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Money of Pre-federal America
Author | : John M. Kleeberg |
Publisher | : |
Total Pages | : 280 |
Release | : 1992 |
Genre | : Antiques & Collectibles |
ISBN | : |
American Naive Paintings
Author | : National Gallery of Art (U.S.) |
Publisher | : Cambridge University Press |
Total Pages | : 698 |
Release | : 1992 |
Genre | : Art |
ISBN | : 9780521443012 |
One of a series of systematic catalogues of the National Gallery of Art's collection, this comprehensive volume discusses in detail 310 objects that comprise one of the world's outstanding repositories of American naive paintings. Works by renowned folk artists such as Edward Hicks, Erastus Salisbury Field, and Ammi Phillips are represented in depth and placed in stylistic as well as historical context. This catalogue is an indispensable tool for historians of Amerian painting and folk art, and for students of American life and culture. Thorough documentation and commentary are provided for the first time on some of the most intriguing images produced in America in the past two hundred years.
American Paintings of the Eighteenth Century
Author | : National Gallery of Art (U.S.) |
Publisher | : Princeton University Press |
Total Pages | : 454 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.
When and Where I Enter
Author | : Paula J. Giddings |
Publisher | : Harper Collins |
Total Pages | : 420 |
Release | : 2009-01-29 |
Genre | : Social Science |
ISBN | : 0061984922 |
A history of the African American woman’s experience in America and an analysis of the relationship between sexism and racism. When and Where I Enter is an eloquent testimonial to the profound influences of African American women on race and women’s movements throughout American history. Drawing on speeches, diaries, letters, and other original documents, Paula Giddings powerfully portrays how black women have transcended racist and sexist attitudes—often confronting white feminists and black male leaders alike—to initiate social and political reform. From the open disregard for the rights of slave women to examples of today’s more covert racism and sexism in civil rights and women’s organizations, Giddings illuminates the black woman’s crusade for equality in the process, she paints unforgettable portraits of black female leaders, such as antilynching activist Ida B. Wells, educator and FDR adviser Mary McCleod Bethune, and the heroic civil rights leader Fannie Lou Hamer, among others, who fought both overt and institutionalized oppression. Praise for When and Where I Enter “History at its best—clear, intelligent, moving. Paula Giddings has written a book as priceless as its subject.” —Toni Morrison “A powerful book. Paula Giddings has shone a brilliant light on the lives of women left in the shadow of history.” —Maya Angelou “A jarringly fresh interpretation . . . a labor of commitment and love.” —New York Times Book Review
Dutch Paintings of the Seventeenth Century
Author | : National Gallery of Art (U.S.) |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 1995 |
Genre | : Painting |
ISBN | : 9780894682117 |
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.