A Black Arts Poetry Machine
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Author | : David Grundy |
Publisher | : Bloomsbury Publishing |
Total Pages | : 277 |
Release | : 2019-02-07 |
Genre | : Literary Criticism |
ISBN | : 1350061980 |
A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.
Author | : Komozi Woodard |
Publisher | : Univ of North Carolina Press |
Total Pages | : 356 |
Release | : 2005-10-12 |
Genre | : Biography & Autobiography |
ISBN | : 0807876178 |
Poet and playwright Amiri Baraka is best known as one of the African American writers who helped ignite the Black Arts Movement. This book examines Baraka's cultural approach to Black Power politics and explores his role in the phenomenal spread of black nationalism in the urban centers of late-twentieth-century America, including his part in the election of black public officials, his leadership in the Modern Black Convention Movement, and his work in housing and community development. Komozi Woodard traces Baraka's transformation from poet to political activist, as the rise of the Black Arts Movement pulled him from political obscurity in the Beat circles of Greenwich Village, swept him into the center of the Black Power Movement, and ultimately propelled him into the ranks of black national political leadership. Moving outward from Baraka's personal story, Woodard illuminates the dynamics and remarkable rise of black cultural nationalism with an eye toward the movement's broader context, including the impact of black migrations on urban ethos, the importance of increasing population concentrations of African Americans in the cities, and the effect of the 1965 Voting Rights Act on the nature of black political mobilization.
Author | : Dorothea Lasky |
Publisher | : Wave Books |
Total Pages | : 98 |
Release | : 2010-04-01 |
Genre | : Poetry |
ISBN | : 1933517433 |
Infused with dark, tumultuous, and urgent feeling--emotion recollected not in tranquility, but in intensity.
Author | : Daniel Kane |
Publisher | : Univ of California Press |
Total Pages | : 342 |
Release | : 2003-03-26 |
Genre | : History |
ISBN | : 0520233840 |
Together with its accompanying CD, this text captures the excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. The text draws from personal interviews with many of the participants, from unpublished letters and from rare sound recordings.
Author | : James Smethurst |
Publisher | : Univ of North Carolina Press |
Total Pages | : 488 |
Release | : 2006-03-13 |
Genre | : Social Science |
ISBN | : 080787650X |
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
Author | : Aldon Lynn Nielsen |
Publisher | : Cambridge University Press |
Total Pages | : 324 |
Release | : 1997-01-13 |
Genre | : Literary Criticism |
ISBN | : 9780521555265 |
A study of postmodernism and African-American poets.
Author | : Mark Doty |
Publisher | : Harper Collins |
Total Pages | : 136 |
Release | : 2009-10-13 |
Genre | : Poetry |
ISBN | : 0061755028 |
Mark Doty's last two award-winning collections of poetry, as well as his acclaimed memoir Heaven's Coast, used the devastation of AIDS as a lens through which to consider questions of loss, love and identity. The poems in Sweet Machine see the world from a new, hard-won perspective: A coming back to life, after so much death, a way of seeing the body's "sweet machine" not simply as a time bomb, but also as a vibrant, sensual, living thing. These poems are themselves "sweet machines"—lyrical, exuberant and joyous—and they mark yet another milestone in the extraordinary career of one of our most distinguished and accomplished poets.
Author | : Malachi Black |
Publisher | : Copper Canyon Press |
Total Pages | : 98 |
Release | : 2016-03-21 |
Genre | : Poetry |
ISBN | : 1619321289 |
"To be both visionary and accurate, true to physics and metaphysics at the same time, is rare and puts the poet in some rarefied company. Black, like a few other younger poets, is willing to include all the traditional effects of the lyric poem in his work, but he has set them going in new and lively ways, with the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition."—Mark Jarman, American Poet Lush and daring, Malachi Black's poems in Storm Toward Morning press all points along the spectrum of human positions, from sickness, isolation, and insomniac disarray to serenity, wonder, and spiritual yearning. Pulsing at the intersections of "eye and I," body and mind, physical and metaphysical, Black brings distinctive voice, vision, and music to matters of universal mortal concern. Query on Typography What is the light inside the opening of every letter: white behind the angles is a language bright because a curvature of space inside a line is visible is script a sign of what it does or does not occupy scripture the covenant of eye and I with word or what the word defines which is source and which is shrine the light of body or the light behind? Malachi Black holds a BA in literature from New York University and an MFA in creative writing from the University of Texas at Austin’s Michener Center for Writers. His poems have appeared in AGNI, Boston Review, Ploughshares, and Poetry. He currently teaches at the University of San Diego and lives in California.
Author | : Matt Rasmussen |
Publisher | : LSU Press |
Total Pages | : 70 |
Release | : 2013-05-13 |
Genre | : Poetry |
ISBN | : 0807150886 |
In his moving debut collection, Matt Rasmussen faces the tragedy of his brother's suicide, refusing to focus on the expected pathos, blurring the edge between grief and humor. In "Outgoing," the speaker erases his brother's answering machine message to save his family from "the shame of dead you / answering calls." In other poems, once-ordinary objects become dreamlike. A buried light bulb blooms downward, "a flower / of smoldering filaments." A refrigerator holds an evening landscape, "a tinfoil lake," "vegetables / dying in the crisper." Destructive and redemptive, Black Aperture opens to the complicated entanglements of mourning: damage and healing, sorrow and laughter, and torment balanced with moments of relief.
Author | : Jo-Ann Morgan |
Publisher | : Routledge |
Total Pages | : 315 |
Release | : 2018-12-17 |
Genre | : Art |
ISBN | : 0429885873 |
This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.