1950s Radio in Color
Author | : Christopher Kennedy |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Music |
ISBN | : 9781606350720 |
Collection of color photos by the Cleveland DJ of early rock and pop stars.
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Author | : Christopher Kennedy |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Music |
ISBN | : 9781606350720 |
Collection of color photos by the Cleveland DJ of early rock and pop stars.
Author | : Timothy B. Tyson |
Publisher | : Univ of North Carolina Press |
Total Pages | : 413 |
Release | : 2009-11-15 |
Genre | : Biography & Autobiography |
ISBN | : 0807899011 |
This book tells the remarkable story of Robert F. Williams--one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, as president of the Monroe, North Carolina, branch of the NAACP, Williams and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating "armed self-reliance" by blacks, Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba--where he broadcast "Radio Free Dixie," a program of black politics and music that could be heard as far away as Los Angeles and New York City--and then China, Williams remained a controversial figure for the rest of his life. Historians have customarily portrayed the civil rights movement as a nonviolent call on America's conscience--and the subsequent rise of Black Power as a violent repudiation of the civil rights dream. But Radio Free Dixie reveals that both movements grew out of the same soil, confronted the same predicaments, and reflected the same quest for African American freedom. As Robert Williams's story demonstrates, independent black political action, black cultural pride, and armed self-reliance operated in the South in tension and in tandem with legal efforts and nonviolent protest.
Author | : Norm N. Nite |
Publisher | : Kent State University Press |
Total Pages | : 176 |
Release | : 2020-09 |
Genre | : Music |
ISBN | : 9781606353998 |
The behind-the-scenes battle for the Rock Hall For 25 years, the Rock and Roll Hall of Fame has defined Cleveland's image as the "Rock and Roll Capital of the World." But while the Rock Hall has become an iconic landmark for the city of Cleveland and for fans of rock and roll around the world, it was just one missed phone call away from never being built in Cleveland. If the prominent singer and actress Leslie Gore hadn't contacted radio personality Norm N. Nite in August 1983, the Hall of Fame would not be in Cleveland--period. Earlier that summer, Gore had learned that the newly formed Rock and Roll Hall of Fame Foundation was looking for a city to house their planned museum honoring the history of rock. Gore knew that a year earlier, Nite had pitched an idea for a similar museum, so she reached out to let him know that other figures in the music industry were working to turn his dream into a reality. Nite immediately joined the project's Rules and Nominating Committee and spearheaded the campaign to bring the museum to Cleveland. At the time, the search committee was considering several other cities, including Memphis, Detroit, and New York, but Nite argued that the city's deep historical connection to rock music through Alan Freed and the Moondog Coronation Ball made Cleveland the perfect location. He began lobbying local and state politicians, fundraising with music moguls and civic leaders, and promoting the museum to the broader Cleveland public. As fans got involved, especially with their overwhelming response to a USA Today phone poll, Nite's campaign to bring the Hall to Cleveland was ultimately successful. This book, told from Nite's insider perspective, draws on both first-person accounts and exclusive interviews with influential business leaders, government officials, and giants of the music industry. A detailed record of the Rock Hall's inception and creation, The House That Rock Built becomes a true tribute to the people who made it happen--through Herculean efforts--and to the music it celebrates.
Author | : United States. Congress. House. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 252 |
Release | : 1953 |
Genre | : |
ISBN | : |
Author | : Ken Jupp |
Publisher | : Schiffer Pub Limited |
Total Pages | : 219 |
Release | : 1998 |
Genre | : Antiques & Collectibles |
ISBN | : 9780764301087 |
Table radios made primarily of brightly colored plastics represent a relative newcomer to the radio collecting arena. These icons of American industrial design and popular culture were once plentiful, and today they can be found at flea markets, garage and house sales. With more than 430 color photo plus advertisements and black and white vintage photos, this pioneering book is a must for anyone interested in radios, mid-century industrial design, or popular culture.
Author | : Carroll Pursell |
Publisher | : John Wiley & Sons |
Total Pages | : 480 |
Release | : 2008-04-30 |
Genre | : History |
ISBN | : 0470695331 |
A Companion to American Technology is a groundbreaking collection of original essays that analyze the hard-to-define phenomenon of “technology” in America. 22 original essays by expert scholars cover the most important features of American technology, including developments in automobiles, television, and computing Analyzes the ways in which technologies are organized, such as in the engineering profession, government, medicine and agriculture Includes discussions of how technologies interact with race, gender, class, and other organizing structures in American society
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 670 |
Release | : 1951 |
Genre | : Copyright |
ISBN | : |
Author | : United States. Congress. House. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 1628 |
Release | : 1959 |
Genre | : Independent regulatory commissions |
ISBN | : |
Author | : Albert Abramson |
Publisher | : McFarland |
Total Pages | : 319 |
Release | : 2007-09-29 |
Genre | : Performing Arts |
ISBN | : 0786432438 |
Albert Abramson published (with McFarland) in 1987 a landmark volume titled The History of Television, 1880-1941 ("massive...research"--Library Journal; "voluminous documentation"--Choice; "many striking old photos"--The TV Collector). At last he has produced the follow-up volume; the reader may be assured there is no other book in any language that is remotely comparable to it. Together, these two volumes provide the definitive technical history of the medium. Upon the development in the mid-1940s of new cameras and picture tubes that made commercial television possible worldwide, the medium rose rapidly to prominence. Perhaps even more important was the invention of the video tape recorder in 1956, allowing editing, re-shooting and rebroadcasting. This second volume, 1942 to 2000 covers these significant developments and much more. Chapters are devoted to television during World War II and the postwar era, the development of color television, Ampex Corporation's contributions, television in Europe, the change from helical to high band technology, solid state cameras, the television coverage of Apollo II, the rise of electronic journalism, television entering the studios, the introduction of the camcorder, the demise of RCA at the hands of GE, the domination of Sony and Matsushita, and the future of television in e-cinema and the 1080 P24 format. The book is heavily illustrated (as is the first volume).
Author | : Jason Chambers |
Publisher | : University of Pennsylvania Press |
Total Pages | : 330 |
Release | : 2011-08-24 |
Genre | : History |
ISBN | : 0812203852 |
Until now, most works on the history of African Americans in advertising have focused on the depiction of blacks in advertisements. As the first comprehensive examination of African American participation in the industry, Madison Avenue and the Color Line breaks new ground by examining the history of black advertising employees and agency owners. For much of the twentieth century, even as advertisers chased African American consumer dollars, the doors to most advertising agencies were firmly closed to African American professionals. Over time, black participation in the industry resulted from the combined efforts of black media, civil rights groups, black consumers, government organizations, and black advertising and marketing professionals working outside white agencies. Blacks positioned themselves for jobs within the advertising industry, especially as experts on the black consumer market, and then used their status to alter stereotypical perceptions of black consumers. By doing so, they became part of the broader effort to build an African American professional and entrepreneurial class and to challenge the negative portrayals of blacks in American culture. Using an extensive review of advertising trade journals, government documents, and organizational papers, as well as personal interviews and the advertisements themselves, Jason Chambers weaves individual biographies together with broader events in U.S. history to tell how blacks struggled to bring equality to the advertising industry.