56 of the Best Operas;

56 of the Best Operas;
Author: Edith Bertha Ordway
Publisher: Theclassics.Us
Total Pages: 88
Release: 2013-09
Genre:
ISBN: 9781230455013

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... il trovatore (El Tro-vah-to'-rd) (the Troubadour) italian tragic grand opera, after a Spanish drama of the same name by Antonio Garcia Gatteerez. Music by Giuseppe Verdi. Book by Salvatore Cammarano. First production, Rome, 1853. The scene is Biscay and Aragon in the fifteenth century. characters Count Di Luna, a powerful young noble of the Prince of Aragon Baritone Ferrando, a captain of the guard of Count di Luna.... Bass Manrico, a young chieftain under the Prince of Biscay, and reputed son of Azucena Tenor Ruiz, a soldier in Manrico's service Tenor An Old Gypsy Baritone Duchess Leonora, lady in waiting to an Aragon Princess Soprano Inez, confidant of Leonora Soprano Azucena, a wandering Biscayan gypsy Mezzo-Soprano Followers of the Count di Luna, a messenger, a jailer, soldiers, nuns, gypsies, and attendants. Act I. In a vestibule of the Aliaferia Palace the soldiers and retainers of Count di Luna are awaiting his coming, and Ferrando is telling them the story of the count's younger brother. While yet a babe in his cradle his nurse one day surprised an old gypsy woman sitting by his side and looking at him malevolently. Gypsies were then regarded with superstitious terror, and when the child began to be sickly the present count's father searched for the gypsy and she was burned at the stake for witchcraft. She had a daughter, who sought revenge. That night the ailing child disappeared and among the embers of the fire were found the bones of a babe. Ferrando's story is received with horror, and the soldiers denounce and curse the gypsy, while the captain of the guard prays that he may yet come across her. He tells how the old count died, unbelieving that it was his child that was burned, and making his son promise to search for his...

Understanding the Women of Mozart's Operas

Understanding the Women of Mozart's Operas
Author: Kristi Brown-Montesano
Publisher: Univ of California Press
Total Pages: 344
Release: 2021-11-09
Genre: Biography & Autobiography
ISBN: 0520385799

Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.

The Opera

The Opera
Author: Albert Ellery Bergh
Publisher:
Total Pages: 386
Release: 1909
Genre: Opera
ISBN:

The Standard Operas

The Standard Operas
Author: George P. Upton
Publisher: Hanlins Press
Total Pages: 372
Release: 2008-12-17
Genre: Music
ISBN: 144378317X

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.