24 Pré-études d'après/after Chopin - Partition pour piano / piano score

24 Pré-études d'après/after Chopin - Partition pour piano / piano score
Author: Guillaume Fournier
Publisher: Lulu.com
Total Pages: 112
Release: 2013-08-23
Genre: Art
ISBN: 1304355322

- How to practice and play properly Chopin's 24 Etudes for piano ? - Comment travailler et bien jouer les 24 Etudes de Chopin pour piano ? Before being able to play as well as: Avant de pouvoir les jouer comme: Richter, Horowitz, Argerich

12 Pré-études d'après/after Chopin - Opus 10 - Partition pour piano / piano score

12 Pré-études d'après/after Chopin - Opus 10 - Partition pour piano / piano score
Author: Guillaume Fournier
Publisher: Lulu.com
Total Pages: 70
Release: 2013-09-13
Genre: Art
ISBN: 1291557652

-Revolutionnary Method to learn and practice Chopin's Etudes, for intermediate pianists--Méthode révolutionnaire pour apprendre et jouer les Etudes de Chopin-«24 Prétudes after Chopin» are 24 pre-etudes, 24 preparatory studies to those of Chopin, composed to raise the following bet : «To play the "Prétudes" will allow to learn more easily the genuine "Chopin's Etudes".»Les «24 Prétudes d'après Chopin» sont 24 pré-études, 24 études préparatoires à celles de Chopin, composées pour relever le pari suivant: «Jouer les "Prétudes" permettra d'apprendre plus facilement les véritables "Études de Chopin".».Each Etude is reduced while keeping both the musical gesture and the shape of these masterpieces,without adding nor deducting the slightest measure from it.Elles réduisent la difficulté pianistique de chaque Étude tout en conservant le geste musical et la forme, c'est-à-dire en sauvegardant le rythme harmonique de chaque Étude, sans y ajouter ni en retrancher la moindre mesure.

12 Pré-études d'après/after Chopin - Opus 25 - Partition pour piano / piano score

12 Pré-études d'après/after Chopin - Opus 25 - Partition pour piano / piano score
Author: Guillaume Fournier
Publisher: Lulu.com
Total Pages: 70
Release: 2013-09-13
Genre: Art
ISBN: 1291557784

-Revolutionnary Method to learn and practice Chopin's Etudes, for intermediate pianists--Méthode révolutionnaire pour apprendre et jouer les Etudes de Chopin-«24 Prétudes after Chopin» are 24 pre-etudes, 24 preparatory studies to those of Chopin, composed to raise the following bet : «To play the "Prétudes" will allow to learn more easily the genuine "Chopin's Etudes".»Les «24 Prétudes d'après Chopin» sont 24 pré-études, 24 études préparatoires à celles de Chopin, composées pour relever le pari suivant: «Jouer les "Prétudes" permettra d'apprendre plus facilement les véritables "Études de Chopin".».Each Etude is reduced while keeping both the musical gesture and the shape of these masterpieces,without adding nor deducting the slightest measure from it.Elles réduisent la difficulté pianistique de chaque Étude tout en conservant le geste musical et la forme, c'est-à-dire en sauvegardant le rythme harmonique de chaque Étude, sans y ajouter ni en retrancher la moindre mesure.

Chopin

Chopin
Author: James Huneker
Publisher:
Total Pages: 448
Release: 1900
Genre:
ISBN:

Give My Regards to Eighth Street

Give My Regards to Eighth Street
Author: Morton Feldman
Publisher:
Total Pages: 268
Release: 2000
Genre: Art
ISBN:

Afterword by Frank O'Hara Morton Feldman (1926-1987) is among the most influential American composers of the 20th Century. While his music is known for its exteme quiet and delicate beauty, Feldman himself was famously large and loud. His writings are both funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including his friends Jackson Pollack, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O Hara, and John Cage.

The Contemporary Violin

The Contemporary Violin
Author: Patricia Strange
Publisher: Scarecrow Press
Total Pages: 353
Release: 2003-01-21
Genre: Music
ISBN: 1461664101

Written by a composer and a musician, The Contemporary Violin offers a unique menu of avant-garde musical possibilities that both performers and composers will enjoy exploring. Allen and Patricia Strange's comprehensive study critically examines extended performance techniques found in the violin literature of the latter half of the twentieth century. Drawing from both published and private manuscripts, the authors present extended performance options for the acoustic, modified, electric, and MIDI violin, with signal processing and computer-related techniques, and include more than 400 notated examples. The authors begin with bowing techniques and proceed systematically through other aspects of string playing, including MIDI technologies. Their correspondence and research with many performers and composers, the book's extensive score and text bibliography, and the discography of more than 130 recordings make The Contemporary Violin a valuable contemporary music reference and guide. An additional benefit is its listing of Internet resources that will keep the reader up to date with recent developments in contemporary performance and composition. First published by UC Press, 2001.

The Musical Work of Nadia Boulanger

The Musical Work of Nadia Boulanger
Author: Jeanice Brooks
Publisher: Cambridge University Press
Total Pages: 307
Release: 2013-04-25
Genre: Music
ISBN: 1107328314

Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and shows how her ideas relate to broader currents in French aesthetics and culture.