555 Manifestation Journal 8x10 Softcover Log Book Planner Journal
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Author | : Sheba Blake |
Publisher | : |
Total Pages | : 124 |
Release | : 2020-12-17 |
Genre | : |
ISBN | : 9781222288339 |
Our 555 Manifestation Journal is designed for the for you to write any intention, or anything you want manifest in your life, 55 times each day, for five days in a row. Every page set has daily tracking, tips for proper manifestation, and 55 numbered lines that will help you keep focus and write each day with intention. Remember that the power to manifest our desires lies within each of us. Now go out there and make your dreams a reality! A compact and easy to carry journal that is convenient to use with matte textured cover and sheets. The 555 Manifestation Journal includes: Instructions included in book. Write your manifestation intention. Daily manifestation steps you can take to get closer to your goal. Size is 8" x 10", easy to carry around. This 555 Manifesting Journal makes the perfect gift! Easy to carry - this journal is the perfect size for traveling.
Author | : Margaret D. Bauer |
Publisher | : East Carolina University |
Total Pages | : 208 |
Release | : 2020-07 |
Genre | : American literature |
ISBN | : 9781469660028 |
The 2020 issue showcases North Carolina expatriate writers, ranging from Harriet Jacobs, who moved north to escape enslavement in North Carolina to Glenis Redmond, who developed her poetic voice during her years living here in North Carolina and now travels over 35,000 miles a year bringing poetry to the masses, thus earning the title Road Warrior Poet." Between, find essays on other writers with North Carolina roots: Charles Chesnutt, Tony Earley, Lionel Shriver, and Stephanie Powell Watts. Read retired Emory Professor/Goldsboro native Jim Grimsley's interview with retired LSU Professor/Goldsboro native Moira Crone, featuring her own art. This interview was selected by Elaine Neil Orr to receive the 2020 John Ehle Prize. The issue's cover art is by A.R. Ammons, an Eastern North Carolina poet who spent most of his career teaching at Cornell University in Ithaca, NY. Also interviewed: Durham native/novelist/California television writer Gwendolyn Parker; poet Allison Adelle Hedge Coke, from her current residence in Hawaii; longtime Texas resident Ben Fountain, talking about growing up in Eastern North Carolina; and Raleigh native Mary Robinette Kowal, recipient of the three biggest speculative fiction awards, the Hugo, Nebula, and Locus, for her novel The Calculating Stars. Bringing up the oft-heard North Carolina remark, "You can't throw a rock in this state without hitting a writer," Editor Margaret Bauer notes, "It turns out that it might be dangerous for North Carolina writers if rocks are thrown anywhere, not just within the state's borders. The Old North State seems a fertile starting point, even if some writers do not remain." Despite these authors branching off to places far from Tar Heel soil, their writing roots are deep in North Carolina, and North Carolina has left its mark. The subject of one essay, Watts, for example, describes her novel as "The Great Gatsby set in rural North Carolina." And Hedge Coke says, "I am never really away from the land and waters there. ... Closing my eyes, [North Carolina] is always present." The Flashbacks section of the issue includes the 2019 James Applewhite Poetry Prize winner, "Meditation in a Glass House" by Wayne Johns; the other finalists selected for honors; and new poetry by the namesake of the award, James Applewhite, and former North Carolina Poet Laureate, Fred Chappell; the 2019 Doris Betts Fiction Prize winning short story "Something Coming" by Katey Schultz; the premiere Paul Green Prize essay by Rachel Warner about renowned author Zora Neale Hurston's brief residence in North Carolina; and an interview with Charlotte writer/musician Jeff Jackson.
Author | : Library of Congress. Network Development and MARC Standards Office |
Publisher | : Washington, D.C. : Cataloging Distribution Service, Library of Congress |
Total Pages | : 52 |
Release | : 2003 |
Genre | : Education |
ISBN | : |
Author | : Laura Blacklow |
Publisher | : Taylor & Francis |
Total Pages | : 468 |
Release | : 2018-05-04 |
Genre | : Photography |
ISBN | : 1351802372 |
New Dimensions in Photo Processes invites artists in all visual media to discover contemporary approaches to historical techniques. Painters, printmakers, and photographers alike will find value in this practical book, as these processes require little to no knowledge of photography, digital means, or chemistry. Easy to use in a studio or lab, this edition highlights innovative work by internationally respected artists, such as Robert Rauschenberg, Chuck Close, Mike and Doug Starn, and Emmet Gowin. In addition to including new sun-printing techniques, such as salted paper and lumen printing, this book has been updated throughout, from pinhole camera and digital methods of making color separations and contact negatives to making water color pigments photo-sensitive and more. With step-by-step instructions and clear safety precautions, New Dimensions in Photo Processes will teach you how to: Reproduce original photographic art, collages, and drawings on paper, fabric, metal, and other unusual surfaces. Safely mix chemicals and apply antique light-sensitive emulsions by hand. Create imagery in and out of the traditional darkroom and digital studio. Relocate photo imagery and make prints from real objects, photocopies, and pictures from magazines and newspapers, as well as from your digitial files and black and white negatives. Alter black and white photographs, smart phone images, and digital prints.
