18th Century Symphonies
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| Author | : Simon P. Keefe |
| Publisher | : Cambridge University Press |
| Total Pages | : 816 |
| Release | : 2009-09-10 |
| Genre | : Music |
| ISBN | : 9780521663199 |
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
| Author | : A. Peter Brown |
| Publisher | : Indiana University Press |
| Total Pages | : 760 |
| Release | : 2002-08-13 |
| Genre | : Music |
| ISBN | : 9780253334879 |
More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.
| Author | : John A. Rice |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 9780393929188 |
Eighteenth Century Music in its cultural, social, and intellectual contexts. John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how "learned" and "galant" styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.
| Author | : Adam Carse |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 1979 |
| Genre | : Music |
| ISBN | : |
| Author | : Jan LaRue |
| Publisher | : Bloomington, Ind. : Indiana University Press, c1988- . |
| Total Pages | : 374 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : |
Vol. 1 : Thematic identifier
| Author | : Mary Sue Morrow |
| Publisher | : Indiana University Press |
| Total Pages | : 918 |
| Release | : 2024-03-29 |
| Genre | : Music |
| ISBN | : 0253072131 |
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
| Author | : David Wyn Jones |
| Publisher | : Cambridge University Press |
| Total Pages | : 308 |
| Release | : 2006-11-02 |
| Genre | : Music |
| ISBN | : 0521028590 |
An examination of the little-understood period of music history in which Haydn, Mozart and Beethoven worked.
| Author | : David P. Schroeder |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : |
IntroductionPart I Haydn and Enlightened Though 1. Haydn and Shaftesbury: Music and Morality2. Pre-English Literary Influences3. The Lodge `Zur wahren Eintracht'4. Opera, Rhetoric, and Rittergedichte5. String Quartets, Op. 33: `A New and Special Way'6. Theory versus Practice: Aesthetics and Instrumental Music7. Symphonies Ascent: Pre-Paris to the Loge OlympiquePart II Audience Receptionand England 8. The Composer-Audience Relationship9. Haydn and the English AudiencePart III The Symphonies 10. Symphonic Intelligibility and Sonata Form11. Melodic Sources and Musical Images12. Symphonies and t.
| Author | : Charles Cudworth |
| Publisher | : Cambridge University Press |
| Total Pages | : 298 |
| Release | : 1983 |
| Genre | : Music |
| ISBN | : 9780521235259 |
The essays in this book are devoted to the social and intellectual background of eighteenth-century music.
| Author | : Don Michael Randel |
| Publisher | : Harvard University Press |
| Total Pages | : 1020 |
| Release | : 2003-11-28 |
| Genre | : Music |
| ISBN | : 9780674011632 |
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
