20th Century Plastic Jewelry

20th Century Plastic Jewelry
Author: Roseann Ettinger
Publisher: Schiffer Book for Collectors
Total Pages: 0
Release: 2007
Genre: Antiques & Collectibles
ISBN: 9780764326127

This fun and visually exciting book presents lavish and popular jewelry in many types of plastics from Bakelite, celluloid, and Lucite to Plexiglas, natural plastics, and resins. Brooches, necklaces, beads, and earrings appear in 365 color photos and period catalog pages that display all the styles. Popular makers such as Trifari, Lisner, Coro, Kramer, Kenneth Jay Lane, and Les Bernard, and more are well represented.

Collecting the 20th Century

Collecting the 20th Century
Author: Adrian Franklin
Publisher: UNSW Press
Total Pages: 234
Release: 2010
Genre: Antiques & Collectibles
ISBN: 1742230016

Taking a decade-by-decade approach, this lavishly illustrated guide to 20th-century collectibles delivers useful information in a lively and entertaining style. Each chapter provides detailed insight into a particular decade and includes two central areas of collecting from that era, whether it is ceramic bathing beauties from the 1920s, vintage clothes from the 1940s, cars from the 1950s, or Memphis design from the 1980s. Covering popular periods such as art nouveau, industrial, art deco, retro, and modern, this is an ideal companion for both serious collectors and those who want a glimpse into the world of 20th-century design.

Collecting Lives

Collecting Lives
Author: Elizabeth Rodrigues
Publisher: University of Michigan Press
Total Pages: 239
Release: 2022-05-16
Genre: Literary Criticism
ISBN: 0472902636

On a near-daily basis, data is being used to narrate our lives. Categorizing algorithms drawn from amassed personal data to assign narrative destinies to individuals at crucial junctures, simultaneously predicting and shaping the paths of our lives. Data is commonly assumed to bring us closer to objectivity, but the narrative paths these algorithms assign seem, more often than not, to replicate biases about who an individual is and could become. While the social effects of such algorithmic logics seem new and newly urgent to consider, Collecting Lives looks to the late nineteenth and early twentieth century U.S. to provide an instructive prehistory to the underlying question of the relationship between data, life, and narrative. Rodrigues contextualizes the application of data collection to human selfhood in order to uncover a modernist aesthetic of data that offers an alternative to the algorithmic logic pervading our sense of data’s revelatory potential. Examining the work of W. E. B. Du Bois, Henry Adams, Gertrude Stein, and Ida B. Wells-Barnett, Rodrigues asks how each of these authors draw from their work in sociology, history, psychology, and journalism to formulate a critical data aesthetic as they attempt to answer questions of identity around race, gender, and nation both in their research and their life writing. These data-driven modernists not only tell different life stories with data, they tell life stories differently because of data.

Outline

Outline
Author: Paul Nash
Publisher: Lund Humphries Publishers Limited
Total Pages: 0
Release: 2016
Genre: Artists
ISBN: 9781848221888

Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.

Georg Jensen

Georg Jensen
Author: Janet Drucker
Publisher: Schiffer Pub Limited
Total Pages: 256
Release: 2002
Genre: Antiques & Collectibles
ISBN: 9780764315688

This reprint of jewelry and hollowware catalog pages from Georg Jensen brings eagerly sought information together in one volume. Hard to find, the original catalogs have been widely dispursed and costly, yet they provide primary information to enable identification of thousands of pieces found on the vintage market today. The jewelry section presents women's and men's gold and silver designs, including those sold at the retail store in New York that represented a selection of American-made items, and those made during the 1940s which were difficult to identify previously. The enormous section on hollowware displays hundreds of designs from the late 1950s and early 1960s. During this period Georg Jensen designers expanded their range of tea sets, pitchers, bowls, etc. to include very popular modern forms based on Scandinavian design principles. These designs have remained among the most cherished Jensen forms. The catalog descriptions include the product numbers, original retail prices from the mid-century era, measurements, and designers. A special information list identifies forty-three Georg Jensen designs in museum collections around the world. This easy-to-use volume will become a standard reference for all the collectors, dealers, auction houses, and individuals who own and are inspired by Georg Jensen designs.

Collecting Ancient Europe

Collecting Ancient Europe
Author: Luc W. S. W. Amkreutz
Publisher:
Total Pages:
Release: 2020-12-15
Genre:
ISBN: 9789088909351

In order to understand our past, we need to understand ourselves as archaeologists and our discipline. This volume presents recent research into collecting practices of European Antiquities by national museums, institutes and individuals during the 19th and early 20th-century, and the 'Ancient Europe' collections that resulted and remain in many museums.This was the period during which the archaeological discipline developed as a scientific field, and the study of the archaeological paradigmatic and practical discourse of the past two centuries is therefore of importance, as are the sequence of key discoveries that shaped our field.Many national museums arose in the early 19th century and strived to acquire archaeological objects from a wide range of countries, dating from Prehistory to the Medieval period. This was done by buying, sometimes complete collections, exchanging or copying. The networks along which these objects traveled were made up out of the ranks of diplomats, aristocracy, politicians, clergymen, military officials and scholars. There were also intensive contacts between museums and universities and there were very active private dealers.The reasons for collecting antiquities were manifold. Many, however, started out from the idea of composing impressive collections brought together for patriotic or nationalistic purposes and for general comparative use. Later on, motives changed, and in the Dutch National Museum of Antiquities became more scientifically oriented. Eventually these collections fossilized, ending up in the depots. The times had changed and the acquisition of archaeological objects from other European countries largely came to an end.This group of papers researches these collections of 'Ancient Europe' from a variety of angles. As such it forms an ideal base for further researching archaeological museum collection history and the development of the archaeological discipline.

Extreme Collecting

Extreme Collecting
Author: Graeme Were
Publisher: Berghahn Books
Total Pages: 248
Release: 2012-03-01
Genre: Art
ISBN: 0857453645

By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting ‘difficult’ objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring ‘difficult’ objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies.

The Museum in the Cultural Sciences

The Museum in the Cultural Sciences
Author: Annika Fisher
Publisher: Bard Graduate Center
Total Pages: 394
Release: 2021-02-15
Genre:
ISBN: 9781941792162

In early twentieth-century Berlin, the museumsdebate was set into motion with Wilhelm von Bode's sweeping proposal to reorganize a group of the city's museums. Between 1907 and 1910, two particularly striking series of articles appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums and the second was a ten-part piece by Oswald Richter regarding ethnographic museums, and both initiated a century of important dialogue. Presented together here as Collecting, Displaying, and Interpreting Material Culture, these first full English translations of the two book-length articles remain unequalled presentations about the different implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century, and how much could be gained from revisiting these reflections today. Accompanied with short commentaries by a group of museum professionals, these translations and associated commentaries allow for an intervention and intensification of the current level of debate about museums, one that will further invigorated by the opening of the Humboldt Forum in Berlin in 2019.