Michiganensian

Michiganensian
Author:
Publisher: UM Libraries
Total Pages: 496
Release: 1904
Genre: College students
ISBN:

James Clerk Maxwell

James Clerk Maxwell
Author:
Publisher: Cambridge University Press
Total Pages: 158
Release: 2012-03-22
Genre: Biography & Autobiography
ISBN: 1107670950

This 1931 book is comprised of ten essays dealing with various aspects of James Clerk Maxwell's life and achievements.

James Clerk Maxwell

James Clerk Maxwell
Author: Raymond Flood
Publisher: Oxford University Press, USA
Total Pages: 375
Release: 2014
Genre: Biography & Autobiography
ISBN: 0199664374

James Clerk Maxwell (1831 -1879) was one of the most important mathematical physicists of all time. In scientific terms his immortality is enshrined in electromagnetism and Maxwell's equations, but as this book shows, there was much more to Maxwell than electromagnetism, both in terms of his science and his wider life.

The Scientific Life

The Scientific Life
Author: Steven Shapin
Publisher: University of Chicago Press
Total Pages: 488
Release: 2009-08-01
Genre: Science
ISBN: 0226750175

Who are scientists? What kind of people are they? What capacities and virtues are thought to stand behind their considerable authority? They are experts—indeed, highly respected experts—authorized to describe and interpret the natural world and widely trusted to help transform knowledge into power and profit. But are they morally different from other people? The Scientific Life is historian Steven Shapin’s story about who scientists are, who we think they are, and why our sensibilities about such things matter. Conventional wisdom has long held that scientists are neither better nor worse than anyone else, that personal virtue does not necessarily accompany technical expertise, and that scientific practice is profoundly impersonal. Shapin, however, here shows how the uncertainties attending scientific research make the virtues of individual researchers intrinsic to scientific work. From the early twentieth-century origins of corporate research laboratories to the high-flying scientific entrepreneurship of the present, Shapin argues that the radical uncertainties of much contemporary science have made personal virtues more central to its practice than ever before, and he also reveals how radically novel aspects of late modern science have unexpectedly deep historical roots. His elegantly conceived history of the scientific career and character ultimately encourages us to reconsider the very nature of the technical and moral worlds in which we now live. Building on the insights of Shapin’s last three influential books, featuring an utterly fascinating cast of characters, and brimming with bold and original claims, The Scientific Life is essential reading for anyone wanting to reflect on late modern American culture and how it has been shaped.

Color in the Age of Impressionism

Color in the Age of Impressionism
Author: Laura Anne Kalba
Publisher: Penn State Press
Total Pages: 713
Release: 2017-04-21
Genre: Art
ISBN: 0271079789

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.