The N Word

The N Word
Author: Jabari Asim
Publisher: HMH
Total Pages: 288
Release: 2008-08-04
Genre: History
ISBN: 0547524943

A renowned cultural critic untangles the twisted history and future of racism through its most volatile word. The N Word reveals how the term “nigger” has both reflected and spread the scourge of bigotry in America over the four hundred years since it was first spoken on our shores. Jabari Asim pinpoints Thomas Jefferson as the source of our enduring image of the “nigger.” In a seminal but now obscure essay, Jefferson marshaled a welter of pseudoscience to define the stereotype of a shiftless child-man with huge appetites and stunted self-control. Asim reveals how nineteenth-century “science” then colluded with popular culture to amplify this slander. What began as false generalizations became institutionalized in every corner of our society: the arts and sciences, sports, the law, and on the streets. Asim’s conclusion is as original as his premise. He argues that even when uttered with the opposite intent by hipsters and hip-hop icons, the slur helps keep blacks at the bottom of America’s socioeconomic ladder. But Asim also proves there is a place for the word in the mouths and on the pens of those who truly understand its twisted history—from Mark Twain to Dave Chappelle to Mos Def. Only when we know its legacy can we loosen this slur’s grip on our national psyche.

Gay Guerrilla

Gay Guerrilla
Author: Renée Levine Packer
Publisher: Boydell & Brewer
Total Pages: 288
Release: 2015
Genre: Biography & Autobiography
ISBN: 158046534X

A compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music.

The Organic Line

The Organic Line
Author: Irene V. Small
Publisher: Princeton University Press
Total Pages: 344
Release: 2024-10-08
Genre: Art
ISBN: 1890951951

A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small’s innovative readings of canonical modernist works such as Kazimir Malevich’s Black Square, John Cage’s 4’33”, and Le Corbusier’s machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line’s remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user’s guide and manifesto for reimagining modern and contemporary art for the present.

Taboo Tunes

Taboo Tunes
Author: Peter Blecha
Publisher: Hal Leonard Corporation
Total Pages: 229
Release: 2004-04-01
Genre: Music
ISBN: 1617745111

In this extensively researched ode to scandal Peter Blecha recounts the travails of musicians who have dared to air unacceptable topics. Filled with several centuries' worth of raunchy sex ditties morbid murder ballads satanic songs paeans to intoxi

Music Downtown

Music Downtown
Author: Kyle Gann
Publisher: Univ of California Press
Total Pages: 338
Release: 2006-02-13
Genre: Music
ISBN: 9780520935938

This collection represents the cream of the more than five hundred articles written for the Village Voice by Kyle Gann, a leading authority on experimental American music of the late twentieth century. Charged with exploring every facet of cutting-edge music coming out of New York City in the 1980s and '90s, Gann writes about a wide array of timely issues that few critics have addressed, including computer music, multiculturalism and its thorny relation to music, music for the AIDS crisis, the brand-new art of electronic sampling and its legal implications, symphonies for electric guitars, operas based on talk shows, the death of twelve-tone music, and the various streams of music that flowed forth from minimalism. In these articles—including interviews with Yoko Ono, Philip Glass, Glenn Branca, and other leading musical figures—Gann paints a portrait of a bristling era in music history and defines the scruffy, vernacular field of Downtown music from which so much of the most fertile recent American music has come.

Nigger

Nigger
Author: Randall Kennedy
Publisher: Pantheon
Total Pages: 257
Release: 2022-02-08
Genre: Social Science
ISBN: 0593316525

