2 Briefe 1 Fragment An Elias Canetti
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Author | : Elias Canetti |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 495 |
Release | : 2000 |
Genre | : Collective behavior |
ISBN | : 9781842120545 |
How do crowds work? What is the nature of their unique creation - the demagogue? This is the renowned and original analysis of one of the 20th century's most threatening and influential phenomena by the Nobel Prize-winning thinker Elias Canetti.
Author | : Nadine Gordimer |
Publisher | : Bloomsbury Publishing |
Total Pages | : 338 |
Release | : 2012-03-15 |
Genre | : Fiction |
ISBN | : 1408832976 |
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm. As the upheaval in Mehring's world increasingly resembles that in the country as a whole, it becomes clear that only a seismic shift in ideas and concrete action can avert annihilation.
Author | : Henrik Reeh |
Publisher | : MIT Press |
Total Pages | : 276 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 9780262182379 |
Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropriate urban life.
Author | : J. Zilcosky |
Publisher | : Springer |
Total Pages | : 300 |
Release | : 2016-04-30 |
Genre | : Literary Criticism |
ISBN | : 1137076372 |
In 1916, Kafka writes of The Sugar Baron , a dime-store colonial adventure novel, '[it] affects me so deeply that I feel it is about myself, or as if it were the book of rules for my life.' John Zilcosky reveals that this perhaps surprising statement - made by the Prague-bound poet of modern isolation - is part of a network of remarks that exemplify Kafka's ongoing preoccupation with popular travel writing, exoticism, and colonial fantasy. Taking this biographical peculiarity as a starting point, Kafka's Travels elegantly re-reads Kafka's major works ( Amerika , The Trial , The Castle ) through the lens of fin-de siecle travel culture. Making use of previously unexplored literary and cultural materials - travel diaries, train schedules, tour guides, adventure novels - Zilcosky argues that Kafka's uniquely modern metaphorics of alienation emerges out of the author's complex encounter with the utopian travel discourses of his day.
Author | : Naama Harel |
Publisher | : University of Michigan Press |
Total Pages | : 217 |
Release | : 2020-05-04 |
Genre | : Literary Criticism |
ISBN | : 0472902091 |
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.
Author | : Mike Gane |
Publisher | : Routledge |
Total Pages | : 387 |
Release | : 2002-11-01 |
Genre | : Social Science |
ISBN | : 1134912412 |
Jean Baudrillard arouses strong opinions. In this collection of his most important interviews the reader gains a unique and accessible overview of Baudrillard's key ideas. The collection includes many interviews that appear in English for the first time as well as a fascinating interview and encounter between the editor and Baudrillard in Paris.
Author | : Angel Flores |
Publisher | : New York : Gordian Press |
Total Pages | : 280 |
Release | : 1977 |
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Author | : |
Publisher | : |
Total Pages | : 786 |
Release | : 1969 |
Genre | : Germanic philology |
ISBN | : |
Author | : Aneta Pavlenko |
Publisher | : Multilingual Matters |
Total Pages | : 341 |
Release | : 2006-03-09 |
Genre | : Language Arts & Disciplines |
ISBN | : 1847699812 |
Do bi- and multilinguals perceive themselves differently in their respective languages? Do they experience different emotions? How do they express emotions and do they have a favourite language for emotional expression? How are emotion words and concepts represented in the bi- and multilingual lexicons? This ground-breaking book opens up a new field of study, bilingualism and emotions, and provides intriguing answers to these and many related questions.
Author | : |
Publisher | : BRILL |
Total Pages | : 293 |
Release | : 2019-10-01 |
Genre | : Literary Criticism |
ISBN | : 9004400060 |
For the first time in scholarship, this essay collection interprets modernity through the literary micro-genres of the aphorism, the epigram, the maxim, and the fragment. Situating Friedrich Nietzsche and Oscar Wilde as forerunners of modern aphoristic culture, the collection analyses the relationship between aphoristic consciousness and literary modernism in the expanded purview of the long twentieth century, through the work of a wide range of authors, including Samuel Beckett, Max Beerbohm, Jorge Luis Borges, Katherine Mansfield, and Stevie Smith. From the romantic fragment to the tweet, Aphoristic Modernity offers a compelling exploration of the short form's pervasive presence both as a standalone artefact and as part of a larger textual and cultural matrix.