to an author who would become one of the most celebrated American writers of the late twentieth and early twenty-first century. Published in 1988, before McCarthy won the Pulitzer Prize and the National Book Award and had his novels adapted into acclaimed films, Bell's study offered the first systematic review of the author's work. According to Bell, part of the difficulty of analyzing McCarthy's fiction is that the novelist by design works against all conventional ways of seeing and dealing with the world. Any formulaic readings, particularly those associated with the traditional schemes of southern literature, will be distorted. McCarthy's novels are provocatively mysterious yet specific and vivid as well. They are also freestanding and unclassifiable Bell shows how McCarthy transforms the world through language, how he reconstitutes both urban and rural settings so that otherwise barely articulate and unheroic people live vividly in a context that is both modernist and antimodernist. In this respect, Bell argues, McCarthy's work is about the tension between visions of the world and the intractable, opposing materiality of it, between the mysteriousness of an individual's private engagement with experience and social normality's tendency to flatten it out. At the same time, Bell shows McCarthy's infatuation with the reality of evil, how the evil in human form in his novels is as inexplicably gratuitous and violent as the inhuman form of random and destructive natural events. Such violence, for McCarthy, is built into existence and cannot be evaded or rationalized away. With detailed readings of McCarthy's first five novels—The Orchard Keeper, Child of God, Outer Dark, Suttree, and Blood Meridian—Bell demonstrates the novelist's faith in the protean capacity of language to disclose the layered possibilities and richness of being. Widely cited by scholars, Bell's book established many of the foundational critical frameworks for approaching McCarthy's work. It is now available in an affordable paperback edition.
| Author | : John Sepich |
| Publisher | : University of Texas Press |
| Total Pages | : 383 |
| Release | : 2013-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 0292749600 |
“Sepich offers his insight and detailed research to the less knowledgeable reader. He crafts a book that will delight the McCarthy specialists.” —Western American Literature Blood Meridian (1985), Cormac McCarthy’s epic tale of an otherwise nameless “kid” who in his teens joins a gang of licensed scalp hunters whose marauding adventures take place across Texas, Chihuahua, Sonora, Arizona, and California during 1849 and 1850, is widely considered to be one of the finest novels of the Old West, as well as McCarthy’s greatest work. The New York Times Book Review ranked it third in a 2006 survey of the “best work of American fiction published in the last twenty-five years,” and in 2005 Time chose it as one of the 100 best novels published since 1923. Yet Blood Meridian’s complexity, as well as its sheer bloodiness, makes it difficult for some readers. To guide all its readers and help them appreciate the novel’s wealth of historically verifiable characters, places, and events, John Sepich compiled what has become the classic reference work, Notes on Blood Meridian. Originally published in 1993, Notes remained in print for only a few years and has become highly sought-after in the rare book market, with used copies selling for hundreds of dollars. In bringing the book back into print to make it more widely available, Sepich has revised and expanded Notes with a new preface and two new essays that explore key themes and issues in the work. This amplified edition of Notes on Blood Meridian is the essential guide for all who seek a fuller understanding and appreciation of McCarthy’s finest work.
| Author | : James D. Lilley |
| Publisher | : UNM Press |
| Total Pages | : 362 |
| Release | : 2014-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0826327680 |
Even before Harold Bloom designated Blood Meridian as the Great American Novel, Cormac McCarthy had attracted unprecedented attention as a novelist who is both serious and successful, a rare combination in recent American fiction. Critics have been quick to address McCarthy’s indebtedness to southern literature, Christianity, and existential thought, but the essays in this collection are among the first to tackle such issues as gender and race in McCarthy’s work. The rich complexity of the novels leaves room for a wide variety of interpretation. Some of the contributors see racist attitudes in McCarthy’s views of Mexico, whereas others praise his depiction of U.S.-Mexican border culture and contact. Several of the essays approach McCarthy’s work from the perspective of ecocriticism, focusing on his representations of the natural world and the relationships that his characters forge with their geographical environments. And by exploring the author’s use of and attitudes toward language, some of the contributors examine McCarthy’s complex and innovative storytelling techniques.
| Author | : Nicholas Monk |
| Publisher | : UNM Press |
| Total Pages | : 298 |
| Release | : 2016-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 082635680X |
Cormac McCarthy’s work sounds warnings of impending apocalypse, but it also implies that redemption remains available. Nicholas Monk argues that McCarthy’s response to the modern world is more subtle and less laden with despair than many realize, and that his work represents an understanding of the world that transcends the political divisions of right and left, escapes the reductive nature of identity politics, and looks to futures beyond the immediately adjacent. He positions McCarthy as an acute chronicler of the American condition at the beginning of a new century. Tracing the development of modernity, Monk explores the associated political and philosophical undercurrents in McCarthy and identifies how they are generated and what they oppose. He focuses on language, aesthetics, violence, the spiritual, and the natural environment and the animals that inhabit it. He examines the experience of engaging with McCarthy’s fiction in order to reveal why so many people report that “reading Cormac McCarthy changed my life.”
| Author | : Lydia R. Cooper |
| Publisher | : LSU Press |
| Total Pages | : 262 |
| Release | : 2011-05-03 |
| Genre | : Literary Criticism |
| ISBN | : 0807139793 |
Critics often trace the prevailing mood of despair and purported nihilism in the works of Cormac McCarthy to the striking absence of interior thought in his seemingly amoral characters. In No More Heroes, however, Lydia Cooper reveals that though McCarthy limits inner revelations, he never eliminates them entirely. In certain crucial cases, he endows his characters with ethical decisions and attitudes, revealing a strain of heroism exists in his otherwise violent and apocalyptic world. Cooper evaluates all of McCarthy's work to date, carefully exploring the range of his narrative techniques. The writer's overwhelmingly distant, omniscient third-person narrative rarely shifts to a more limited voice. When it does deviate, however, revelations of his characters' consciousness unmistakably exhibit moral awareness and ethical behavior. The quiet, internal struggles of moral men such as John Grady Cole in the Border Trilogy and the father in The Road demonstrate an imperfect but very human heroism. Even when the writing moves into the minds of immoral characters, McCarthy draws attention to the characters' humanity, forcing the perceptive reader to identify with even the most despicable representatives of the human race. Cooper shows that this rare yet powerful recognition of commonality and the internal yearnings for community and a commitment to justice or compassion undeniably exist in McCarthy's work. No More Heroes directly addresses the essential question about McCarthy's brutal and morally ambiguous universe and reveals poignant new answers.
| Author | : William J. Webb |
| Publisher | : InterVarsity Press |
| Total Pages | : 412 |
| Release | : 2019-12-03 |
| Genre | : Religion |
| ISBN | : 0830870733 |
Christians cannot ignore the intersection of religion and violence. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? Identifying a spectrum of views on biblical war texts, Webb and Oeste pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics.
