1934
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Total Pages | : 28 |
Release | : 1934-05 |
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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
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Total Pages | : 28 |
Release | : 1934-12 |
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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Author | : Jennifer Jane Marshall |
Publisher | : University of Chicago Press |
Total Pages | : 237 |
Release | : 2019-01-23 |
Genre | : Art |
ISBN | : 0226507173 |
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Author | : Charles Lewis Camp |
Publisher | : Geological Society of America |
Total Pages | : 692 |
Release | : 1942 |
Genre | : Science |
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Author | : United States Employment Service |
Publisher | : |
Total Pages | : 112 |
Release | : 1935 |
Genre | : Employment agencies |
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Total Pages | : 224 |
Release | : 1934-02 |
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Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
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Total Pages | : 64 |
Release | : 1934-05 |
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Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Author | : Ann Prentice Wagner |
Publisher | : |
Total Pages | : 164 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
Celebrates the 75th anniversary of the U.S. Public Works of Art Program, created in 1934 against the backdrop of the Great Depression. The 55 paintings in this volume are a lasting visual record of America at a specific moment in time; a response to an economic situation that is all too familiar
Author | : Brian Jenkins |
Publisher | : Routledge |
Total Pages | : 213 |
Release | : 2015-03-24 |
Genre | : Political Science |
ISBN | : 1317507258 |
France and Fascism: February 1934 and the Dynamics of Political Crisis is the first English-language book to examine the most significant political event in interwar France: the Paris riots of February 1934. On 6 February 1934, thousands of fascist rioters almost succeeded in bringing down the French democratic regime. The violence prompted the polarisation of French politics as hundreds of thousands of French citizens joined extreme right-wing paramilitary leagues or the left-wing Popular Front coalition. This ‘French civil war’, the first shots of which were fired in February 1934, would come to an end only at the Liberation of France ten years later. The book challenges the assumption that the riots did not pose a serious threat to French democracy by providing a more balanced historical contextualisation of the events. Each chapter follows a distinctive analytical framework, incorporating the latest research in the field on French interwar politics as well as important new investigations into political violence and the dynamics of political crisis. With a direct focus on the actual processes of the unfolding political crisis and the dynamics of the riots themselves, France and Fascism offers a comprehensive analysis which will be of interest to undergraduate and postgraduate students, as well as scholars, in the areas of French history and politics, and fascism and the far right.
Author | : United States. Department of the Treasury |
Publisher | : |
Total Pages | : 458 |
Release | : 1933 |
Genre | : Finance, Public |
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