The twentieth anniversary edition of one of the most controversial books ever published on race and language is now more relevant than ever in this season of racial reckoning—from “one of our most important and perceptive writers on race" (The Washington Post). In addition to a brave and bracing inquiry into the origins, uses, and impact of the infamous word, this edition features an extensive new introduction that addresses major developments in its evolution during the last two decades of its vexed history. In the new introduction to his classic work, Kennedy questions the claim that “nigger” is the most tabooed term in the American language, faced with the implacable prevalence of its old-fashioned anti-Black sense. “Nigger” continues to be part of the loud soundtrack of the worst instances of racial aggression in American life—racially motivated assaults and murders, arson, intentional infliction of emotional distress, and workplace harassment. Consider this: twenty years ago, Kennedy wrote that any major politician credibly accused of using “nigger” would be immediately abandoned and ostracized. He was wrong. Donald Trump, former POTUS himself, was credibly charged, and the allegation caused little more than a yawn. No one doubted the accuracy of the claim but amidst all his other racist acts his “nigger-baiting” no longer seemed shocking. “Nigger” is still very much alive and all too widely accepted. On the other hand, Kennedy is concerned to address the many episodes in which people have been punished for quoting, enunciating, or saying “nigger” in circumstances that should have made it clear that the speakers were doing nothing wrong—or at least nothing sufficiently wrong to merit the extent of the denunciation they suffered. He discusses, for example, the inquisition of Bill Maher (and his pathetic apology) and the (white) teachers who have been disciplined for reading out loud texts that contain “nigger.” He argues that in assessing these controversies, we ought to be more careful about the use/mention distinction: menacingly calling someone a “nigger” is wholly different than quoting a sentence from a text by James Baldwin or Toni Morrison or Flannery O’Connor or Mark Twain. Kennedy argues against the proposition that different rules should apply depending upon the race of the speaker of “nigger,” offering stunningly commonsensical reasons for abjuring the erection of such boundaries. He concludes by venturing a forecast about the likely status of “nigger” in American culture during the next twenty years when we will see the clear ascendance of a so-called “minority majority” body politic—which term itself is redolent of white supremacy.

The Press Covers the Invasion of Arkansas, 1862

The Press Covers the Invasion of Arkansas, 1862
Author: H. L. Hanna
Publisher: Harvey L Hanna
Total Pages: 444
Release: 2012-07-02
Genre: History
ISBN: 1477696105

During the first year of the War Between the States, Arkansas had been on the sidelines as the main actions had taken place in Virginia, Missouri and Kentucky. This was to change as the Federals gained control of Missouri and set their eyes on control of the lower Mississippi River toward the close of 1861. In these selections from period newspapers are both Confederate and Yankee Reports on the Invasion of Arkansas by the Union Army of the South-West under General Samuel R. Curtis in early 1862. Reports on the battle of Elkhorn Tavern, the occupation of parts of northern Arkansas and the attempts to take Little Rock by the Yankee army, the resistance to the invaders by the people of the State, and Curtis retreat to Helena as his army nearly starves, are here seen through the eyes of witnesses to the events. But, we have to be careful when using these reports, as demonstrated by this article from the July 11th, 1862 edition of the Richmond, Va. Daily Dispatch, sometimes the reports and editorials that purport to be reprints from newspapers published by the opposing side may not be all they seem: Yankee Trick. A soldier from Georgia picked up on the battlefield, a Yankee "Richmond Dispatch," which had been dropped by some dead Yankee. We have not yet seen it, but persons who have, say it is a cari(?)elry. It is exactly like this paper. The size, paper, advertisements and all are precisely the same. The only difference is in the editorials. The Yankee concern is full of desponding and despairing editorials, which pronounce our cause desperate and say that McClellan is obliged to take the city. These counterfeits are no doubt sent North, and used in keeping up the popular delusion there. --Possibly, other Southern papers may be counterfeited too. Was there ever a nation so thoroughly base? Newspaper reports are not the best of primary sources. Egos, partisanship and hatred can colour the stories, but a true sense of the events as they happened can be gained from these narratives.

Black Identity and Black Protest in the Antebellum North

Black Identity and Black Protest in the Antebellum North
Author: Patrick Rael
Publisher: Univ of North Carolina Press
Total Pages: 436
Release: 2003-01-14
Genre: Social Science
ISBN: 0807875031

Frederick Douglass, Sojourner Truth, Martin Delany--these figures stand out in the annals of black protest for their vital antislavery efforts. But what of the rest of their generation, the thousands of other free blacks in the North? Patrick Rael explores the tradition of protest and sense of racial identity forged by both famous and lesser-known black leaders in antebellum America and illuminates the ideas that united these activists across a wide array of divisions. In so doing, he reveals the roots of the arguments that still resound in the struggle for justice today. Mining sources that include newspapers and pamphlets of the black national press, speeches and sermons, slave narratives and personal memoirs, Rael recovers the voices of an extraordinary range of black leaders in the first half of the nineteenth century. He traces how these activists constructed a black American identity through their participation in the discourse of the public sphere and how this identity in turn informed their critiques of a nation predicated on freedom but devoted to white supremacy. His analysis explains how their place in the industrializing, urbanizing antebellum North offered black leaders a unique opportunity to smooth over class and other tensions among themselves and successfully galvanize the race against slavery.