Early English Stages, 1300 to 1660: Plays and their makers to 1576
Author | : Glynne William Gladstone Wickham |
Publisher | : Columbia University Press |
Total Pages | : 408 |
Release | : 1959 |
Genre | : English drama |
ISBN | : 9780231089388 |
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Author | : Glynne William Gladstone Wickham |
Publisher | : Columbia University Press |
Total Pages | : 408 |
Release | : 1959 |
Genre | : English drama |
ISBN | : 9780231089388 |
Author | : Glynne Wickham |
Publisher | : Routledge |
Total Pages | : 465 |
Release | : 2013-06-17 |
Genre | : Performing Arts |
ISBN | : 1136288392 |
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author | : Darryll Grantley |
Publisher | : Cambridge University Press |
Total Pages | : 445 |
Release | : 2004-04-05 |
Genre | : Literary Criticism |
ISBN | : 1139451707 |
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Author | : John D. Cox |
Publisher | : Columbia University Press |
Total Pages | : 590 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780231102438 |
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Author | : John Sherman Porter |
Publisher | : |
Total Pages | : 2232 |
Release | : 1924 |
Genre | : Corporations |
ISBN | : |
American government securities); 1928-53 in 5 annual vols.:[v.1] Railroad securities (1952-53. Transportation); [v.2] Industrial securities; [v.3] Public utility securities; [v.4] Government securities (1928-54); [v.5] Banks, insurance companies, investment trusts, real estate, finance and credit companies ( 1928-54)
Author | : Catherine Belsey |
Publisher | : Routledge |
Total Pages | : 198 |
Release | : 2014-06-17 |
Genre | : Literary Criticism |
ISBN | : 1317744438 |
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.
Author | : Mimi Yiu |
Publisher | : Northwestern University Press |
Total Pages | : 331 |
Release | : 2015-11-15 |
Genre | : Architecture |
ISBN | : 0810129868 |
Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change. Engaging theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public.
Author | : Peter Happe |
Publisher | : Penguin UK |
Total Pages | : 809 |
Release | : 1975-11-27 |
Genre | : Drama |
ISBN | : 0141921935 |
Humour, pathos and suffering, and the culminating drama of the Crucifixion and Resurrection, give these plays a wonderful immediacy. Their action was conceived on a cosmic scale and all the enthusiasm and vitality of their writing is retained to this day. The energies of whole communities, notably at Chester, York and Wakefield, were devoted to their production and they were to influence later dramatists significantly. The grand design of the mystery plays was to celebrate the Christian story from 'The Fall of Lucifer' to the 'Judgement Day', and this volume contains thirty-eight plays, forming in itself a composite cycle and including almost all the incidents common to the extant cycles.