1910
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| Author | : Thomas Harrison |
| Publisher | : Univ of California Press |
| Total Pages | : 280 |
| Release | : 1996-04-12 |
| Genre | : Literary Criticism |
| ISBN | : 9780520200432 |
"1910 stands out as a model of interdisciplinary and comparative study. . . . It brilliantly illustrates the complexity of a crucial period in European culture . . . focusing in particular on the intellectual intricacies of Mitteleuropa on the eve of World War I and of the dissolution of the Austro-Hungarian empire."—Lucia Re "Compellingly original. . . . In Harrison's work, Michelstaedter and his confreres (Campana, Slataper, Kokoschke, Rilke, Kandinsky, Lukàcs, Trakl, et al.) turn out to be considerably more fascinating and more emblematic of their time than anyone has been able to perceive before."—Gregory Lucente, University of Michigan
| Author | : David Joselit |
| Publisher | : MIT Press |
| Total Pages | : 276 |
| Release | : 2001-02-23 |
| Genre | : Design |
| ISBN | : 9780262600385 |
In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. There is not one Marcel Duchamp, but several. Within his oeuvre Duchamp practiced a variety of modernist idioms and invented an array of contradictory personas: artist and art dealer, conceptualist and craftsman, chess champion and dreamer, dandy and recluse. In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. Taking into account underacknowledged works and focusing on the conjunction of the machine and the commodity in Duchamp's art, Joselit notes a consistent opposition between the material world and various forms of measurement, inscription, and quantification. Challenging conventional accounts, he describes the readymade strategy not merely as a rejection of painting, but as a means of producing new models of the modern self.
| Author | : Alessandra Torre |
| Publisher | : Diversion Books |
| Total Pages | : 305 |
| Release | : 2014-03-21 |
| Genre | : Fiction |
| ISBN | : 1940941415 |
He thought I owned him. He thought he loved me, that I was enough. But this animal, this sex god who could drive me crazy and steal my heart in the same breath, he would never fully be mine. It was impossible. No one ever owned a God... One year. I have one year to find out more about this man I am marrying. More about his family. More about our sex, and all of the dirty, delicious places it will take me. I thought I'd spend this year making a decision. I never thought the decision would be taken from me, snatched right from my naive little hands. The final book in the Innocence Trilogy. PRAISE: "Julia Campbell, a college intern in a law office, becomes sexually involved with Brad, one of the senior partners, while working for another. Evidently nonorgasmic before she met Brad, Julia is enjoying her sexual awakening with him in threesomes, sex parties, and anything and everything (except S and M)—until her boss is murdered, and she finds out that she’s on a hit list for having overheard a conversation involving his representation of Mob families. Brad, the son of one of those mobsters, though not involved in the family “business,” has to figure out how to protect her. Torre gives readers erotica with a plot, despite the bromide of the alpha male introducing the naïve young woman to sex and a variant of the marriage of convenience. Julia is a classic “spunky Suzy,” and unlike Fifty Shades of Grey, the story is plausible." —Mary K. Chelton, Booklist, on Masked Innocence (Book 2 in The Innocence Trilogy) "Torre’s erotic sequel to the indie digital hit Blindfolded Innocence returns to the dangerous, decadent world of divorce lawyer Brad De Luca and law student Julia Campbell. In the bedroom, Brad is slowly pushing Julia to the very edges of her sexual limits, including threesomes and sex parties. At the office, Julia accidentally overhears her boss, Brad’s business partner, engaging in a shady Mafia-related deal, and her new knowledge could get her killed. When she tells Brad about the conversation, it becomes clear that he’s hiding a big secret that could drive him and Julia apart forever. Will losing her inhibitions also mean losing her life? Despite a dead end or two and a cliffhanger conclusion, Torre keeps readers engaged with this fast-moving tale of deceit, treachery, and love." —Publishers Weekly on Masked Innocence (Book 2 in The Innocence Trilogy)
| Author | : Peter Stansky |
| Publisher | : Harvard University Press |
| Total Pages | : 304 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780674636064 |
Peter Stansky paints a picture of the changing world in which the Bloomsbury set moved as the watershed to a new and more open society where for example E.M. Forster could write about love between men, and new artforms were in full bloom.
