The Art of Graphic Design

The Art of Graphic Design
Author: Bradbury Thompson
Publisher: Yale University Press
Total Pages: 233
Release: 2018-01-01
Genre: Design
ISBN: 0300238576

A revered classic of American design delights anew with the freshness and ingenuity of its approach Bradbury Thompson (1911-1995) remains one of the most admired and influential graphic designers of the twentieth century, having trained a generation of design students while on the faculty of the Yale School of Art for more than thirty years. The art director of Mademoiselle and design director of Art News and Art News Annual in the decades after World War II, Thompson was also a distinguished designer of limited-edition books, postage stamps, rationalized alphabets, corporate identification programs, trademarks, and sacred works (most notably the Washburn College Bible). Thompson also designed more than sixty issues of Westvaco Inspirations, a magazine that was published by the Westvaco Corporation and distributed to thousands of printers, designers, and teachers to show the range and versatility of printing papers. Thompson was especially revered for his ability to adapt classic typography for the modern world. Bradbury Thompson: The Art of Graphic Design is a landmark in the history of fine bookmaking. First published by Yale University Press in 1988 and designed by Thompson himself, it was praised by the New York Times as a book in which "art and design are gloriously and daringly mixed." Original texts by the author and other notable designers, critics, and art historians, including J. Carter Brown, Alvin Eisenman, and Steven Heller, explore Thompson's methods and design philosophy, and a newly commissioned afterword by Jessica Helfand attests to the enduring importance of his work. Both a retrospective and a manifesto, the book surveys Thompson's timeless contributions to American graphic design, including his experimental work and his work in magazines, typography, books, simplified alphabets, and contemporary postage stamps. Published for the first time in paperback, this classic text is now available for a new generation of designers and students.

Design

Design
Author:
Publisher:
Total Pages: 208
Release: 1999
Genre: Newspaper layout and typography
ISBN:

Studio

Studio
Author:
Publisher:
Total Pages: 344
Release: 1996
Genre:
ISBN:

The Visible Word

The Visible Word
Author: Herbert Spencer
Publisher:
Total Pages: 116
Release: 1969
Genre: Language Arts & Disciplines
ISBN:

Art Directors Annual: 90

Art Directors Annual: 90
Author: Art Directors Club
Publisher: The Art Directors Club
Total Pages: 203
Release: 2011-12
Genre: Business & Economics
ISBN: 2940411883

Continuously published since 1920, the Art Directors Annual is the world's most widely distributed creative awards reference book and source of inspiration, honoring the year's best work in design and advertising around the globe. Every winning entry (including all Cube and Merit winners) is reproduced in full-color with complete credits. The 90th edition includes the NEW ADC Designism (which explores the responsibilities of creatives to drive social and political change through their work), ADC Hybrid, the 2011 ADC Hall of Fame Laureates and the ADC Black Cube for best in show.

The Architecture of LSU

The Architecture of LSU
Author: John Michael Desmond
Publisher:
Total Pages: 0
Release: 2013
Genre: Architecture
ISBN: 9780807149768

The core of the LSU campus is an example of what we can do when we set our sights high. It stands out today as one of the most successful and inspiring examples in the state, one meant by its architect to become an intuitive course in architecture for the students, spreading the influence of its ideals and inspirations across the highlands and lowlands of Louisiana. from The Architecture of LSU When viewed from the technical vantage point of an architect, the discerning eye of an artist, or sociocultural perspective of a historian, the remarkable buildings of Louisiana State University reveal not only a legacy that goes back to the Renaissance, but also a primer of architectural principles that guided the creation of one of the most distinctive academic environments in the United States. Author, professor, and architect J. Michael Desmond traces the university s development from its origins in Pineville, Louisiana, before the Civil War, through its two downtown Baton Rouge locations, to its move to the Williams Gartness Plantation south of the city in the 1920s. The layout of the present campus began with the picturesque vision of landscape architect Frederick Law Olmsted Jr. The German-born architect Theodore Link developed and reinterpreted the Olmsted campus plan, producing designs for fourteen of the nineteen core campus buildings. After his untimely death in 1923, the New Orleans firm of Wogan & Bernard completed the buildings in Link s masterplan, which in their formal symmetry and fine classical details reflect the influence of sixteenth-century architect Andrea Palladio. Explosive growth during the 1930s and the impact of the automobile demanded an expansion beyond the campus core. The firm of Weiss, Dreyfous & Seiferth took over as campus architects in 1932, and Baton Rouge landscaper Steele Burden oversaw the live oak plantings for which the LSU campus is now renowned. The essential structure of the campus and its landscape was in place by the time the United States entered World War II. The Architecture of LSU includes a wealth of photographs, plans, drawings, and maps that underscore the contributions of key historical figures and the genealogies of the campus s architecture and planning. By meticulously tracing the origins and evolution of LSU s architectural core and exploring the wider scope of American college campus design, Desmond shows the far-reaching rewards of public environments that integrate natural and constructed elements to meet both practical and aesthetic goals.

Universal Design

Universal Design
Author: Edward Steinfeld
Publisher: John Wiley & Sons
Total Pages: 408
Release: 2012-03-14
Genre: Architecture
ISBN: 1118168453

A much-needed reference to the latest thinking in universal design Universal Design: Creating Inclusive Environments offers a comprehensive survey of best practices and innovative solutions in universal design. Written by top thinkers at the Center for Inclusive Design and Environmental Access (IDeA), it demonstrates the difference between universal design and accessibility and identifies its relationship to sustainable design and active living. Hundreds of examples from all areas of design illustrate the practical application of this growing field. Complete, in-depth coverage includes: • The evolution of universal design, from its roots in the disability rights movement to present-day trends • How universal design can address the needs of an aging population without specialization or adaptation to reduce the need for expensive and hard-to-find specialized products and services • Design practices for human performance, health and wellness, and social participation • Strategies for urban and landscape design, housing, interior design, product design, and transportation Destined to become the standard professional reference on the subject, Universal Design: Creating Inclusive Environments is an invaluable resource for architects, interior designers, urban planners, landscape architects, product designers, and anyone with an interest in how we access, use, and enjoy the environment.