Catalogue

Catalogue
Author: New South Wales Free Public Library, Sydney
Publisher:
Total Pages: 1142
Release: 1902
Genre:
ISBN:

Representing the Other in Modern Japanese Literature

Representing the Other in Modern Japanese Literature
Author: Rachael Hutchinson
Publisher: Routledge
Total Pages: 363
Release: 2006-09-27
Genre: History
ISBN: 1134233914

Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.

Dublin

Dublin
Author: Peter Hegarty
Publisher: Premier Guides Ltd
Total Pages: 134
Release: 2005
Genre: Travel
ISBN: 9781904895015

Parallel Modernism

Parallel Modernism
Author: Chinghsin Wu
Publisher: University of California Press
Total Pages: 247
Release: 2019-11-12
Genre: Art
ISBN: 0520299825

This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.