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| Author | : Betty-Carol Sellen |
| Publisher | : Neal-Schuman Publishers |
| Total Pages | : 504 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.
| Author | : Elsa Weiner Longhauser |
| Publisher | : Chronicle Books (CA) |
| Total Pages | : 264 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.
| Author | : Kathy Moses |
| Publisher | : Schiffer Publishing |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780764307294 |
An intimate glimpse into the lives and work of 34 self-taught artists. Over 400 color photos show a wide range of artwork that has been called Outsider, Visionary, and Folk. Whatever the labels, the work is passionate, religious, fantastic, heartrending, cryptic, naive, and compelling. What could be more exciting?
| Author | : Anthony Petullo |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2005-01-27 |
| Genre | : Art |
| ISBN | : 0252072774 |
A collection of self-taught and outsider art with a European representation of artists.
| Author | : Betty-Carol Sellen |
| Publisher | : McFarland |
| Total Pages | : 318 |
| Release | : 2016-02-09 |
| Genre | : Art |
| ISBN | : 147662304X |
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
| Author | : Frank Maresca |
| Publisher | : Alfred A. Knopf |
| Total Pages | : 328 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
Cent peintres autodidactes américains du vingtième siècle - incluant Victor Duena, la Soeur Gertrude Morgan, Henry Darger et Freddie Brice, avec 260 reproductions toutes en couleurs de leurs oeuvres.
| Author | : Elsa Weiner Longhauser |
| Publisher | : Chronicle Books Llc |
| Total Pages | : 256 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780811820998 |
A catalogue to a major travelling exhibition which examines the creative spirit and expressive capacity of artists without formal training. These artists come from a variety of places and a cross section of society, and their art deals with many defining issues of the twentieth century.
| Author | : Katherine Jentleson |
| Publisher | : University of California Press |
| Total Pages | : 264 |
| Release | : 2020-04-07 |
| Genre | : Art |
| ISBN | : 0520303423 |
After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.
| Author | : Jane Livingston |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 1982 |
| Genre | : Art |
| ISBN | : |
Forms from African and American popular arts, photojournalism, advertising, voodoo and the landscape reflect oral traditions of black culture: rural legends, popular history, Biblical stories, revivalism. No index. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Lynne Cooke |
| Publisher | : University of Chicago Press |
| Total Pages | : 396 |
| Release | : 2018 |
| Genre | : Art and society |
| ISBN | : 9780226522272 |
Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.
