A Barfield Reader
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Author | : Owen Barfield |
Publisher | : Wesleyan University Press |
Total Pages | : 236 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780819563613 |
A representative selection from the major writings of the man C. S. Lewis called “the wisest and best of my unofficial teachers.”
Author | : Owen Barfield |
Publisher | : Wesleyan University Press |
Total Pages | : 191 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780819563514 |
A representative selection from the major writings of the man C. S. Lewis called "the wisest and best of my unofficial teachers."
Author | : Owen Barfield |
Publisher | : SteinerBooks |
Total Pages | : 275 |
Release | : 2003-06-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1584205121 |
"The playful artistry of the Waldorf Alphabet Book speaks to the heart of childhood. These lively illustrations, so filled with color, movement, eloquent gesture, and invention conjure up long-forgotten memories of books from a time when pictures were still alive and spoke with power. Each page is a magical door, opening to the bright realm where stories are enacted, a realm of wonders accessible to children, artists, and ll those in whom the light of imagination shines. "The most important thing as you peruse the delightful pages of the Waldorf Alphabet Book with your child is the engaging conversation that flows between you as you search among the pictures for words." (from the afterword) In this delightful, bestselling alphabet and game book for young children, each consonant and vowel comes to life in vivid pictures that show each letter's unique qualities in the world. The vibrant and playful illustrations help children learn the alphabet in the most natural and living way. This expanded paperback edition includes a complete essay by master Waldorf teacher William Ward, "Learning to Read and Write in Waldorf Schools": This is the alphabet book for parents and teachers who want to encourage the most natural development in children. It is ideal for both at home and in the classroom. It also makes an ideal gift for your favorite young child or parents!
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 188 |
Release | : 2011-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780955958298 |
'Owen Barfield on C.S. Lewis' is a collection of essays and lectures about the author, theologian, and literary scholar, C. S. Lewis. Barfield and Lewis were close friends for 44 years, from their Oxford days after WWI to Lewis's death in 1963. Barfield's reflections on their relationship ended only with his own passing, in his hundredth year. Barfield was instrumental in converting Lewis to theism. However, the two disagreed on many points, and it is that creative dialectic which defines and irradiates their friendship: "In an argument we always, both of us, were arguing for the truth, not for victory" (Owen Barfield). C.S. Lewis on Owen Barfield: "The wisest and best of my unofficial teachers." "Barfield towers above us all." To Walter Field: "You notice when Owen and I are talking metaphysics which you don't follow: you don't notice the times when you and Owen are talking economics which I can't follow. Owen is the only one who is never out of his depth."
Author | : Owen Barfield |
Publisher | : SUNY Press |
Total Pages | : 196 |
Release | : 1993-09-14 |
Genre | : Poetry |
ISBN | : 9780791415887 |
This is a collection of the fiction and poetry of one of the twentieth centurys most influential and significant thinkers. Barfield is known widely for his explorations of human consciousness, the history of language, the origins of poetic effect, and the interaction of the disciplines, especially literature and the hard sciences. This book presents Barfield as a writer of imaginative literature. In the stories, one finds both post-war displacement and Bloomsburian ironies. In the two short novels, Barfield gives us two stunning versions of the Apocalypse. In his poetry he explores the varieties of human experience, often in radical relation to the past. A seemingly conventional poetic introduces explosive theological and sexual issues, confrontations with urban despair and fragmentation. Barfields creative work is original, daring, and prophetic. His voice heralds a new age of consciousness of which our time is becoming increasingly aware.
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 388 |
Release | : 2014-03 |
Genre | : Philosophy |
ISBN | : 9780956942340 |
'What Coleridge Thought' presents Coleridge's ideas in a coherent form, carefully organized to demonstrate precisely what his thoughts were and how his writings develop them. Coleridge's objective was to stimulate his readers into thinking for themselves - "to excite the germinal power that craves no knowledge but what it can take up into itself" (S. T. Coleridge). Barfield guides the reader towards this. Here will be found the heart of Coleridge's thinking.
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 118 |
Release | : 1896 |
Genre | : General semantics |
ISBN | : |
Author | : Jerry Bledsoe |
Publisher | : Diversion Books |
Total Pages | : 546 |
Release | : 2014-05-18 |
Genre | : True Crime |
ISBN | : 1626812888 |
In this “true story that reads like a novel,” the #1 New York Times–bestselling author reveals the facts behind a notorious Southern murder case (Library Journal). When North Carolina farmer Stuart Taylor died after a sudden illness, his forty-six-year-old fiancée, Velma Barfield, was overcome with grief. Taylor’s family grieved with her—until the autopsy revealed traces of arsenic poisoning. Turned over to the authorities by her own son, Velma stunned her family with more revelations. This wasn’t the first time she had committed cold-blooded murder, and she would eventually be tried by the “world’s deadliest prosecutor” and sentenced to death. This book probes Velma’s stark descent into madness, her prescription drug addiction, and her effort to turn her life around through Christianity. From her harrowing childhood to the crimes that incited a national debate over the death penalty, to the final moments of her execution, Velma Barfield’s life of crime and punishment, revenge and redemption, this is crime reporting at its most gripping and profound. “A painfully intimate, moving story about the life and death of the only woman executed in the U.S. between 1962–1998 . . . With graceful writing and thorough reporting, it makes the reader look hard at something dark and sad in the human soul . . . Breathes new life into the true crime genre.” —The News & Observer “Undertakes to answer the questions about the justice system and the motives that drive women to kill.” —The Washington Post Book World “An extraordinary piece of writing . . . The most chilling description of a legal execution that we are ever likely to get.” —Citizen-Times “Taut and engrossing on the nature of justice and the death penalty as well as on guilt and responsibility.” —Booklist
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 340 |
Release | : 2012-03-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 9780956942319 |
'Romanticism Comes of Age' centers on the question; What is the creative imagination and in what way is it true? Owen Barfield insightfully explores the role of imagination in Romantic philosophy and literature, particularly in the work of Coleridge and of Goethe. Barfield also traces the evolving nature of the creative imagination from primordial times to the present, drawing on a wide array of examples including the language of ancient Greece, Dante's 'Commedia', and Shakespeare's 'Hamlet'. The book brilliantly demonstrates that the Romantic Movement's core elements and aspirations have "come of age" in anthroposophy, the spiritual science inaugurated by Rudolf Steiner.
Author | : Michael V. Di Fuccia |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 292 |
Release | : 2016-10-27 |
Genre | : Religion |
ISBN | : 1498238734 |
In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in being's primordial poiēsis.