Author | : Mattiebelle Gittinger |
Publisher | : |
Total Pages | : 216 |
Release | : 1982 |
Genre | : Art |
ISBN | : |
Author | : Laura Blacklow |
Publisher | : Taylor & Francis |
Total Pages | : 210 |
Release | : 2012-09-10 |
Genre | : Technology & Engineering |
ISBN | : 1136119574 |
Clear instructions and step-by-step photographs teach you how to mix chemicals and apply light-sensitive emulsions by hand, how to create imagery in and out of the darkroom, how to translocate Polaroid photos and magazine and newspaper pictures, and how to alter black-and-white photographs. A color portfolio highlights the work of internationally known artists such as Robert Rauschenberg, Todd Walker, and most recently Doug and Mike Starn, and an invaluable list of supply sources (including e-mail addresses) from throughout North America and Europe is included at the end of the book. Setting aside old distinctions between photographer and nonphotographer, New Dimensions in Photo Processes invites artists in all media to discover nonsilver imaging techniques. Painters, printmakers, fiber artists, sculptors, illustrators and photographers alike will find this a valuable, practical text outlining creative processes that require little or no knowledge of photography and chemistry.
Author | : Hans-Hermann Bock |
Publisher | : Springer Science & Business Media |
Total Pages | : 444 |
Release | : 2012-12-06 |
Genre | : Mathematics |
ISBN | : 3642571557 |
This book presents the most recent methods for analyzing and visualizing symbolic data. It generalizes classical methods of exploratory, statistical and graphical data analysis to the case of complex data. Several benchmark examples from National Statistical Offices illustrate the usefulness of the methods. The book contains an extensive bibliography and a subject index.
Author | : |
Publisher | : |
Total Pages | : 158 |
Release | : 1990 |
Genre | : Groundwater |
ISBN | : |
Author | : Gloria Gaynor |
Publisher | : Macmillan + ORM |
Total Pages | : 253 |
Release | : 2014-03-11 |
Genre | : Biography & Autobiography |
ISBN | : 1466865954 |
I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.
Author | : Alanna Thain |
Publisher | : U of Minnesota Press |
Total Pages | : 340 |
Release | : 2017-03-28 |
Genre | : Performing Arts |
ISBN | : 1452953511 |
Bodies in Suspense presents a powerful new way to think through postdigital cinema and the affective turn in critical theory. According to Alanna Thain, suspense films allow us to experience the relation between two bodies: that of the film and that of the viewer. Through the “time machine” of suspense, film form, gender, genre, and spectatorship are revealed in innovative and different ways. These films not only engage us directly in ethical concerns, but also provide a key for understanding corporeal power in the digital era. Offering a new framework for understanding cinematic suspense, Bodies in Suspense argues that the “body in time” enables us to experience the temporal dimension of the body directly. This is the first book to link two contemporary frames of analysis: questions of cinematic temporality and contemporary affect theory. Thain conducts close readings of influential suspense films by Alfred Hitchcock, David Lynch, Christian Marclay, Rian Johnson, and Lou Ye, and sets forth a compelling new theory of cinema, reading for the productivity of the “crime of time” that stages the duplicity of cinematic bodies. Through these films that foreground doubled characters and looping, Thain explores Gilles Deleuze’s claim that “the direct time-image is the phantom which has always haunted cinema.” A vital new addition to film theory, corporeality and affect theory, feminist theory, and the philosophy of time—and one of the first books to explore David Lynch’s Hollywood trilogy—Bodies in Suspense asks us to pay attention, above all, to the ways in which the condition of spectatorship creates a doubling sensation with important philosophical repercussions.