| Author | : Adele Whitby |
| Publisher | : Simon and Schuster |
| Total Pages | : 160 |
| Release | : 2015-05-26 |
| Genre | : Juvenile Fiction |
| ISBN | : 1481439901 |
Exciting secrets are waiting to be revealed in a new story arc set in a manor in the heart of Paris in the seventh book of this fascinating historical fiction series. Camille LeClerc has just moved into the grand estate Rousseau—one of the largest and most beautiful manor homes in all of Paris—with her mother, the cook. Living in the manor is a dream come true for Camille and brings her closer to the wealthy Rousseaus, with whom she has always believed she shares a special bond, despite her mother’s constant urging to remember her place. Soon Camille is right at home inside the manor, and it’s not long before she stumbles upon family treasures that have been hidden away for many years. Treasures that might be the key to unlocking secrets of the manor’s past…and her own.
| Author | : Stephen Johnson |
| Publisher | : University of Chicago Press |
| Total Pages | : 321 |
| Release | : 2020-10-20 |
| Genre | : Music |
| ISBN | : 022674096X |
This “thrilling study of Gustav Mahler’s Symphony No 8 . . . makes a strong case for its quality . . . we shall never listen to it in the same way again” (Guardian, UK). On September 12, 1910, Gustav Mahler’s Eighth Symphony had its world premiere at Munich’s new Musik Festhalle. It was the artistic breakthrough for which the composer had yearned all his life. An array of royals and stars from the musical and literary world were in attendance, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composer’s wife, and Alma’s longtime lover, the architect Walter Gropius. In The Eighth, Stephen Johnson provides a masterful account of the symphony’s far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premiere—something unheard of at the time—and provides fascinating insight into Mahler’s compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahler’s work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.
| Author | : |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 1910-11 |
| Genre | : |
| ISBN | : |
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
| Author | : Timothy Egan |
| Publisher | : HarperCollins |
| Total Pages | : 349 |
| Release | : 2009-10-19 |
| Genre | : History |
| ISBN | : 0547416865 |
National Book Award–winner Timothy Egan turns his historian's eye to the largest-ever forest fire in America and offers an epic, cautionary tale for our time. On the afternoon of August 20, 1910, a battering ram of wind moved through the drought-stricken national forests of Washington, Idaho, and Montana, whipping the hundreds of small blazes burning across the forest floor into a roaring inferno that jumped from treetop to ridge as it raged, destroying towns and timber in the blink of an eye. Forest rangers had assembled nearly ten thousand men to fight the fires, but no living person had seen anything like those flames, and neither the rangers nor anyone else knew how to subdue them. Egan recreates the struggles of the overmatched rangers against the implacable fire with unstoppable dramatic force, and the larger story of outsized president Teddy Roosevelt and his chief forester, Gifford Pinchot, that follows is equally resonant. Pioneering the notion of conservation, Roosevelt and Pinchot did nothing less than create the idea of public land as our national treasure, owned by every citizen. Even as TR's national forests were smoldering they were saved: The heroism shown by his rangers turned public opinion permanently in favor of the forests, though it changed the mission of the forest service in ways we can still witness today. This e-book includes a sample chapter of SHORT NIGHTS OF THE SHADOW CATCHER.
| Author | : Mark W. Van Wienen |
| Publisher | : Cambridge University Press |
| Total Pages | : 440 |
| Release | : 2017-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 1108548598 |
American Literature in Transition, 1910–1920 offers provocative new readings of authors whose innovations are recognized as inaugurating Modernism in US letters, including Robert Frost, Willa Cather, T. S. Eliot, Ezra Pound, Gertrude Stein, H. D., and Marianne Moore. Gathering the voices of both new and established scholars, the volume also reflects the diversity and contradictions of US literature of the 1910s. 'Literature' itself is construed variously, leading to explorations of jazz, the movies, and political writing as well as little magazines, lantern slides, and sports reportage. One section of thematic essays cuts across genre boundaries. Another section oriented to formats drills deeply into the workings of specific media, genres, or forms. Essays on institutions conclude the collection, although a critical mass of contributors throughout explore long-term literary and cultural trends - where political repression, race prejudice, war, and counterrevolution are no less prominent than experimentation, progress, and egalitarianism.
| Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 228 |
| Release | : 2024-10-23 |
| Genre | : Performing Arts |
| ISBN | : 3775759662 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
