Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 2007 |
Genre | : Painting |
ISBN | : 1588392406 |
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Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 2007 |
Genre | : Painting |
ISBN | : 1588392406 |
Author | : Jean-Auguste-Dominique Ingres |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 610 |
Release | : 1999 |
Genre | : Drawing, French |
ISBN | : 0870998919 |
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author | : Johns Hopkins University. Peabody Institute. Library |
Publisher | : |
Total Pages | : 784 |
Release | : 1902 |
Genre | : Catalogs, Dictionary |
ISBN | : |
Author | : Carter E. Foster |
Publisher | : Hudson Hills |
Total Pages | : 170 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780940717671 |
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Author | : George Peabody Library |
Publisher | : |
Total Pages | : 326 |
Release | : 1901 |
Genre | : Dictionary catalogs |
ISBN | : |
Author | : Andrew Carrington Shelton |
Publisher | : Cambridge University Press |
Total Pages | : 340 |
Release | : 2005-10-03 |
Genre | : Art |
ISBN | : 9780521842433 |
This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.